SpuffyWeb Sadly Over-hyped

UnowPriceless hyped garbage

Pluskylang Great Film overall

Logan By the time the dramatic fireworks start popping off, each one feels earned.

Alrik Daldrup Nowadays, Jussi Adler-Olsen is probably the most successful Danish thriller writer with his latest book 'Selfies' (which is, in my opinion, very weak, but that's another point) again on the best- seller list. 'The Absent One' is the second installment in the Department Q film series originally released in 2008. Like its predecessor the film is directed by Mikkel Norgaard who reunites with the lead stars Kaas and Fares. After a former cop commits suicide leaving behind the unsolved case of the brutal killing of his two children the lugubrious detective Carl Morck and his kind assistant Assad begin to investigate. Their only trace is a call by a girl, Kimmie Larsen, from the boarding school nearby the place where the assault happened. She leads the detectives to a group of powerful and affluent men headed by the famous Ditlev Pram who is ready to do whatever it takes to come to terms with the past. Therefore, the plot again alternates between the 1990s (Kimmie, Ditlev and the others) and the 2010s (the investigation).First of all, the big plus of the film is the menacing and saturnine atmosphere it creates – among the thrillers, only Stieg Larsson's Millennium trilogy features a deeper gaze into the abyss. Ditlev, the leader of the group, is a sadistic and Mephistophelian psychopath who loves to destroy others. In the present, it is the world in which Kimmie lives that is full of gloom. She has psychic problems and her only friend is a drug addict. There is almost no light and fun in the world of Department Q and the disturbing opening scene already sets the tone. The big threat in form of Ditlev and his henchmen creates a chilling and tense effect and therefore, you want to see how our very favorite detective duo (hopefully) will give these monsters what they deserve. Since the film depicts brutality, torture and rape, 'The Absent One' is not for the faint-hearted. What I also liked about the story is how it deals with the character of Kimmie, the girl who calls the police during that murderous night. She is somehow a round character: On the one hand, she liked the violent behavior of Ditlev and had also fun to beat others to death. Nonetheless, she made the call and realized that they have crossed some lines. There is somehow a change in her attitude towards Ditlev (of course, we learn why but I will not spoil it) which is the reason why Carl wants to help here, although she is as guilty and as criminal as the others. Consequently, Kimmie is not just another boring insane killer, but she shows that there is not always black and white, good and evil in the world. Kimmie is a shade of gray and this makes her an interesting character. Furthermore, humor would have been important to give some variation in all this violence. There are some humorous comments especially by Carl but there could have been more. This is something which the next film does better. Concerning certain cinematic devices, beside the use of light and dull colors the score by Johan Söderqvist, Patrik Andren and Uno Helmersson reflects the darkness of the film too. The haunting leitmotiv which appears often during the film underlines the deep pain the characters' live(d) through, while Kimmie's theme has some beauty and warmth in it. I'm glad that there is a soundtrack album out! Nikolaj Lie Kaas and Fares Fares are a well-interacting team. Particularly noteworthy is how Kaas plays Morck with almost no happiness or smiling on its face which emphasizes how much he suffers from his job and the attack on him and his colleagues at the beginning of The Keeper of the Lost Causes. Danica Curcic who plays the present day Kimmie gives a similarly strong performance, while Johanne Louise Schmidt as Rose is a refreshing new member of the team. Pilou Asbæk plays the main antagonist and psychopath Ditlev who sticks at nothing to save himself. Well-known for his work in 'Borgen' he gives Ditlev a dangerous and unpredictable arrogance. Overall, 'The Absent One' features a typical Scandinavian well- interwoven thriller plot full of vengeance, revelations and some scary crimes. There is nothing veritable new in the genre of the Scandinavian crime thriller – the depressive coat-wearing detective or the different detective duo are tried and trusted ingredients. Nevertheless, Norgaard uses the literary source well, although it has some clichés. In short terms, the film is more emotional and fast-paced than 'The Keeper of the Lost Causes' and therefore a nerve-racking thriller!8 pts.

Leofwine_draca THE ABSENT ONE is the second in the trilogy of DEPARTMENT Q films, Danish crime dramas based on novels. This Scandi-noir offering has all you'd expect from this particular genre: dark visuals, a gritty plot, a sinister back story that impinges on the present day, and some scruffy, downbeat detectives who refuse to give up the case no matter what.This film features an extensive back story involving a group of public school teenagers who get up to some dark deeds in the 1990s. It's hard-hitting and explicit stuff indeed, and the present-day storyline is just as intensive. These DEPARTMENT Q films benefit from strong production values, solid writing, good acting, and a general air of quality that makes them ones to watch for fans of the genre.

GManfred Good murder mystery noir from Denmark showing at NYC's IFC Center for just one week, and a picture that deserves more exposure than that. It is a tense detective story of a 'cold case', a double murder 20 years old taken up by Danish Detectives Morck and Assad. I am a great fan of top shelf detective films, and film noir in particular, and this one is surprisingly well done.Nutshell; a brother and sister were murdered 20 years previous and the crimes were unsolved. Their father, a retired cop, approaches Morck and pleads with him to renew the case. Morck dusts him off, saying he is too busy. The father then turns up as a suicide, which leads Morck to regret his cavalier treatment of the father and decides to investigate. His subsequent investigation takes a sordid turn and becomes darker as the story unfolds.There are three movies in the Det. Morck series, and I wish I could have stayed for all three. It is remarkably well done and bears all the hallmarks of Hollywood noir films. Morck is a no-nonsense detective who smokes and is hard-drinking and with a clear-headed assistant who tries to be a counter balance. Morck is moody and obsessive and will break the rules in the name of truth and justice, and the chemistry between the two is a tribute to their acting and to the screenplay. The movie scene needs more of this type of grown up fare as many of us have tired of the usual sequel to a dull film and of animated cartoon movies for 6 year olds. While Indies like this are produced perhaps there is still hope for a foundering art form.

kosmasp Seeking redemption or solace or anything remotely plain and silent after having done something horrible, is not easy. It even gets worse when the police digs up that past. Which is what happens here and our two main protagonists from the first novel (and especially the movie) are back on duty again.I haven't read the novels, but I did watch the first movie, which I can highly recommend. This isn't a bad affair either, but I can see people being a bit disappointed after that massive first movie. Still this is not only decent, but a very good crime movie, with twists flying your way every now and then. New leads, chases and guessing who did what and what could happen next. If you let yourself enjoy that ride, you'll be having a good movie experience - just not at the exact same level as the first one delivered