Black Snake Moan

2007 "Everything is hotter down south."
6.9| 1h56m| R| en| More Info
Released: 02 March 2007 Released
Producted By: Paramount Vantage
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.moanmovie.com/
Synopsis

A God-fearing bluesman takes to a wild young woman who, as a victim of childhood sexual abuse, is looking everywhere for love, but never quite finding it.

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Reviews

Matrixiole Simple and well acted, it has tension enough to knot the stomach.
SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
Ian (Flash Review)The main story intent was overshadowed by the unbelievable and sensational nature of how the story played out. The story revolves around a man finding an abused girl by the side of the road in the Tennessee back country. Beyond her recent beating, she has serious issues. The man feeling compelled to help her…you could say fully takes it on…very sensationally. In what could have otherwise been an uplifting tale just ends up getting twisted on itself in strange ways. The man is working through his own issues so the pair sort of try to lift each other up for the better. Whatever hope the director intended to get at never gets passed onto the viewer. Good acting but Timberlake's character wasn't properly developed. Bizarre movie. Avoid.
ironhorse_iv The title of this film, "Black Snake Moan" refers to a really old song by country blues musician, Blind Lemmon Jefferson in which, the singer talks about his sexual addiction and his moans for love, once more. Full of explicit sexual nuances, Jefferson's song full of unconventional melodic style and utilization of double entendres, was able to fly pass the radar of censorship, back in the 1920s. As much, I like how Jefferson was able to pioneer this style of music. I have to say, actor, Samuel Jackson sings the song, so much better than Blind Lemmon Jefferson, ever did. Jackson was really able to update the song to fit with this new generation with his electric guitar playing, deep shouting gravitas voice, and depth of his character's backstory. It was very moving part of the film. Honestly, most of this movie is very compelling with its controversial subjects that include but are not limited to rape, sexual addiction, parental abuse, anxiety disorders, and religious outlooks. Without spoiling this polarizing film, too much, I have to say, I kinda like the story of the grumpy hermit/ former Blues singer, Lazarus Redd (Samuel L. Jackson) trying to rebuild his life after a nasty divorce, while also, trying hard to cure, a known nymphomaniac, Rae Doole (Christina Ricci) from her faults. It made for a very well-told story. I love all the metaphors and symbolism that this film has to offer, too. A good example of one is the chain that Rae wears around her waist, during most of the film and the type of shirt, she is wearing. If you don't realize it, already Rae represented the South, and its struggles, after the American Civil War. Not only, does her chain, represented the heavy weight of learning to live, with the mistakes and haunts of the past, but her chained up character is also stand-in, for the continuous, ignored issue of modern day slavery. After all, the region, is known for being a strong bible belt, but it also been known to keep that belt unbuckled when it comes to the dangers of having too lust, over the sense of love. The high reports of human trafficking, sexual abuse, and sex slaves is signed of that. Although, the chain can represented, something bad and naughty, it also can somewhat represented the unity that the South has, with its supply chain, when it comes to addressing the issue, in hand. There is no bigger metaphor of that, than the radiator in which Lazarus chain up Rae. It represented, the ever changing social climate of the South, as conflicts can indeed heat up, or cool down. No matter, how far, you run away from your issues. You will always been weighted down, by what society, thinks and wants from you. It's only, when you able to address the past, and learn to live with yourself, in a moral life, is when the removal of the chain, can be seem, as a meaningful step toward a better future. Another thing, I like about this film is that Lazarus, isn't a mysterious 'magical black negro' type character with no backstory, nor does Rae represented the 'Manic Pixie Dream Girl' that is there to save his soul. In many ways, both characters are well-defined, with each, having their own issues to deal with, on their own, with or without the help from the other. Nobody is depended on the other, at all. Like Lazarus's namesake, it's about the redemption and resurrection of two, clearly mess up people. However, people might not see that, through the film's poster and exploitation marketing. The