Chatverock Takes itself way too seriously

Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Maleeha Vincent It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Caryl It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

Michel Didier Having seen the movie on TV and having read all the comments, I was surprised to learn that nobody noted a social-political context. To me it seemed obvious the main plot of Zambezia carries the notion of the 'Rainbow Nation', stressing that by only working together and including every bird, and that goes especially for the evil marabous (with their English accents), a nation can survive and flourish. In other words, South Africa. I thought that was the point the movie wanted to make, apart from the usual coming-of-age and searching-your-roots motives so dear to American movies. But maybe I am digging too deep.

dandebs This is Triggerfish Animation's first feature film. It's a pretty good first effort, but the inexperience shows. A particular problem was the shoestring budget which meant some shots had to go through to the finished film with known flaws, and the story was patchy in places. This film could have done with some pick-ups to fill in those holes. The story is pretty generic, but for the most part well told. The animation is bright and sparkly - the shot of the Falls and into the tree is brilliant. Voice acting is generally good. A shout-out goes to the score: this is in a class of its own, and really lifts the movie. Well done to the first-time composer Bruce Retief. The film could have done with a few more months in post-production: tightening up some of the gags, filling in a few story holes, polishing up the animation... then it would have warranted an 8/10. As it stands it's a solid 6, particularly due to the score.Zambezia is not a movie which will be frequently watched again. What it does signal is intent from the new kid on the block from Africa. There's real potential from this little studio in Cape Town,and their next films look like they are hitting their stride (Khumba, plus the next in development: "Sea Monster" with an almost watercolour animation aesthetic. Looks amazing. Pixar 2?)

in1984 8.2 of 10. The second awesome film of 2012 Samuel L. Jackson is in (as a key character voice), and it's very different from Django Unchained, although there's an underlying common bond in working together in each film.Besides making you want to pet birds, maybe not the vulture-like marabous, the animation doesn't get nearly enough credit. The lizards are bordering on life-like and the waterfall and mist (not to mention sand and other colored dusts) simply has never been better outside of actual filming of waterfalls. Even the bird poo is as gross as in real life.As for the character voices, I was concerned that Nemoy and Jackson would dominate the audio and distract from the story. Instead, they both give surprisingly understated performances where you need to listen closely to identify them. Even Goldblum deserves credit because I still don't know which character he voiced.Dear Oscars/Academy, you failed us again. Do any of you actually watch animations/cartoons?

mrassokhin This is a story of a young and disobedient falcon who left his father and their nest in the isolated desert to challenge the mysterious bird-city Zambezia.I watched this with two kids, 4 and 9, both liked it a lot and so am I. It's pretty dynamic and funny, colorful (beautiful nature, birds, animals) and has nice and lively soundtrack. Storyline is easy to follow, not too complicated for children and not too boring to fall asleep in the middle for grownups. Characters are OK, although no really memorable ones (don't remember the kids to discuss anyone on the way back from the cinema). As an extra plus I see the absence of hidden context or jokes for adults.Overall, I think it's underrated and surely worth at least a single watch in the cinema or at home by all of your family.