The Night We Called It a Day

2003 "This nobody is about to catch a big somebody."
5.8| 1h37m| R| en| More Info
Released: 14 August 2003 Released
Producted By: Australian Film Commission
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

Based on the true events surrounding Frank Sinatra's tour of Australia. When Sinatra calls a local reporter a "two-bit hooker", every union in the country black-bans the star until he issues an apology.

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Reviews

Actuakers One of my all time favorites.
Adeel Hail Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.
Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
jimi99 Besides just the title change between the Australian release and the rest of the world, this is a film that obviously stirred up a lot of controversy and passion in Australia, given the reviews posted below. Quite understandable, given the political and social portraits it painted, very sharply and yet with great humor. (My favorite laugh: not even spoken, the newspaper headlines in the street when the "incident" becomes full-blown: "Regrets: He Has a Few" Ha!) And also that the Aussies know Bob Hawke and some of the other characters, and remember this outrageous incident well, and the rest of the world doesn't.I found it to be a little gem of a film that I just discovered in my ongoing drive to see more Hopper films and revisit some that I hadn't seen since the '60s and '70s. And Hopper's performance as Sinatra was not the least of its charms: the romance and tribulations of the eminently likable promoter Rod Blue (who could forget that name?) and the utterly charming Audrey had that light touch of Hollywood and still the honest edge of Australian films.Melanie Griffin is fully typecast as Barbara Marx and her complex and yet vapid relation with Sinatra is pathetic at first and gradually becomes a thing of warmth and understanding. The dramatic arc just really worked for me, although I kept thinking "How much of this really happened? They couldn't make up stuff about FRANK SINATRA, for crying out loud!"
writers_reign When this opened in London - today - I attended the first performance and found myself alone. I had reservations just from the casting, I mean come on, Dennis Hopper, the epitome of hippie/rock playing Sinatra, the epitome of sophisticated cool? What next, Eminem as Cliff Richard. I hoped at least for a generous amount of Sinatra singing but even that was 1) strictly rationed and 2) performed by a Sinatra imitator and then, to add insult to injury, the end credits roll over Elvis Presley's Tutti Frutti. What passes for a plot centres on the infamous Australian tour of 1974 when Sinatra spoke his mind as usual and wound up a virtual prisoner in his hotel room until honour had been satisfied. A sub-plot that threatens to hi-jack the movie involves the young Rock promoter who brought Sinatra to Australia and a girl who had fancied him since they were kids. Basically we're talking rubbish. I thought Baz Lurhman's Moulin Rouge was about as low as you could get but here that Australian has competition from another. Dire.
richard-mason This film commits the cardinal sin of not knowing what it is, or what it's about, and consequently ending up being about nothing. Certainly nothing anyone cares about.It certainly adds nothing to the infamous 1974 incident during Frank Sinatra's Sydney visit. It pretty well retells what happened then, while adding some not very interesting fictional characters, involved in a completely conventional and by-the-numbers "romantic comedy" plot.Dennis Hopper, one of the most charismatic film actors alive, plays Frank Sinatra, one of the most charismatic singer/actors ever, and make both of them dull. There are a few sparks of fire, but his wooden impersonation of Sinatra singing is like watching a rather stiff marionette. One is left wondering why Hopper and Melanie Griffiths bothered. Are they that desperate for money? Or did they really, really, really want a free trip down under?Joel Edgerton and Rose Byrne are their usual competent selves in the sub (or is it main?) plot, but it's SO conventional and predictable, one also wonders why they bothered.As for David Field as Bob Hawke ... while it's certainly arguable that Hawke is/was a buffoon in many ways, he has never been the boorish clown depicted here.The script is the villain. It's an idea --- and not a very strong one -- which has been developed into .... what? Certainly nothing Australian audiences want to see, as evidenced by the box office returns.The only person to come out of this completely triumphantly is Tom Burlinson, who supplies the Sinatra vocals. If you didn't know it was him, you would swear you were listening to the Chairman of the Board himself, and on a day when he was in fine voice.5 out of 10, and I think I'm being generous.
Michael Soutar A surprisingly entertaining comedy about a young Aussie promoter (Joel Edgerton) who manages to convince Frank Sinatra and his crew to visit Australia for a few shows. All goes well until Frank Sinatra (Dennis Hopper) runs into a TV reporter (played by Ally McBeal's Portia de Rossi) who claims he spat on her at the airport. Frank won't apologise so in steps the ACTU led by a hilariously boof-headed Bob Hawke (wonderfully played by David Field of Two Hands fame) to bring Ol' Blue Eyes' tour to a stand-still, no room service, no phone, no water!The story follows the usual Hollywood style of story telling with the end of "act 2" being a big downer (everything just goes wrong) and of course it all comes good in the end. The acting is quite good across the board with cheeky Aussie comedy sitting alongside moving drama effortlessly.Frank Sinatra's music plays a big part in the film so if you're a fan you'll love the film, of course on the other hand if you can't stand his music then this may not be the film for you. The film makers did think to throw in a bit of 70s rock (think Led Zeppelin) and even an Elvis track to add a bit of variety to the mix.The only time in cringed during the whole film was when Frank's US-based secretary pronounced Australia with a fake American accent and put an "R" on the end, a common mistake made by Australian actors.3.5/5 See it if: you like Frank Sinatrayou'd like to visit Australia in the 1970syou want to see a hilarious portrayal of a young Bob Hawke (Hazel Hawke included)you like Rose Byrne (for the guys) or Joel Edgerton (for the girls)you like knuckle busting fist fightsyou don't think Melanie Griffith's top lip isn't too big Don't see it if:you don't like Frank Sinatrayou can't stand the thought of Sydney in 1974you think Bob Hawke was the best PM everyou wince whenever you hear a meaty punchyou think Melanie Griffith's top lip should have its own post code

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