Carry On Cowboy

1965 "How the west was lost!"
6.2| 1h33m| en| More Info
Released: 26 November 1965 Released
Producted By: Peter Rogers Productions
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

Stodge City is in the grip of the Rumpo Kid and his gang. Mistaken identity again takes a hand as a 'sanitary engineer' named Marshal P. Knutt is mistaken for a law marshal. Being the conscientious sort, Marshal tries to help the town get rid of Rumpo, and a showdown is inevitable. Marshal has two aids—revenge-seeking Annie Oakley and his sanitary expertise.

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Peter Rogers Productions

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Reviews

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.
Abbigail Bush what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
lastliberal Not as good as the last one I saw, but it had it's moments. Jim Dale was funny as the Marshall, and Angela Douglas (The Four Feathers) really spiced up Annie Oakley.Kenneth Williams was very funny as the judge, with Sid James as The Rumpo Kid. They all looked like they were having a real good time making this film.Along with Angela Douglas, this was the first film for Bernard Bresslaw (Little Heap), Peter Butterworth Doc), and Playboy model Margaret Nolan (Dink in Goldfinger).Not one of the best, but funny, nonetheless.
Jackson Booth-Millard The Carry On team this time, in a British film acting as Americans, spoof the great westerns. Basically Johnny Finger, the Rumpo Kid (Sid James) is the suspicious new arrival to the town of Stodge City, and Major Judge Burke (Kenneth Williams) is convinced he's either up to or guilty of something. So he sends for Marshal P. Knutt (Jim Dale), mistaking him for a Marshall when he's really a plumbing and drainage expert. There is no real plot or story to it, but then again, hardly any westerns I've seen do. It is a good film for all the misunderstandings jokes, some fight scenes, including with Chief Big Heap (an almost show stealing Charles Hawtrey) and just the whole Carry On premise. Also starring Joan Sims as Belle Armitage, Angela Douglas as Annie Oakley, Bernard Bresslaw as Little Heap, Peter Butterworth as Doc; Percy Herbert as Charlie, the Bartender and Jon Pertwee as Sheriff Albert Earp, but where's Barbara Windsor when you want her? Carry On films were number 39 on The 100 Greatest Pop Culture Icons. Good!
m_pratt Cowboy is an excellent film everyone is top notch. It is a classic there could not be a better western carry on than this. This is the one to start with. Dale is excellent as Marshall P Knutt, as is Angela Douglas as Annie Oakley. Joan Sims is excellent as Belle Armitage the sizzling western women.Charles is great as Big heap as is Bresslaw as little heap.the film is brilliant, this shows that the producers really put the effort in to it and it does show. Sid of course plays the Rumpo kid the outlaw of the area and makes a brilliant job of it.This is one of the finest carry ons the series ever made. The plot of the story is as follows. Stodge City is a rough town out in the middle of the wild west. It is being terrorised by the Rumpo Kid Sid James Marshall P Knutt is being sent to clear up the town and he is a sanitation engineer i will not spoil too much of the film so carry on watching!!
VLeung This is virtually a straight copy of those Bob Hope Westerns like Paleface and something or other Jesse James. Weedy bloke becomes sheriff after case of mistaken identity. With Carry On films, though, there's the Jim Dale rule, which is that the movies Jim Dale stars in are usually sweet, with a bit of a plot, and the ones he doesn't tend to be pre-peak or just terrible, like At Your Convenience or the camply awful Girls, both of which remain fascinating social documents but are genuinely bad films. Cowboy isn't a good film, of course, but it is likeable. There's a great song. Sid James isn't the romantic lead, so you can breathe a sigh of relief and just sit back and enjoy it. Watch without irony - it's not cool to pretend there's another level to this pretty bad but genuinely charming little British film.