Marvin's Room

1996 "A story about the years that keep us apart... And the moments that bring us together."
6.7| 1h38m| PG-13| en| More Info
Released: 18 December 1996 Released
Producted By: Miramax
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A leukemia patient attempts to end a 20-year feud with her sister to get her bone marrow.

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Reviews

Raetsonwe Redundant and unnecessary.
Nonureva Really Surprised!
Steineded How sad is this?
Dotbankey A lot of fun.
Davis P This screen adaptation of the stage play is a very well done one. It's got some of the best acting I've ever seen. Well with Meryl Streep, Diane Keaton, Leonardo DiCaprio and Robert De Niro how could you not have some of the best acting ever?? Streep plays Lee, a somewhat controlling single mother of two sons. DiCaprio plays Lee's oldest son Hank, a troubled teen who has been admitted into a mental institution for burning their house down. And Keaton plays Bessie, Lee's sister who has recently been diagnosed with leukemia and needs a bone marrow transplant to save her life. This is why Lee and her two sons travel back home for the first time in twenty years to stay with Bessie, their bed ridden father, and their eighty something Aunt Ruth. What is so great about this film is that it's all about relationships, mainly it focuses on the sibling relationship between Bessie and Lee, they uncover old 20 year old wounds, and ultimately begin to heal their very broken relationship. The dialogue between characters is wonderfully written, sad and very moving when necessary, and also very beautiful and uplifting at other times. The script really does succeed and the acting lifts up the script so much, and it all combines to make a beautiful film that is worth more than one watch. This is a classic in my opinion, always will be to me. 10/10 for Marvin's Room!
Conork2 I came across this movie on Netflix and thought I would give it a go! Surely a movie with Meryl Streep and Dianne Keaton wouldn't disappoint! It sure didn't! While the story has been done before in various formats it's the screenplay that makes this movie a real gem. The main three actors really do a great job. But with Streep, Keaton and DiCaprio one would expect nothing less. For me the the late Gwen Verdon steals the show. she really shows how comedy should be done. The scene with the orange is one that stands out. A mixture of comedy and heart wrenching reality showcases how underrated she has been. This for me should have definitely gained a nod in any supporting actress awards. This movie certainly won't change your life but it really does provide you with food for though about love, family and the importance of life! Give it a go. It won't disappoint.
Michael O'Keefe MARVIN'S ROOM is a character-driven drama based on the Scott McPherson play. Director Jerry Zaks manages to get the best from an all-star cast. Bessie(Diane Keaton)is a care-giving soul that discovers she has her own health dilemma. Bessie takes care of her bedridden father Marvin(Hume Cronyn), who always seems to be nicely dressed right down to his bow tie. Marvin has retired himself to his room. Aunt Ruth(Gwen Verdon)is a handful that is not too damn close reality. She likes to wear a garage door remote around her waist and insists on huge hugs. Bessie is told by her own physician (Robert De Niro)that she has leukemia and needs bone marrow. She is forced to contact her sister Lee(Meryl Streep)with whom she has had a 20-year old feud. Lee, a beautician, seems to be only interested in supporting herself and two sons. Ten-year old Charlie(Hal Scandino)does well to stay sane by ignoring the drama that surrounds him. On the other hand 17 year-old Hank(Leonardo DiCaprio)is earthy and troubled after being institutionalized for burning down the house. There is a lot of emotional ground the two sisters must decide on to discard and what to forgive and forget. The characters are so well defined and its easy to understand where each is coming from. Isn't it great that life allows humor to be found in times of discouragement and ill-fortune.
bandw Bessie is a middle-aged woman who has been caring for her father Marvin since he had a stroke some twenty years earlier. Marvin is on his back in bed and cannot speak, but he does have a limited understanding when spoken to. Marvin's sister Ruth is also in the household and, while still in possession of her faculties and ambulatory, her life seems to center around what is happening on her favorite soap operas. Bessie finds out that she has leukemia. What to do? Bessie's only hope is for a bone marrow transplant and the only possible donors are her sister Lee, estranged since Marvin's stroke, and Lee's two sons.Rather than concentrating on the grim details, the focus is on the changes in the family dynamics precipitated by Bessie's illness. Bessie calls Lee and tells her the story and Lee packs up her two sons and takes out from Ohio to Florida. All those years ago Lee and Bessie split over Marvin's illness and care - Bessie took it over and Lee got away as fast as she could. So, a good part of the movie has the sisters dealing with old wounds. A subplot concerns the relationship that develops between Bessie and Lee's rebellious seventeen year old son Hank. What raises this film above the ordinary is the great cast and some well written scenes. Streep and Keaton are in good form and play well off of each other. There are a lot of awkward and intense moments between them - I particularly liked the scene where they meet each other for the first time in twenty years. Hume Cronyn, as Marvin, never says a word, but his presence is felt throughout the film. Leonard DiCaprio, as Hank, is so good that you wonder if he is playing Hank or just being himself. Playing against type Robert De Niro puts in an appearance as Bessie's somewhat maladroit doctor.What didn't work for me was the attempted comic relief. Ruth seemed just a bit too ditsy and her pain relief device operating the garage door was forced humor. De Niro's brother's role was solely to interject some dim-witted comments.Bessie's comment about how privileged she had been to have loved so deeply stuck with me. I had never stopped to think of the delight in loving as something to be valued in itself, requited or not.