Lovesusti The Worst Film Ever

AniInterview Sorry, this movie sucks

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Peter Young Well, this is typical Madhur Bhandarkar stuff, which pretends to be of superior quality but in actual fact is just another junk. A predictable film which aims to explore the world of life in a jail through the story of a good guy wrongly accused and jailed for no fault of his own, and well it cannot get more boring thanks to the poorly written script, and the stereotypical characters. Bhandarkar likes to explore, and devote each new project to another field, but his research for this film is marred by his own, erroneous and highly immature interpretation of what he had probably studied. The proceedings just do not ring true, and not once do you get reminded of those old Hindi films which portray the judicial system as totally corrupt. Neil Nitin Mukesh is just not convincing enough. He was a nice new find back in Johnny Gaddaar and the only film in which he managed to leave a mark for me was Saat Khoon Maaf. Otherwise in this film he's left struggling with what seems to be a great lack of acting chops. He often looks wooden, awkward, even though he does have his moments which sadly are few and far between. Mugdha Godse is just there in the role of a girl who is frankly too good to be true. Manoj Bajpai is wasted as the self-righteous prisoner. Jail just doesn't word, better avoided.

namashi_1 Accomplished Filmmaker Madhur Bhandarkar returns with a yet another Hard-Hitting & Moving experience in his latest offering 'Jail'. A film that shows a 'Jail' & it's 'Inmates' like never before. An Icredible Attempt.'Jail' is a winner all the way, a film that is not only a gripping tale, but also, a film that you take home. After you watch 'Jail', one thing is for sure, and that is that you'll never want to attempt a crime or even dream about it in your nightmares. A criminal is a criminal, he needs to punished,,, no doubts on that. But there some people that are kept in those torture-cells, while some are proved not guilty or one's trial has not begun. A film that raises god knows how many questions, & seeks for answers. Well, god knows weather will they be ever answered or not! In the acting department, Neil Nitin Mukesh steals the show with an Icredible performance. He's exemplary in the role of a wrongly-accused inmate. Manoj Bajpai is, as always, good. Mugdha Godse plays her part with honesty. Arya Babbar is excellent in a brief role. Others lend able support.'Jail' is an eye-opener, a film that might have bombed at the box office, but this dark & gripping tale is sure to achieve a cult following in the coming years. Strongly Reccmended!

sangitau2007 It may not be a hit in BO but it is one of those few films which stays in your heart forever. Neil Nitin Mukesh is amazing in this movie. The movie rests on the strong shoulders of Neil Nitin. He has excelled in his performance.Parag Manohar Dixit (Neil Nitin Mukesh) is a successful executive, living with a roommate who is a bit of a weirdo — his mobile phone always seems to have a poor network whenever the guy is in town, and he constantly uses Parag's phone. Parag's air-hostess girlfriend, Manasi (Mugdha Godse), warns him against the weirdness, but Parag laughs it off, saying that such things (he even uses Parag's underwear and towel occasionally) are normal with bachelors.But it's not so simple: one evening, Parag picks up his roommate from a pub and the cops get after them. His friend opens fire on the cops and is critically wounded by the police, and drugs worth over a crore are found in the vehicle.The world goes upside down for Parag: he is remanded in police custody; a greedy lawyer sucks money from his mother (Navni Parihar) and girlfriend like a leech drawing blood; and once incarcerated, he gets to stay in conditions and an environment that he never had imagined before. His roommate lapses into coma and soon dies — and with him, seemingly, Parag's acquittal on a serious drugs charge seems a remote possibility, especially as many bail applications are rejected.The long battle begins and soon, Parag is broken, shattered, a programmed automaton who suddenly gets into frenzies and vicious temper bouts. The inmates in jail all have one common thread: hope, irrespective or whether rich or poor, innocent or guilty, law-abiding or lawless and sentenced or awaiting trial. And Parag will never be the same again, but life-term convict Nawab (Manoj Bajpayee) would want him to be the same man when he goes out a free man and not get embittered or even lured by in-jail mafia that operate along with corrupt cops, represented by Karim (Aarya Babbar) and his clique.Some people say that the scenes in jail and the atmosphere created by Madhur Bhandarkar is very claustrophobic but that's how it should be ! There was no scope of music in this kind of movie but the songs are very intelligently woven in the film, My fav are Data sun le & Milke youn laga. As a whole it is a must watch film !

