Tarzan and the Mermaids

1948 "TARZAN DEFIES THE MAN-GOD'S TERROR - to Save the Queen of Pearl-Divers!"
5.5| 1h8m| NR| en| More Info
Released: 15 May 1948 Released
Producted By: Sol Lesser Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A high priest tries to force a young beauty to marry a pearl trader who is masquerading as the god Balu.

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Director

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Sol Lesser Productions

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Reviews

Salubfoto It's an amazing and heartbreaking story.
Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
Loui Blair It's a feast for the eyes. But what really makes this dramedy work is the acting.
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
Eric Stevenson Well, after having one of the most prolific careers in any single role, Johnny Weismuller calls it quits as this is his last "Tarzan" movie. I'm not sure if this is meant to be the last "Tarzan" movie in this series. The main flaw with this movie is that it's too short. We don't even get to hear Tarzan's scream! Anyway, this still isn't really bad. I like how they try to put some variance by having Tarzan and Jane go somewhere else. It was still kind of annoying with how there wasn't much action. I'm used to seeing more of that in these movies.I haven't seen every single one of the films, but it looks like there are certainly things going on. I was thinking that they'd make it so that the fake god turned out to be real after all. I'm actually glad they didn't. It was also nice to not actually see mermaids in the movie. Instead, we just get people who act like them. Still, that is a pretty misleading title. What is it with these movies and doing that? There were some nice peaceful bits in it that were pleasant enough. It's just that this didn't have anything that memorable. I'm still glad I saw all these movies. **1/2
moonspinner55 Johnny Weissmuller's swan song as Tarzan, the Ape Man. Looking winded and overweight, it's almost painful seeing Weissmuller running, diving, and climbing rocky terrain--he no longer has the grace of an athletic jungle man, and close-ups of his grizzled face reveal both an actor's rebellion and perhaps a bit of embarrassment. Down the river from Tarzan and Jane's abode on the African coast lies a taboo island ruled by a false god, whom the natives shower with treasures from the sea. Promised a maiden bride, the costumed ruler and his power-hungry potentate are furious when the beautiful girl selected escapes (how she fits into their pearl-trading scheme isn't made clear, nor is the fact she realizes the god Balu is a fake but her people do not). Filmed in Mexico City, the picture is padded with local atmospherics and asides (some of which, such as the breathtaking cliff-side high-dives, are truly marvelous). Dimitri Tiomkin's lush scoring and the shimmering black-and-white cinematography by Jack Draper and Gabriel Figueroa almost make the movie worth-seeing; however, Brenda Joyce is a lackluster Jane, a subplot regarding government officials is confusingly integrated, and there isn't enough humor. ** from ****
Richard Burin "Through the forest I carry the mail/Singing better than a nightingale/As great a lover as postman/And particular friend of the mighty Tarzan."This is the last, and by far the least, of the Weissmuller Tarzans. It's stultifying, truth be told, with a risible storyline utilising a hammy George Zucco, and an inexplicable number of terrible songs (please see above), crooned by John Laurenz. The only brightspots are the snippets of Robert-Florey-does-Robert-Flaherty faux-documentary footage, some decent underwater photography, a bit where loads of stuntmen leap off a cliff and the unexpected octopus duel (it won't be unexpected anymore; sorry). The remaining 61 of the 64 minutes consist of Tarzan swimming and people getting into and out of boats (calling to mind that famous review of They Were Expendable; alas, the similarities end there), as well as those bloody songs. Even Johnny Sheffield and the decent Cheetas had buggered off by this time. RKO's revival of the popular MGM series ultimately created one minor classic of its kind (Desert Mystery), two enjoyable timewasters (Triumphs and Huntress), a pair of iffy, cheesy romps and this dud.
vitaleralphlouis TARZAN AND THE MERMAID was the low-end of Johnny Weissmuller's Tarzan series and the final Tarzan he'd agree to make. Set in Acapulco, Mexico --- "just downstream from their jungle house --- Tarzan will encounter infamous actress Linda Christian in a rare screen role, as the latest virgin to be handed over to the tribe's two-bit "god." I can't overstate the drop in quality. All the great Tarzan films were made by MGM with high production quality, excellent scripts, action shots; the best. The RKO Tarzan films made by Sol Lesser were much cheaper and used less imagination. MERMAIDS was the poorest of the RKO series. Why then do I rate it 8 out of 10. Weissmuller is asset #1. The catchy title is asset #2. The fact is that I saw this movie 5 times. First in 1949, then 1950, then twice on TV; finally via an eBay purchase of a bootleg copy. PS: The real story as to why Weissmuller quit Tarzan was that Columbia Pictures agreed to let him wear clothes in his Jungle Jim series. After 13 years in loincloth, he, like many of us, gained a few pounds.