Limerculer A waste of 90 minutes of my life

AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Raymond Sierra The film may be flawed, but its message is not.

Damaris Steele I never fail to be moved by this Civil War western from 1940, ever since the first time I watched it on late night television with my father when I was in the seventh grade. Errol Flynn (representing the Union) around this time was on top form, and Randolph Scott, a native Virginian, is ideally suited for the role of Southern gentleman soldier.Miriam Hopkins, while a bit older than the usual leading lady in films of this period, is still very beautiful and is perfect as a Southern aristocrat fallen on hard times because of a war which is obviously being lost. Humphrey Bogart may at first seem a bit ridiculous as a Mexican bandit, but he could play the bad guy when he had to and you have to remember that this film was before Casablanca and his other great classics.The film does have some very corny lines, which it is hard to believe were not laughable even at the time it was made. However the score by Max Steiner is absolutely wonderful and helps to convey the sadness and desperation of both sides in early 1865. The courtroom scene towards the end with Errol Flynn, while probably not rooted in reality, is to me one of the actor's finer moments. And the portrayal of Abraham Lincoln, shown in shadow towards the end of the film, has always been my vision of Lincoln.

jacobs-greenwood Directed by Michael Curtiz and written by Robert Buckner, this Warner Bros. drama features the unusual casting of Humphrey Bogart as a bandito named John Murrell, who unintentionally heals the conflict between Errol Flynn's Union Captain Kerry Bradford and Randolph Scott's Confederate Captain Vance Irby, after their Civil War moves west to Nevada's wild (and movie titled) outpost.Miriam Hopkins plays the conflicted Julia Hayne. As a saloon singer in the Northern leaning town, Julia conceals the fact that she's the daughter of a deceased Confederate colonel. Indeed, she's just proposed a plan to have Irby transport $5 million in gold from Confederate sympathizers, aka "Copperheads", in Nevada City to Jefferson Davis (Charles Middleton) and the nearly bankrupt Confederacy in the east.But after 21 days of riding back west in a stagecoach with Bradford, a Union spy who suspects that such a plan is in the works, and innocently falling in love with him, she has second thoughts. Still, she helps Irby capture Bradford, who's forced to ride on the very wagon train of gold he and his (comic relief) sidekicks (Alan Hale, of course, and Guinn 'Big Boy' Williams) were trying to stop.Murrell and his murdering gang of bandits intercept the convoy forcing North and South to join forces before the (cliché) cavalry shows up to save the day.Frank McHugh appears as another passenger on the westbound coach; John Litel, Douglas Dumbrille, Moroni Olsen, Dickie Jones, Russell Simpson, and Victor Kilian (as the unmistakable voice of Abraham Lincoln, no less) also appear among the credited cast while Ward Bond and Charles Halton are among the dozens of uncredited actors in the cast.

Alex da Silva Errol Flynn (Bradford) and Randolph Scott (Irby) are on opposite sides of the American Civil War. Both end up in Virginia City to get their hands on a consignment of gold that could influence the outcome of the war. Miriam Hopkins (Julia) provides the romantic interest for these two men to fight over, while Humphrey Bogart (Murrell) heads a gang of bandits who also go after the gold. Who gets the gold? This is an interesting western in that, even though Flynn and Scott are pitted against each other, neither is clearly identified as a goodie or a baddie. The bad guys are Bogart and his mob. Whilst many reviewers point out that Bogey and Hopkins are miscast, I say "so what?" They are not bad, apart from Hopkins' singing. Ouch! Bogey is one of the film's highlights, with every appearance bringing on an "Oh good, he's back" reaction. I find him a very likable bad guy. I far prefer him in this type of role to a leading good guy character, when I find he never quite wins me over. Errol Flynn has star quality but it is Randolph Scott that surprised me and does the best job of actually acting. Unfortunately, we also have the comedy characters as played by Alan Hale (Olaf) and Guinn 'Big Boy' Williams (Marblehead) for Flynn's sidekicks – not needed. Cast some credible sidekicks, please! Flynn is very capable of passing off his own type of humour if that's what the director thinks is needed.The film has a rather far-fetched, cop-out ending that includes Abe Lincoln and while I'd say that the film is a little too long, it has a cast of 3 leading men that keep you watching. Essentially, it's a spy story with an honourable message.

