American Fable

2017
5.8| 1h36m| NR| en| More Info
Released: 17 February 2017 Released
Producted By: Prime Mover Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.americanfable.com
Synopsis

When 11-year-old Gitty discovers that her father, Abe, a good and beloved farmer, is holding a wealthy man hostage in their abandoned silo in order to save their suffering farm, she befriends the captive in secret. As the truth unfolds about who he is and what will happen if he escapes, Gitty chooses to confront the thin line between reality and fiction.

... View More
Stream Online

Stream with AMC+

Director

Producted By

Prime Mover Pictures

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Images

Reviews

Mjeteconer Just perfect...
Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.
birgit_schuette I really enjoyed this movie! I expected a fantasy movie, which was only a tiny element of this story, so it was a different sort of game than I thought it would be! Overall the mood is very warm and innocent, since it's told through the naive perspective of a little girl. However, the events are kindof dark: family holds a man for ransom in their silo, and their "cover" gets blown when their daughter befriends him, thinking he grants wishes. In the end, her friendship saved the messy situation from becoming much worse. Anyway, and interesting take on a dark tale told through a sunny perspective!
percival_kim Thought this was a wonderful film, visually and atmospherically. The characters were excellent, both the likable and the not-so-likable (like the brother and the 'villain'), and the storyline was gripping and evocative. The only problem for me was the ending, or lack of it - too much was left unexplained which I'm afraid ruined it for me overall.
Samara Morgan (deadgirlsamara) To be honest I almost didn't make it past the fifteen minute mark. I was just too lazy to change it. Did it get better, I can't say that it did. I can say that I began to appreciate it more. I still don't really like it, but on another level I really do like it. I hate it for the missed potential where both screen writer and director dropped the ball, almost like they weren't sure what to do with it.The movie is set in the Heartland, the Bread Basket of America, on a farm, with farm people. The timing is back in the early eighties when we were losing our family farmers to banks and speculators. Well a woman the dad meets has a plan to raise money, why she would partner with a complete stranger was never addressed. Her plan was to abduct one of the speculators and hold him for ransom. in a silo on our farm. This farming family has a couple of kids, the wholly psychopathic son and Gertrude, known as Gitty. One day while Gitty was out playing with her chicken, Happy, she was by the forbidden silo and heard the captive. As he hasn't eaten in a couple days he asks Gitty to help him. Reluctant our 11 year-old heroine ends up helping him. She is small enough to fit through the opening at the very top of the silo. They become friends, he teaches her to play chess. Is he her friend or just cozying up to her to the end of freedom? I don't know, the movie is fragmented, sort of. The acting is decent, especially from our young protagonist. Several times Peyton's portrayal of Gitty brought to mind Lizzie Samuels (not sure I'll ever forgive Carol murdering her, I digress. Some other stuff happens (fairly boring) but then we are at dinner and the psychopath cooked. Did I mention he's a psychopath who hates his sister and now he's running around with a gun. Earlier he chopped off the finger of the captive then tells Gitty he is going to kill her. A little bit of this and that and if I gave any further detail you could skip the movie and just read this.Now, is this movie about a kidnapping? Not really. It seems to b=me to be more of an allegory for Gitty growing up. We learn there are no books in the farm house, but Gitty thirsts for knowledge and experience. As she hangs with the captive her dress and hair style change subtly, slightly more mature, she develops goals for future career, a writer. Works much better as allegory that straight crime drama.See it. Heck just writing this I liked it one star more, who knows maybe that will go up next time I watch it, and I will be watching it again. Give it a try.
David Ferguson Greetings again from the darkness. The feature film debut of writer/director Anne Hamilton may cause Aesop to turn over in the grave, but it also supports the adage that desperate times call for desperate measures. Just how desperate is really the point here, and the moral line in the sand is drawn by an 11 year old girl named Gitty (short for Gertrude).Gitty (an outstanding Peyton Kennedy) lives on a farm with her pregnant mother Sarah (Marci Miller), bullying brother Martin (Gavin MacIntosh), and beloved father Abe (Kip Pardue). Gitty is the kind of kid who loves stories with happy endings, has a pet chicken named Happy, and loves exploring the surrounding countryside with her friends … a dried water well, abandoned house, and lighting bugs are all part of their daily adventures. Only a remote silo is considered off-limits per her father.It's the 1980's and times are tough for family farms. Making ends meet is incredibly challenging and the sagging economy has resulted in many sell-offs of generational farms and the subsequent suicides of farmers who simply can't face the failure. Gitty blindly trusts her dad when he promises they won't lose their farm. Doubt only enters her mind when she discovers a battered man (Richard Schiff) in business attire locked in that off-limits silo. The captive man tells her not to tell her dad, and instead asks her to bring food and books. Even an 11 year old cloaked in innocence begins to suspect something isn't right.We see the story unfold through the eyes of Gitty, and her fantasies, dreams and visions remind us just how the world looks to a kid. Her openness, curiosity and imagination all act as a kind of sixth sense that lead to the judgment of a child … what is right and what is wrong. Knowing Gitty is the source of our insight helps explain the near cartoonish evil perpetrated by Martin – an overanxious kid who sees himself as some type of "warrior" (an image bestowed by the mysterious Vera). Zuleikha Robinson plays Vera in the mold of a fairy tale witch influencing others … in this case, Gitty's dad … to do her dirty work.The film is beautifully shot by cinematographer Wyatt Garfield, and at various times recalls Pan's Labyrinth, The Fall, and the camera work of Terrence Malick. Gitty's character is easily compared to Scout from To Kill a Mockingbird, but her "Honest" Abe dad is no Atticus Finch. Richard Schiff is excellent as the captive man, while Peyton Kennedy reminds of a young Elle Fanning (very high praise indeed). Kids have an amazing ability to see the black and white of right and wrong despite all the extraneous noise going on in their young uncorrupted heads. It's a shame it all turns to gray as we grow older. It's a nice first film from Ms. Hamilton.