Meatballs: Part II

1984 "The insanity continues..."
3.7| 1h27m| PG| en| More Info
Released: 27 July 1984 Released
Producted By: TriStar Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

The second in-name-only sequel to the first Meatballs summer camp movie sets us at Camp Sasquash where the owner Giddy tries to keep his camp open after it's threatened with foreclosure after Hershey, the militant owner of Camp Patton located just across the lake, wants to buy the entire lake area to expand Camp Patton. Giddy suggests settling the issue with the traditional end-of-the-summer boxing match over rights to the lake. Meanwhile, a tough, inner city punk, nicknamed Flash, is at Camp Sasquash for community service as a counselor-in-training where he sets his sights on the naive and intellectual Cheryl, while Flash's young charges befriend an alien, whom they name Meathead, also staying at the camp for the summer.

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Reviews

Solemplex To me, this movie is perfection.
Portia Hilton Blistering performances.
Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
mnpollio The 1980s were crammed with pointless forgettable adolescent comedies and sequels of which this entry is a prime example. Contrary to popular thought, the original Meatballs was really no classic but merely a mildly amusing rude comedy which served as a launching point for Bill Murray's acting career. This in-name-only sequel has no returning cast members and only shares the summer camp setting, but manages some uniqueness for one weakness and one fascinating turn. The main "plot" centers on a rivalry between congenial Richard Mulligan's camp of likable losers and shrill Hamilton Camp's military camp, which builds to a climactic slapstick boxing match with representatives of each respective camp deciding the futures of the camps. Unfortunately, given that Mulligan is not much of a presence and Camp is such a buffoonish cartoon villain, it is impossible to have much rooting interest. Subplots galore come fast and furious. The unique weakness is that the film cannot decide whether it wishes to be a rude adolescent comedy directed to pre-teens or a smarmy sex comedy directed to older teens and thus fails at both. A wretched subplot with a forgettable cast of youngsters sheltering a cheap Yiddish-accented E.T. is included for the tots, but is so bad it would only antagonize them. Then we get numerous scenes where 30-ish horny camp counselor Archie Hahn and his buxom co-counselor Misty Rowe are constantly interrupted in their quest for sex by various chaos. The less said about John Larroquette's mincing gay caricature, the better. Kim Richards and John Mengatti are on hand as a virginal camp newbie and a reluctant reform school guy named Flash forced into being a counselor who naturally start a flirtation. The acting by both suggests that they are better than the material handed them. An interesting turnabout is that the more experienced female counselors decide to band together and help the sheltered Richards see her first naked man before the end of the summer. This is interesting as this is normally a subplot reserved for male characters and this is one of the few teenage movies of this decade that actually had the refreshing insight that female teens may be just as sexually curious as males. What a novelty! It is also the funniest subplot in that the girls various attempts naturally result in confusion, chaos and disaster. Unfortunately, the PG rating restricts any nudity from showing up, so guys looking for any skin from the busty Rowe will not get any and the big climactic scene where the hunky dreamboat Mengatti winds up stark naked in public is filmed with such ridiculous modesty that it ranks more as an anti-climax. For all that, the sequel is largely inoffensive and certainly is better than the dismal two follow-ups (one featuring a young and super-nerdy Patrick Dempsey).
scott_loves_food I was working at an actual summer camp the Summer this piece of crap was released. It was my sixth year at camp, as camper and counselor, and a big bunch of us (counselors) went on a day off to see it, with huge expectations. Needless to say, this 'film' has absolutely nothing to do with the mighty original. Rent the DVD of the original and watch the 'making of' part. It's a third as long and a hundred times better than this "sequel". I give it 2/10 only because there might be enough weed on Earth to make this vaguely amusing. Assuming you're watching it on a TV with only one channel.IMDb demands ten lines of text to post a comment, so I guess they are intimately involved with the cretins that thought this was a viable movie. Actually, I'm sure they made money on it due to a budget of twelve dollars. The film was shot with a MONO soundtrack? Yeah, that's the way to save a couple grand! If only it had gone straight to VHS - I'd have saved my $3.75 back in 1984.
squeezebox To call this movie a sequel to MEATBALLS is stretching the word "sequel" to a ridiculous degree. Other than the fact that both movies take place at summer camps (not even the same one), there is no connection between the two. It's the usual 80's cable TV time filler, with a dumb script, mechanical direction and mostly one-note performances.The only laughs are supplied by such great comic actors as Richard Mulligan, Paul Reubens (aka Pee-Wee Herman), John Larroquette and Hamilton Camp. A subplot which parodies E.T. also managed to make me chuckle a few times.The only other point of interest is seeing a twenty-year old Kim Richards in the lead female role. The little tomboy from ESCAPE TO WITCH MOUNTAIN and NO DEPOSIT, NO RETURN had grown into quite a hottie by 1984. Unfortunately, she leaves her clothes on.If this comes on TV, it's not worth switching the channel. You'll probably laugh a few times, plus you can get up and go to the bathroom and not miss anything. At any rate, it's better than MEATBALLS PART III or (gag) IV.
Joseph P. Ulibas Meatballs Part II (1984) is a major step down from the first film. Once again, whenever a film is a major (or a minor) success they always made a sequel during the eighties. This one is a mediocre effort, not only from the director but the entire cast. Not an unwatchable film but if you're expecting something like the first film you'll be mightily disappointed. If you like weak teenage "sex" comedies this might tide you over.The film concerns the camp site from the first film. Their very existent is being threatened by a local junior boot camp. The two camps have an annual boxing match to settle their differences and in the spirit of competition. But this time the stakes are high, the commander of the camp has made a deal with the rightful owners of the land. This time the boxing match means much more than simple bragging rights. The usual suspects can be found in this film. Such eighties stars such as Kim Richards, Richard Mulligan, Paul Reubens, Jason Hervey and John Larroqutte. Be on the look out for a Jewish space alien!I wouldn't recommend this movie unless you're a huge fan of the Meatball film series.