Terrell-4 Could any two less likely major stars be chosen to carry a Hollywood oater? There's Errol Flynn, an Australian with an accent of sorts who made his name waving a sword at sea and shooting arrows in forests. There's Miriam Hopkins, one of the most sophisticated and slyest actresses Hollywood has ever seen, but whose career as a major star in major movies had declined since the late Thirties. Yet together with Randolph Scott and director Michael Curtiz, they turn Virginia City into a rouser, part full-blown action western and part patriotic soap opera. With the movie slightly more than two hours long, Curtiz crams in more set-ups than probably he should have, but even all those separate piece-parts look good. Kerry Bradford (Flynn) is a Union officer imprisoned in Libby Prison just outside of Richmond. Vance Irby (Randolph Scott) is a Confederate officer assigned to run the prison while he recuperates from war wounds. The war is not going well for the Confederates. Bradford and two pals break out just as Confederate spy Julia Hayne (Miriam Hopkins), based in Virginia City, Nevada, arrives for a meeting with old friend Irby. Confederate mine owners in Virginia City have accumulated enough gold for a major shipment to Richmond...$5 million in bullion that could change the war. With Jefferson Davis' approval, Irby is ordered to go to Virginia City and organize a wagon train to try to get the gold down to Texas and the Gulf coast, then by ship back to Richmond. But Union spies know the gold is being readied. Bradford, back in uniform, convinces his superiors to send him to Virginia City, locate the gold and stop the shipment. And who should be on the stagecoach taking Kerry and his two pals to Virginia City? Yes, Julia Hayne. And not just her. There's a man with a hairline mustache, a twitchy way, a false smile and a strangely uncertain Mexican accent. It's Humphrey Bogart, disguised as the renegade John Murrell, the leader of Murrell's Marauders, a group of hard-riding robbers and killers. The stage is set for action...hair-breadth escapes, run-away stage coaches, tense stand-offs, rousing songs at the Sazerac Saloon (where Julia is the headliner as a singer and dancer), a desperate wagon train running out of water and attacked in the desert by Humphrey Bogart, bullet extractions, beautiful desert scenery, a court martial and a cavalry charge to the rescue, not in that order. We even get a dignified Jefferson Davis, a jocular General George Meade and a merciful and wise Abraham Lincoln, who recites parts of his second inaugural address to a teary-eyed Julia. Errol Flynn does a bang-up job, but Miriam Hopkins and Humphrey Bogart are game but miscast. Hopkins is as unlikely an earnest Southern spy as she is a saloon singer, yet she's still highly watchable as both. She was born and raised in Georgia, but the softness of a high-bred Southern belle with something approximating a New England tease makes for an accent that's uniquely hers. Her lower choppers are charmingly irregular and she can handle a high kick with ease. Hopkins was so mischievous and sly an actress that it must have been hard to find the right movies for her. That she took Hollywood less than seriously probably didn't help. For her best work, you'll need to watch Trouble in Paradise, The Smiling Lieutenant and Design for Living. At 47 she was memorable as Aunt Livinia in The Heiress. As for Bogart, after this movie he probably counted his blessings that in the following year he broke through with High Sierra and The Maltese Falcon. If Bogart hadn't scored these two, it's just likely he would have been stuck for the rest of his life competing for character parts with J. Carroll Naish. Thank goodness we have Randolph Scott to provide the movie's steadfastness and old- fashioned honor. He may be playing a reb, he may be up against Errol Flynn as a hero and a suitor, but Scott knows how to hold his own in these kinds of pictures. On balance, Virginia City is easy to watch, thanks to Scott and Flynn. Miriam Hopkins makes for a unique kind of heroine and even Humphrey Bogart's secondary villain is interesting in a ludicrous sort of way.