Evengyny Thanks for the memories!

Donald Seymour This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

FlashCallahan It's 1990. The rave scene has arrived, and warehouse parties are exploding across the UK bringing wealth to the organisers. Matt and Dylan long to be more than just punters. As the government moves to outlaw the scene, it's now or never and they quickly rise through the ranks to join the promoting elite. They are taken on a journey from the VIP rooms of London to parties in Ibiza, and the hedonism of Amsterdam. But as their success continues to grow, they attract a dark and sinister world. Matt and Dylan start to drift apart as they are forced to question the dreams they set out to achieve and their once solid friendship......Again, nostalgia is the order of the day here to enable the viewer to enjoy the film that little bit more, because, as with all these films, the story, and narrative has been done a dozen times before.Lads start to make it big in the rave scene, get noticed by some bad lads, and then get too involved, and then it's too late. As always, one goes over the top, and then the other decides to go straight, because he has a girlfriend.We've seen it before, and before you can say 'injected with a poison' one owes lots of money to the character who is constantly angry for no reason.But it all ends as you'd expect, the cast are great, especially O'Connell, and it's well paced.It's just a shame that the makers didn't do more research into 1990, as some of the music wasn't released until much later (Ken Doh: I Need A Lover, wasn't release until 1995), and makes you roll your eyes a little.But worth seeing.

wheres_lee-181-462483 I saw this film in the local DVD hire shop and thought 'wow' this looks good acid house music, 1990, the guy out of Eden lake, it should be good. This film could have been amazing,there were too many anachronisms (the phone box, the bank notes, the vehicles that can be seen on the Amsterdam scene and the majority of the soundtrack! notably Nakasaki from 1995 ). The warehouse scenes were poor, no gurners, no sweaters no wide eyed crazy dancers. The costumes could have been better I was expecting acid face t shirts, shell suits, baggy jeans and some curtains or mushroom haircuts. On the plus side I liked Dylan's hair do, the acting was good from the main characters, John the rat and his mob looked the part. younger audiences will probably enjoy this but as someone who was around in 1990 wearing a shell suit and listening to tunes on a Walkman I wanted more.

rosskiwrongun I don't think they nailed the drug scene accurately, but its a cool film none the less.I liked the music and sound track. I liked the venues and different locations. The plot was easy to follow and I didn't get bored at all. Difficult to compete with the original Human Traffic movie but I collect clubbing movies so I can happily add this one to my movies shelf ;-)I don't really have much more to say about it. i have no idea why I must write 10 lines of review.

Red-Barracuda Weekender follows a couple of young guys in Manchester in 1990. The pair of them are petty thieves but soon realise that they can make some money if they begin organising their own raves. Everything starts out well but serious problems soon complicate things.Weekender is a likable snapshot of the early 90's when dance music as we now know it was just emerging from the underground. Many people started going along to raves and got loaded on ecstasy. While the movie follows the usual trajectory of ascent and descent, similar to films such as Human Traffic it doesn't have a 'drugs are bad' message. Instead the villains of the piece are local gangsters who turn up on the scene and start controlling things with force. Weekender does look back on those early 90's times with a certain amount of fondness and there is an effective soundtrack of house music to emphasise the sense of time. The music isn't the usual familiar array of well known dance anthems from the time; it goes for a more specific selection of tunes that ravers would have encountered back in the day.In fairness there isn't anything overly new in Weekender. Its story doesn't really offer up any surprises at all. However, it's a good little movie about an important time in British music history.(no pills were popped in the watching of this film)