Raetsonwe Redundant and unnecessary.

Rijndri Load of rubbish!!

Lightdeossk Captivating movie !

ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

michaelr-40112 While the romance genre is something I'm new to, I'd have to say this was one of the best ones I've seen (please remember, I've only watched about 5 romance movies in my 32 years of life).A love that develops between people of two different races and cultures is something that I find very fascinating. It proves that we all want the same thing, no matter what creed, culture, race, nation, religion, whatever we come from.That being said, Vera Farmiga puts on her best "desperate woman" role (I believe she won the Emmy for Bates Motel for playing a character I'd describe as such). Desperate to please her Korean-American husband and his family, she goes to a sperm clinic alone and witnesses a Korean man with an expired visa getting rejected as a donor.Intrigued by the possibility of covertly and unmaliciously fooling her husband by having sex with a Korean man simply for the sake of having a baby she can at least pretend belongs to her and her husband, she follows the rejected sperm donor and eventually gives him a business proposal.What follows is story of inner conflict, the desire (and simultaneous torment) to live up to societal and cultural expectations (and how they can get in the way of true love), as well as how other things out of our control can get in the way of being with the one we want.While the epilogue left me a little confused, I was for the most part enraptured by the film. I think it'd be appealing to anyone having trouble finding true happiness and love.Also, did Vera break the 4th wall at the end?

ferrule2 I set out to enjoy this movie, hoping for something that would take the best elements of movies such as Unfaithful and The Rabbit Hole and mix them with some independent flair and lesser known, but capable actors.The problem with this film is that there is one actor who is convincing... Farmiga. What's she manages to convince a pragmatic viewer of is another matter for later in this review. The two male main characters do workmanlike, unremarkable jobs of portraying relatively stereotyped characters, that of the depressed, middle aged man who can't have everything he wanted in life and a naive 20 year old kid who falls in 'love' because he receives the one thing guaranteed to cause a 20 year old to throw caution and logic to the wind. Never mind that it's delivered with more than a nod to the old saw "Love like you're being paid."Moving on to Farmiga, I think it's helpful to examine the absurdity of the plot. She's obviously almost as clinically depressed as her husband. Any of these ring a bell:"feelings of guilt, worthlessness, and/or helplessness" "persistent sad, anxious, or "empty" feelings"I hope so, because those, and five other clinical symptoms are displayed in endless scenes of hand wringing, melodramatic expressions of pain, listlessly staring at walls while in a near fetal position, conversing as if it takes EVERY... LAST... BIT... of energy... Is this really good acting?The plot is also beyond silly. She does all this for her husband who she 'loves'. She achieves what she has stated is her only desire and he responds with warmth and spark that had been utterly lacking before. Of course, her response to this is to dream of dirty sex in a filthy tenement with a kid who's actual dialogue has mainly consisted of publicly implying, quite crudely, that she's a confused tramp who needs 'what he has', and isn't referring to the procreation aspects of their transactional trysts.If her mooning about seems like good acting, then I guess the above weirdness seems like a love story destined to break through barriers and walls that most could not. I was not terribly moved by this movie, although it was interesting watching it all play out. Farmiga is better when her talents are focused on helping a better movie play out logically.

kmh02003-1 I really, really admire Vera Farmiga for taking on this project. How can you not? Allow me to explain.If you can suspend logical disbelief while watching this film, you will be swept away. The movie had a quiet and patient, but very powerful undercurrent.It deals so nonchalantly with something that is so uncommon in movies nowadays, that I have to make mention of it. An Asian male in honest and open sex scenes with a white female. The real achievement here is that this movie avoids the race issue altogether. The director does not turn it into some kind of elephant in the room. No, it is an elephant of our own Western making, is it not? Was anyone else shocked to see love portrayed this way, where it is truly is shown as universal, not just possible between chosen ethnic pairings? The movie did not treat it like a big deal at all. The white girl - Asian guy couples I've met in real life don't treat it like a big deal either. I believe this ethnic pairing - currently, perhaps the only interracial pairing that actually occurs less frequently in Western movies than it does in real life - will become more commonplace as the Asian cinema industry matures, as the West becomes ever-increasingly comfortable with the East, as both sides evolve towards the human average, and there are more Asian actors from which to choose.Now that aside, let's get back to the film itself, because it is more than capable of standing proudly on its own feet without its groundbreaking nonchalant attitude towards race.Tremendous acting, especially from Ms. Farmiga and Jung-woo Ha, the "homewrecker." The amount of emotion that these two are able to convey in nonverbal moments is truly stunning. You will be moved.The set designs and cinematography, in addition to the beautiful actors themselves, are a visual feast - a real aesthetic treat.The sex scenes were very tasteful and well-done. As the relationship develops, so clearly does the depth and honesty of their physical relations, to the point where Farmiga's character is able to climax by simply daydreaming about her lover.You may know the entire plot line to this movie already, and you will still have an A+ experience watching how it was executed.I loved this film. It defied almost all my expectations, and will probably watch it several times over the course of my life. I would recommend that anyone who decides to watch this film, too, find within themselves a fraction of Vera Farmiga's open-mindedness, boldness, and vision when she took on this project.A standing ovation for her.

evanston_dad Vera Farmiga plays an affluent woman whose life and marriage is unraveling. She and her Korean husband have been trying without success to get pregnant. Her suicidal husband has given up on the idea, but it's become an obsession with her, the one thing that will fix everything that's broken. She makes a proposition to a young Korean immigrant -- she will pay him $300 in cash every time they have sex, with an additional $30,000 in cash if she conceives.I had my doubts before watching this film that the screenplay would be able to make this premise plausible, but it does. It sets things up in such a way that they play out honestly, without feeling overly manipulated by the hands of a screenwriter or director. It helps tremendously that Farmiga gives such a good performance -- you have to really understand her character if the movie is going to make any sense, and we do, thanks to Farmiga's commitment to the role.Though ambiguous, the ending suggests a happy ending that DID feel implausible to me. But the rest of the movie is such a downer that I actually didn't mind it, because I just wanted something positive to happen to this poor woman.Grade: B+