bobbysing Madhur Bhandarkar is one of those rare talented directors who has mastered the art of making movies out of the newspapers. Continuing his series of films based on real life instances, he strikes again with a dark, uninviting and somehow upsetting movie on an unconventional subject of Jail and the life of its inmates.Before going into further details, one thing you have to keep in mind before watching "Jail" is that it's not the usual witty and gossipy kind of subject chosen by Madhur this time. As suggested by the title itself, the theme is more cruel, dark and depressing which is also in complete contrast to Madhur's previous famous films. It is even more harsh than his "Traffic Signal" having no room for any comic, humor or sex references. So if you have opted for the movie looking for some great entertaining stuff then you are definitely sitting in the wrong theater.But at the same time "Jail" is also not at par with Bhandarkar's earlier highly appreciated works. For the first time he has opted for a completely predictable and seen before kind of script which has not got any shock treatment for which Madhur is more famous for. The story is anybody's guess where a young boy is wrongly framed under a drug case and has to spend a few painful years in Jail for a crime which he had never committed. Now the problem here is that the miserable ambiance of Jail and the life in it has been already shown in many movies before. The grouping system in the convicts, usual fights between the inmates, the use of money for their personal comforts and the underworld operating from the jail, everything has been there on the screen umpteen times before Madhur's elaborate movie on the subject. So there is nothing new in store for the viewer, which usually is the first expectation from a Madhur Bhandarkar project. And that's where "Jail" fails to deliver to a great extent.However, the director's excellence is still evident in a few well conceived sequences related with some important characters in the script. Especially the sub-plots of Manoj Bajpayi (Nawab) & Rahul Singh (Ghani Bhai) are brilliantly handled by Madhur in his famous trade mark style (But I found no justification in Nawab killing his own kid brother without any reason). Madhur even explains the relationship between Monsoons and Jails in a very impressive manner. Besides this the narration showcases the questionable process of law and the greedy lawyers operating freely in this corrupt ongoing system. In addition to the above, the director also incorporates the real life inspiration angle in the movie taking references from the famous BMW Hit & Run case, Cricket bookies now found in every city and the hidden truth of homosexuality in the Jails. Apart from his much applauded direction, the other department in which Madhur has got a great understanding or instinct is the Casting. He is simply perfect in his choice of actors for a particular role. For instance Neil Nitin Mukesh as the main protagonist, Manoj Bajpai as Nawab, Rahul Singh as Ghani, Arya Babbar as the influential inmate, Mughda Ghodse as the helpful lover & Atul Kulkarni as the savior lawyer, every one suits to their respective roles so perfectly. Undoubtedly the best act comes from Neil as the innocent helpless boy, followed by Manoj Bajapai giving a worth watching performance as per his reputation. Neil impresses with his superb expressions depicting the solitude and sufferings faced by his lonely character. On the other hand, Manoj speaks more through his effective stares and exceptional body language. The climax is the best part of the film which has got the Bhandarkar power in it but I think the movie could have been a bit shorter by few minutes to make it a more engrossing watch.The script has got no scope for any full length songs. Still there are few quick numbers added into the story which actually don't serve any particular purpose. The compositions are not melodious enough to get register and even the Lata Mangeshkar prayer track is not able to move you either emotionally or musically. But the realistic set of prison and cinematography both deserve a prasing mention for their remarkable contribution.On the whole, "Jail" is too realistic and gloomy to be liked by everyone. Moreover the repetitive and predictable content of the movie will prove to be its main drawback at the box office. It is thought provoking for sure but not after you have left the theater.Yet there is one moral lesson I concluded from the movie which I would like to share with you all. It gave me the precious insight that….."CRIME is the unwanted and illegitimate child of ANGER and we should always take care of the precautions before it gets conceived" - bobbysing