Matialth Good concept, poorly executed.

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

robert-temple-1 This is a good 'rainy afternoon film'. It is harmless, entertaining and well made. It was directed by old pro Richard Thorpe. Robert Taylor plays an independent sailboat owner based on the southern coast of England (with the script explaining why he is an American) who 'takes people where they want to go'. One day a mysterious man with a briefcase who calls himself Mr. Anselm books his boat for a coastal tour. After setting out, he says he wants instead to go to a port in the Netherlands. Taylor is not supposed to do foreign trips without permission from his harbour master, but as he is offered a substantial amount of money by the man (whose briefcase is stuffed with cash), he agrees. The man says he is Dutch and hence does not normally get seasick, but on this occasion he says he does not feel well at all, and goes to lie down in his cabin. Later when Taylor takes him a cup of tea, he finds the man lying dead on his bed. We later discover that he has been murdered by someone tampering with his insulin supply before boarding, as he was a diabetic. Taylor uses the little key hanging round the man's neck on a chain to open the briefcase, and takes the cash owing to him, leaving the rest intact and shutting the briefcase. In using the key, he accidentally discovers that the man has taped to his chest, under his shirt, a small envelope containing a little hand-drawn map. He puts it back and goes back on deck, to steer into the Dutch harbour. Before he can get there, however, a pretty girl comes up in a small motorboat saying that she is the dead man's daughter. Taylor breaks the news to her and she says she wants to look at her father, and goes down below. Taylor follows her after a while and finds her ransacking the cabin, looking urgently for something. She has pried open the briefcase and is searching everywhere. She runs away, gets back in her boat and goes back into the harbour. Taylor looks and sees that the map is still taped to the man's chest, and that she has missed it. He takes it and hides it in his private stowaway with his gun. He later discovers that the girl was an impostor and was not the dead man's daughter at all. The intrigue deepens as Taylor is taken into custody by the Dutch police and removed to the Hague, where a senior Dutch police inspector is played by a gruff Donald Wolfit. He informs Taylor that the dead man was really a Mr Sluiter, who was head of the Hague Police Force. He had made a secret trip to England as part of a confidential investigation. The plot thickens and thickens and thickens, with villains turning up, some unctuous and rich, some thuggish. The fake daughter gets murdered, and there is menace all around. David Kossof is particularly brilliant as a supporting actor, playing a character named Willem Dekker. He adds a great deal of liveliness to the film. This is all good fun and well recommended.

bill-790 "The House of Seven Hawks" would have been much better had it been produced by Robert Taylor's old employer, MGM. Instead, the film turned out to be quite a disappointment for Taylor, a man who had been a major star for two decades. I will say this; the opening is quite intriguing. Taylor's character agrees to transport a man from England to the Continent by boat, and does so. After arrival, however, he soon discovers that this simple business deal is quite a bit more complicated than what he expected.Sadly, the film does not take advantage of this clever opening. From that point on, it is rather routine.As others have suggested, this ends up being a rather lackluster B effort not close to the level of the films Taylor made for MGM. In that regard, this movie is similar to the 1959 efforts of Alan Ladd, a man whose great success in the 1940s and early 1950s was followed by some very mediocre productions. (In Ladd's case, the actor himself was largely to blame due to very poor judgment regarding choice of film projects.)My admiration for Robert Taylor has grown over time. He was a better actor than many gave him credit for. (I recommend his performances in "Bataan" and "Johnny Eager.") Sadly, this particular movie, though watchable, did nothing to enhance his reputation.

Boba_Fett1138 This movie just doesn't have the most exciting or best mystery-elements around. It's a rather dull movie that lacks most of the required genre elements. Although it tries in parts- this is no film-noir but even for a 'standard' thriller type of movie this one just isn't good enough.The story isn't the most interesting one around but it's even worse how the story is told. Some of the sequences go on for far too long, without anything interesting happening in it. Problem is that the story felt the need to put in way too much (redundant) dialog. Guess that they just desperately tried to make the movie longer, since it's a quite short one (92 minutes). The movie really isn't build up well and in the beginning it's too unclear were the movie is trying to head to.The movie picks some weird and unbelievable plot-lines. Besides that, the movie also doesn't offer any real surprises. It's pretty clear from the beginning on who are going to be the good and bad guys and gals of the movie. It's true that the movie gets better toward the end but it's all too late to still fully save the movie. In its build up the movie simply lacks all the things needed to make a good and tense genre movie with. For a thriller this movie is just too dull and totally not interesting enough to follow. The characters all remain too flat and the only established actor in this movie is Robert Taylor, who does his very best but just can't carry this movie on his own. I mean this movie is not even good or really interesting to watch for the most hardened Robert Taylor fans.For me it was a big plus that the movie is set and actually filmed- and almost entirely set in The Netherlands. It was all very recognizable. It's locations and atmosphere works well for the movie, although it's too bad that they didn't made the trouble to cast Dutch actors in the roles of Dutch, not even for the bit parts, which was a bit distracting but obviously only should be so when you're Dutch yourself.By no means the worst genre movie I've ever seen but just not among one of the best or most refreshingly original ones either. Somewhat watchable but not really recommendable to anyone.5/10http://bobafett1138.blogspot.com/

saintsday Very disappointing.Taylor was a very good looking man which netted him a good career in Hollywood and this film at least showed that he could swim! His acting ability did'nt amount to much but this film made no demands in that department.