Ehirerapp Waste of time

VeteranLight I don't have all the words right now but this film is a work of art.

Stellead Don't listen to the Hype. It's awful

Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional

jadavix "Harlequin" plays like, and for most of its run time actually is, a kid's movie about a magic man who comes through the TV screen to heal a sickly child and work other miracles. You fully expect a tear jerker ending in which the magic man has to go back to his home planet, or where ever he comes from, but the kid will never forget him and neither will his parents.Then it abruptly changes gear and expects us to be scared of the magic man. Does the movie think that we are as ignorant and stupid and corrupt as the movie's real bad guys, the politicians the child's dad knows?The plot: A sickly child of an up and coming senator is apparently healed by a mysterious stranger who performs as a clown at his birthday party. The stranger returns, "coming through the TV", and the child continues to get better. The senator doesn't trust him, but his wife, more interested in the kid's health, is prepared to let the mystery of this stranger be.People start asking questions, and the stranger performs more tricks, first as a magician, then a faith healer for an old lady at a party. The crooked politician's friends want to see him disappear however, and will clearly stop at nothing.It's like the story of Rasputin crossed with "Being There"."Harlequin" is a trite little horror-fantasy with little horror and little fantasy. For almost all of the runtime there is nothing surprising in the movie at all. You can see every plot point coming, until the movie's sudden insistence that I would be scared by a character it does nothing to make seem a force of evil. The twist ending doesn't work because from what we have seen, the main character is the LEAST evil of all the characters in the movie! Hence the moment when we realise he - of course - isn't really dead is not scary, it's reassuring. I don't know how they stuffed that up so badly; it's shown like something you are supposed to be truly shocked by, but the feeling it brings is, if anything, the exact opposite, coupled with that feeling of annoyance you get when a movie misses what it's aiming at completely.The actor who plays the kid is also singularly uncharismatic, and an awful actor. And why did they go out of their way to disguise the movie's Australian origin?

lost-in-limbo A faith healer who appears from nowhere suddenly cures the sick son of a profound government senator, whom the politicians wife falls under the mysterious healer's charm and the young boy grows attached to his company. The senator can't shake the idea that there's something strange about all of this, could it all be a hypnotic trick or is there something really supernatural going on here. Then you got the chief political adviser who's trying to rid the healer of power he holds over the senator and his family, because he wants to be the one who's in control of the senator.Was it all an illusion? Who was playing whom? Did this go beyond reality, by making way for supernatural influences? Like you see there are so many question brought up here that are totally left unexplained, but this enigmatic factor of who, what and why makes for one curious, but oddly enchanting spectacle. The multi-layered story plays out like political fantasy where it throws around many different ideas and allegories into the blend, where nothing seems quite like what it is because of a real mystical edge that's given out by Powell's charismatic character Wolfe. As an exhilarating tale, it failed for me, but for a curiosity piece, it really did work. The plot's outline shares its similarities with the Rasputin account, but this film has gone with a contemporary take on the story. The story does become incredibly strange with certain circumstances and situations, in which you have to suspend your disbelief and plays around with psychological tension. The thick air of mystery that's planted in the film, you could say is like that of a jigsaw puzzle that's missing some important pieces to give it that truly satisfying feel. The complex script is heavy on its parallel theories and it very much comes across like a poetic riddle (that's most of Powell's lines anyway) with it parables and psychic jargon. It's a very talkative piece with little significant details and hints running throughout it very mischievous layout on who's really the manipulator and just what are everyone's true intentions.The film, which was made in Australia, looks reasonably good, even though it had a modest budget to work with. By today's standards the appearance and even the context is somewhat dated. The special effects are reasonably modest, with the odd hokey effect, but I guess you just got to take it with a grain of salt. The mostly well devised FXs were well orchestrated in to the story, but it does go over-the-top in the third act were the uneven pacing makes way for some flamboyant magic tricks for the fight of control over the senator. At least they were spot on with it, but they do and as well as the costumes give it an underlining campy b-grade charm. The location setting was simply ravishing and the exterior of the senator's house (were it all mostly plays out) is given a grand feel. The glitzy cinematography was remarkably well handled with some showy moments and Brian May's tenderly spooky score had a stinging, but emotional rush too it. Director Simon Wincer manages to come up with some inspired, solid visuals and tiny pockets of heighten and exciting suspense. But some moments are half-baked and it has an climax that doesn't feel like it has paid off. You just feel like it's working up for something big. However it does fit in with its subtle moodiness.The performances are very first-rate with an international cast on show. Robert Powell plays the healer, Wolfe and his piercing capabilities create such subtly mysterious imprint (good or evil?) that you can't help but be intrigued by. David Hemmings' underplayed performance as senator Nick Rast shows a real solidarity. Broderick Crawford superbly plays Doc Wheelan a greedy political leader who overlooks Senator Rast and when he's on screen his presence truly governs the film. Carmen Duncan as Sandra Rast simply shines in her feisty role and Mark Spain utterly fits the role of eerie young lad Alex Rast. I thought the chemistry of the relationships was well thought up and naturally suitable.What is served up here is exceedingly ambiguous and different, but this creative project has more going for it then what actually meets the eye. It's far from flawless and it wasn't what I expecting that's for sure, but it does make for an interesting viewing.

dbdumonteil Intriguing supernatural thriller which keeps -at least till its last sequences -special effects to the minimum and mainly relies on Robert Powell's fascinating presence -whatever you think of Zephirelli's work,you cannot deny he was perhaps the best Jesus on the screen- and the rest of the cast follows suit.Actually the little boy's and Powell's relationship reminds me more of that of Damien and his sinister nanny in "the omen" (see their power on animals) than Rasputin and the czar's son.But Sandra 's behavior is Alexandra's under Grigori the monk's spell.And their surname,"Rast" is "tsar" backwards!Rasputin's motives were mysterious ,and he moved in a political world where his influence was huge when it came to ruling the country .Wolf's reasons why constantly elude the viewer's perception,and it justifies the hints at comedia della arte and Harlequin :like Rasputin ,he tried to open his master's eyes.Rasputin's death has remained even today wrapped in mystery :poison (but documents were found which would tend to prove poison was not efficient and that the killers -Iusupov and Dimitri- were amateurs.) then the gun (four shots in the back),but when they found the dead body in the frozen river,they had to admit he did not die of his wounds.Hence the conclusion of the movie which would pass for another "Friday the 13th" rip-off ,if history were not here.But connections with "the omen" remain:Powell trying to enlighten the senator is not unlike the priest trying to persuade Peck his son was evil;both movies take place in the political world.And the last pictures of the two movies are very similar.Watch it:although by no means a masterpiece,it's above average and would deserve a better rating.

Chinook-3 Fascinating, dark study of a political family seduced by the powers of a traveling magician who befriends their ill son. The story works well on that level, and the acting is certainly passable enough to be entertaining.Even more fascinating when one realizes that this is a retelling of the historical plot of the fall of the Czar of Russia! In history, Nicholas (Nicky in this film) and Alexandra (Sandy) had and extremely ill son, Alexander (Alex) and allowed the "Mad Monk" Gregory Rasputin (Gregory Wolfe) into the family with his promises of a cure for the the boy. Viewed on this level, this interesting enough B-movie become a fascinating study in parallels. Well worth a rental and some time to enjoy!