FeistyUpper If you don't like this, we can't be friends.

Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Curt Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

ruthann-renaud I remember watching this show in the late seventies and thinking "McLean Stevenson left MASH for this?!" But the show began to grow on me and it was fun watching a single dad raise two teenaged daughters. One episode that hit home with me was when Ruthie decided to rechristen herself as Ruth. That's my name (officially Ruth Ann, but call me Ruthie) and I can relate to being Ruth (serious, professional, etc.) as well as Ruthie (cute, informal, etc.)-it's been going on for almost 55 years. Granted, this show will never equal MASH, but McLean Stevenson could be knock-down funny when he wanted to and it was sad to see him go through so many projects (the reason he left MASH was to possibly host the Tonight Show) and it was sad to see him die without equaling his work on MASH. The show got better when Krista Errickson replaced Donna Wilkes as older daughter Diane and the other cast (Joanna Gleason, Ruth Brown, Meadowlark Lemon, etc.) did very well. This was a show that should've gotten a better chance. And that's the Ruth(ie).

westpac "Hello Larry" was part of Fred Silverman's attempt to ruin, er, resurrect NBC from the ratings doldrums. Amongst other great works he begat "Supertrain," "Turnabout," "Diffrent Strokes," and "Hello Larry." Despite it's abysmal badness, the show ran for two seasons simply because so many of the network's offerings bombed that they had nothing better to run, a fact that beleagured network execs cheerfully admitted to. While the show was lousy and never drew good ratings (despite often being paired with "Diffrent Strokes") Mac at least was a "name" actor and supposedly a proven commodity. Poor McLean Stevenson, so loveable as the boob Henry on "M*A*S*H" never again found material as good. Unfortunately unlike fiascoes like "In the Beginning," "Condo," or even "The McLean Stevenson Show," "Hello Larry" ran long enough for people to remember it as the series that wouldn't die, and poor Mac is now probably as well remembered for being trapped in TV purgatory there than he will be for "M*A*S*H."

Brian Washington This show could have been seen as the male equivalent of One Day At a Time. Only instead of a divorced mother raising two girls, it was a divorced father raising two girls. The only thing that was wrong with the show were the inane scripts that crippled the show from the start. The only memorable episode was the one in which the oldest daughter was caught with drugs that were planted on her. This episode was the showed what every parent goes through when they suspect that their child might be using drugs. However, this was the only memorable episode from an otherwise forgettable show.

45RPM This quasi-spin-off of Different Strokes brought well-loved McLean Stevenson back to the airways after his departure from MASH. This was one of the first to ACCURATELY portray a single father's struggles raising two young daughters. It never really developed a following, and the numerous scheduling changes made it difficult to find. This is an ideal candidate for TV Land.