SnoReptilePlenty Memorable, crazy movie

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Kimball Exactly the movie you think it is, but not the movie you want it to be.

tsotko Great Mongolian Cultural experience. I thought the subtitles were little weak and some of the words were translated incorrectly. Other than that I have nothing to complain about the movie. I don't know why? When they translated the dogs name into ZOCHOR, when the girl clearly calls the dog " Tsookhor" which means Dalmation ( the girl called her dog as DALMATION because of the brown spot on the dogs head). And before she gave name to the dog she only called her puppy. But the subtitle says LITTLE ONE.I laughed through out the movie, because I understood Mongolian. Half of the audience were Mongolian in the theater when I watched the movie and they all laughed and enjoyed the movie. It reminded me of my first theater movie experience in the US. I did not understand anything and I found the movie so boring, when other people were laughing their ass' off. But still it's a must watch movie and I hope that you would enjoy.

Ruby Liang (ruby_fff) Off the bat, the film title "Cave of the Yellow Dog" is poetically applied (it could have been "The Adventures of Nansal and Zochor"). You'd notice the little dog that 5-year old Nansal found is not exactly 'yellow,' hence need not wonder about its color - simply be an 'invisible guest' to the everyday living of the Batchuluun family of five. Namely our little 'heroine' Nansal (Nansa), eldest of the three children, mama (Buyandulam Daramdadi) and papa (Urjindorj), little sister (Nansalmaa) and baby brother (Batbayar). There's also an older woman (Teserenpuntsag Ish, reminds me of grandmothers) with sage and 'caringness': her age-old wisdom felt as she told Nansal 'folkloric' tale and asked her if "one can have one grain of rice rest on the top of a needle." "Impossible," little Nansal answered her own curiosity about life after death. "That's how hard it is to become another person in the next life." It may seem the film is at its own leisurely pace, absolutely no hurriedness. Everything so naturally happens. There is dramatic moments of suspense, brief as it may: will there be danger? When I heard Mama's heeded words to Nansal about her little brother, I can see she's quite distraught and distracted by Zochor being left behind. What an ominous-looking flock of vultures.It's fascinating to watch the ritual of moving, which is a Batchuluun family activity where everyone chips in. Filmmaker Byambasuren Davaa ("The Story of the Weeping Camel" 2003) artistically shows us the integral process of dismantling the portable tent (yurt) they live in, spoke by spoke. Looking at the tent site from above, focus of the square slot insertions in the top ring for each rod - it takes concerted effort, indeed. The girls rolling up the rugs, packing off the little furnishings they have (even active little brother has a hand). Mama also has to round up the herd of sheep. Papa yoking up the cows to five carts full. Writer-director-co-producer Davaa knows how to convey the nuance and cultural sensibility of the Mongolian nomads. Little things and family togetherness sure mean a lot.The editing language (how the story was told) optimizes close-up's, nature/landscape scenes vs. dialog. The implied plot progression with words heard off screen, followed with facial expressions on screen, especially Nansal's emotions, be it joyous or sad, come through lucid. For example the ending treatment - you'll like the way it's presented. It's not obvious - what we saw moments ago and what we get to see eventually suggests what may have happened in between - the outcome of things yet so fluidly natural. An effective cinematic storytelling. Heartwarmingly' we'd smile at how cleverly the expectation fulfills. Filmmaker Davaa is gentle and creative, full of patience and humanity. She has a charming way of delivering an endearing human story putting us at ease to accept the flow of things. This may not have the high drama of Hollywood's "The Yearling" 1946, the fun and solid companionship in "My Dog Skip" 1999, the collie star in "Lassie, Come Home" 1943, or the child acting genius in the Swedish "My Life as A Dog" 1985 - but the premise of a little girl and her beloved stray dog somehow has an intrinsic mix of family values and parent-child lovingness irresistible. The film is of German production, hence the title aka " Höhle Des Gelben Hundes, Die."11/26/06 'Previous life. Next life. Present life.' Hints of philosophical drifts in Davaa's second 'docu-narrative' - Still thinking about "Cave of the Yellow Dog." At one point in the film: "What were you in your previous life?" little Nansa asked her mother. Remembering the beginning scene: we see from afar Nansa and her father burying their family dog. She is inquisitive, and papa said to her that 'no one really dies, just become something else in the next life.' We're fortunate to be able to follow along with Mongolian filmmaker Davaa and her film crew (from Germany), capturing the family spirits of this five-member unit. They are not actors but truly the Batchuluun family. Cinematography is remarkably beautiful delivering the Mongolian grassy plains and vast sky. (Reminds me of "Close to Eden" 1991, a Russian film also with Mongolian landscapes and nomadic life.) And the music is wonderful, at times have strains liken to Philip Glass (as in filmmaker Godfrey Reggio's cinematic montage pieces). There's a peacefulness to it all - seeing nature and humanity so integrally co-exist. If you'd like to spend some 'quiet' non-stressful time at the movies, try "Cave of the Yellow Dog." Check out the official site 'caveoftheyellowdog.co.uk'. From 'Director's Notes' we can gain insights to how Davaa came to create her film and the thoughts behind the stories she wanted to tell, including the tale about the fable of the Yellow Dog.

whiteroom boring?? yeah, I think some people may feel this way.Perhaps they just watched too many Hollywood films and get used to the pace and storyline. I didn't watch Lassie Come Home so I have no idea what's the similarity between the 2 films. ( I doubt it) But this film is great. I got this film on DVD (Japanese release) and watched it with my mom and sister. We all love it. It's the atmosphere in the film that attracted me. Yeah,it may not have the strong storyline, however it's the simplicity that makes this film great and touching. By the way, the music in the film is excellent! This film reminds me some of Iranian films regarding children and animals I've watched. They may not live a wealthy life but they do cherish what they have.

nin Beautiful and moving. The story is simple, a girl who wants to keep a stray dog and a dad who refuses, because he believes it might have grown up with wolves . As you will see, a great movie does not need explosions and special effects (if you are into movies with violence and action, it is definitely not for you). There are no actors in this film, just simple people. It is not an ethnographic documentary or a guide to life in the steppe...it is just a film about humble people who live differently and who can be happy without the modern comforts. It has won a number of awards: Golden Starfish Prize, KODAK Award, Artemis Records Original Movie Score Award Hamptons 2005.