Sexyloutak Absolutely the worst movie.

Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

Portia Hilton Blistering performances.

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

dbdumonteil There is a French touch in this western which is closer to a political fable than to the usual stuff.Besides,the family Parker meets is French ,which is very rare in the genre.Jeanne Dubois tells him so :"we came in America ,because we were in search of liberty";if the movie takes place at the end of the Civil War,then it was still )Napoleon (the Third , the nephew of Bonaparte)who was ruling the country (1848-1870);it was a dictatorship that led the country to war with Prussia / Germany (with disastrous consequences later in the twentieth century).Hence Jeanne's remark ,even though she does not hint at both emperors at all.On the other hand ,Luke Darcy admires Napoleon (the First),with his inflated ego;it's not a cardboard character though ;he is a true demagogue,like far-right wing leaders ,he promises lots of things (schools ,hospitals),he's perhaps convinced he works for the greater good of his future subjects ,for he has an empire in mind ;and yet he remains deaf to the father's plea .As for Parker's wife ,her fate remains ambiguous ;as is his relationship with his enemy who reminds him of his own brother.In spite of some implausibilities (the little girl survives the stampede),the story is not that simple .A note about Nicole Maurey ,who recently passed away:she began her career with a masterpiece ("Journal D'Un Curé De Campagne " aka "diary of a country priest" by Robert Bresson) ,then continued to work in her native country ("Action Immédiate" )and in the US ('secret of the incas" opposite Charlton Heston.);but trying to do too many things at once ,she never became a true star in both countries.Henry Silva ,who plays a supporting part in "the jayhawkers" ,enjoyed a career in Europa (mainly in Italy) in the seventies .

bkoganbing The Jayhawkers maybe unique in the annals of screen history in that as a film with a Civil War era plot it makes absolutely no mention of slavery. Nor are there any black people in this cast.What we have here in ante-bellum Kansas is the story of Luke Darcy who envisions himself as starting some kind of fascistic territorial republic in the struggle for Kansas's loyalty. Jeff Chandler plays Darcy and he is a fascinatingly evil man with a great deal of charisma. To bring him down military governor Herbert Rudley uses ex-renegade raider Fess Parker. Parker and Chandler have a history and it involves Parker's late wife who Chandler ran off with and abandoned. Parker's got ample reason to just shoot him down like a dog, but Rudley wants him alive to stand trial. Complicating things further is Nicole Maurey and her two kids who Parker's fallen for and then Chandler takes an interest when he sees her. The story does get a bit silly at times, but the players are all doing their best. Henry Silva plays one of Chandler's raiders who has an incredible jealousy of Parker and a barely disguised gay crush on Chandler. Jerome Moross wrote the music score and it's lively and quickens the pace of this film. Fans of the Wagon Train series will recognize parts of the score as Wagon Train's theme. The story of Kansas before the Civil War, usually with John Brown as the protagonist has supplied the cinema with a whole range of films. The Jayhawkers with the charismatic, fascistic, but wholly fictitious Luke Darcy is far from the best one ever done.

MisterMickey A fun to watch western containing Fess Parker's best performance, the show is stolen by Jeff Chandler's performance as the baddie you hate to see taken down. However, as outstanding as Chandler is, the real star of the film is Jerome Moross' pulse-pounding score, which predates his legendary music for THE BIG COUNTRY. It's every bit as good, if not better. Henry Silva is (of course) scuzzy as a hired gun.Catch it. Any western fan won't regret it.

telegonus If you're going to watch a Jeff Chandler western, this is the one to see. I'd hestitate to call it a masterpiece, but it's a damn good try. Produced and directed by the team of Norman Panama and Melvin Frank, it is a tale of conflicting loyalties, megalomania, love, hate and a number of other issues I can't remember, in pre-Civil War Kansas on the eve of the Civil War. Star Jeff Chandler, who portrays the megalomaniacal but withal personally decent and charismatic bad guy, is quite good here. He had spent a decade in action pictures and romances, with an occasional comedy thrown in for good measure, and yet had not achieved major stardom. A mid-level star of the kind of medium grade movie that was going out of fashion, he was on the verge of becoming an anachronism; and had he not died a couple of years after this film one wonders what would have happened to him and his career. In The Jayhawkers he shows what he might have become: a fine, commanding, aristocratic character actor.As the second-billed good guy, Fess Parker, fresh from his triumph as Davy Crockett a few years earlier, was attempting a mainstream, post-Disney career. Low-key and phlegmatic, and not without appeal, he lacks the edge of a Mitchum that might have propelled him into the big leagues, and is for the most part an uninteresting hero. Nicole Maurey is the incongruously Gallic love interest, and one can't help be curious as to why she was cast in this film. She was a lovely young woman, but way out of place here.Loyal Griggs color photography is as good as his work in Shane, and far less mannered. The music of Jerome Moross is stirring and in its way as good as anything Dimitri Tiomkin ever did. With its larger than life good-bad guy, and reasonable (for a movie) historical accuracy, this could have been a major film. The problem with it is that though Panama and Frank were quite good at light comedy, they were inexperienced in the western genre. Frank does a good, derivative job of drawing from Ford and Hawkes; and there are some breathtaking vistas. There is even a touch of Nicholas Ray in his creative and interesting use of interiors, especially the main hideout. And Chandler gives an at times daring performance, with occasional lapses into mild effeminacy in his vocalizing and posture, his work is well-rounded and sophisticated, suggesting that his character's feeling for Parker is more than just friendship. Alas, this daring aspect of the story is never gone into with any depth or insight, and the result the movie is a near-miss, but a fascinating one.