way, they market, this movie makes it, seem like a more like a porno than a character study film. It really does overblows the potential fetish fuel of the film, at the expense of everything else. It's not the best. Don't get me wrong, Christina Ricci is one, attractive woman, but her character wasn't made, just for nudity and fan service. She really, put some work, in showing how ugly and unhealthy, Rae can really be. She really does look pale and pasty. Even Samuel L. Jackson, ugly himself up, by letting his hair grow out, not dying or shaving, to show, how wash-up, his character has become. Both actors, really made their character, their own. I also have to give, mad props to both, the supporting actors in this film. Justin Timberlake as Rae's boyfriend, Ronnie was great. He really was, able to show his character emotional crutch, with the way, his body language moves. He really did seem like he suffers from extreme social anxiety. It really shows Hollywood, that the then-newly made solo singer can indeed, acted. Another person that need some praise is Michael Raymond-James as Ronnie's friend, Gill Morton. He was able to show both, his loving cares and hateful lust for Rae, making his performance, a very sympathetically real-life person. Even thought, he tries to make advances on Rae, which is a no-no, in my picture; I still can understand, what stress, he had to deal with when dealing with mess up people who supposed to be your friends. Overall: While, still many viewers will undoubtedly be offended by director Craig Brewer's representation of a still-segregated, racist South; I have to say, I love how the film acknowledges the importance of sex, while also highlighting the danger of having sex irresponsibly, all without being too heavy-handed and preachy. I also cherish the film, for its use of 'Delta Blues' type music and how well-shot, it was. In the end, this clever morality tale about two unlikely characters is a must-watch. I do recommended. It's pleasantly amazing.
zaba_53 I finally got around to watching this film last evening. I had avoided it based on some reviews and the nasty impression most of the film's publicity and advertising gave me, especially the images. I believe that by pandering to that part of the public that looks for nothing but "sex and violence" in their entertainment, the publicists removed any opportunity for the film to be taken seriously. And it should be taken seriously.Had this film been a foreign film produced during the 1960s or 1970s, for example, it wouldn't have been promoted so inanely and at such a primitive level. It would have been pushed as a sensitive study of two very troubled lovers caught up in a tangle of suffering and misunderstanding. Minus the level 50 IQ posters of half naked women in chains, the story would have a chance to be seen for what it is.I like this film. I like it a lot and it had nothing to do with Ms. Ricci gallivanting around in the all together. I liked it because I understood it and my guess is that most of the critics that panned this film haven't seen enough life to understand what they were really watching.Bravo to the writers, cast and director for a beautiful, sensitive piece of work and shame, shame on the low life Hollywood hucksters that brought the entire advertising campaign of an adult film down to their own gutter level juvenile thought process. This film has my highest recommendation.
ArT_of_InSaNiTy Sitting about bored i decided to search Netflix for a film and whilst scrolling along the title "Black Snake Moan" caught my eye. I had seen this film when it was released, but as i was younger it didn't invoke as much interest as it did now. This film is sensational. The story is riveting and what can be said about Samuel L Jackson and Christina Ricci? Both knocking it out of the park; completely in sync with each other....in sync....N SYNC!!!!! Which brings me to Justin bloody Timberlake.This guy is a scene sucking, drama devouring waste of space. I just cannot comprehend why, why any director would sacrifice the overall brilliance of a film by casting someone because of their success in another field of entertainment. He is a singer!!!! Not an actor. He is terrible. Every "emotion" he extracts shows this obvious desperation and it is a punch to the face of the viewer. Watching two powerhouse performances and then a little cretin coming onto scene and destroying the credibility that was once soaring to great heights. Brought back down to earth with a FUD. By the end of the film i was trying to hold onto all the great moments in the film; Jackson's soulful music, Ricci's captivating cry for help. But at the back of mind is this little sting, a prick if you will, that because of a certain somebody the film feels tainted.Damn you Timberlake, i hate you.