UnowPriceless hyped garbage

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Casey Duggan It’s sentimental, ridiculously long and only occasionally funny

Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Horst in Translation (filmreviews@web.de) "Vincent will Meer" or "Vincent Wants to Sea" is a German 90-minute movie from 5 years ago and let me start by saying that I quite like the English title as well. This film won Best Picture at the 2011 German Film awards plus Best Lead Actor. I thought Florian David Fitz, who was also nominated for the screenplay, played the part well. Not sure if the win was justified, but the nomination certainly was deserved. However, I am a bit baffled by the nominations of the two older actors in the supporting category. Ferch resembled Fitz physically so that the father-son story made sense, was solid and at least had a couple decent father-son talk moments, but nothing great, while Müller-Elmau was entirely forgettable in my opinion. So you already see that I did not like the scenes between these two very much, but I guess they had to include them to keep the film at 1.5 hours at least.The scenes with Fitz, Herfurth and Allmayer were certainly superior. Some funny moments, some sad moments and decent drama that carries the film from start to finish. Sometimes the illness of Fitz' character did not feel entirely authentic, but only included for the story in terms of when it appeared and when it did not appear and not the other way around, but mostly it was fine. Herfurth is reliable as usual too and Allmayer did what he could with what he was given. I am not too sure if I liked the ending. I certainly liked that they did not go 100% for a happy ending that would have felt forced with what happens to Herfurth's character, but something was missing to really win me over here in terms of the ending.I saw this one the first time briefly after it was released I think and I remember liking it more back then than on this rewatch today, but it was still a decent watch in my opinion. There are some good moments, some not-so-good, but overall the positive outweighs the negative and I recommend it. The music could have been a bit more impactful I think, but Huettner's experience behind the camera shows. If you can look past the unrealistic scenes like the trio still sticking together after one of the guys beats the crap out of another, then you will have a good time watching this one. Thumbs up.

rhondasmit First the good: The acting is engaging and the photography is, at times, inspired. The subtitles are very good translations (I am a native German speaker). Unfortunately, the storyline is trite - "oddball outcasts find strength and friendship during an impromptu road trip" - still, what could have been a new angle on this oft-told tale, or a really engaging film about the struggles of young people who don't quite fit into our 'normal' and are marginalized, is ultimately neither. For me the most regrettable fail occurs just when I was ready to make an emotional investment in the main character; the protagonist (MINOR SPOILER HERE) chases and hurts some rude kids. This might have been forgivable had the protagonist not been 27 years old, more than twice the age of the kids (who were impudent but no physical threat). The movie continues as if nothing untoward had occurred, which troubled me even more. Even allowing that this was a set up for the road trip, the casual dismissal of violence against children made me uneasy. Worse, later on there is more unjustifiable physical violence.Similarly the rest of the movie vacillates between humorous lightness and harsh realities, and that, along with the uneven pace and the (for me) awful choice of musical score (except the classical music, which I liked) left me with the impression that I had just watched a glossy 'After School Special' with a confusing message. I would have given the movie a 6.5, but didn't feel it merits rounding up to 7.

Sindre Kaspersen German screenwriter and director Ralf Huettner's eleventh feature film which was written by German actor, writer and singer Florian David Fitz, was screened in the German Cinema section at the 61st Berlin International Film Festival in 2011, was shot on locations in Germany and Italy and is a German production which was produced by German film producers Harald Kügler and Viola Jäger. It tells the story about Vincent, a 27-year-old man with Tourette's who recently lost his mother who told him on her deathbed that she wanted to go to the sea. After being sent to an institution by his busy father where he has to share room with a compulsive young man named Alexander, Vincent meets a young girl named Marie who has an eating disorder. Marie and Vincent finds a rare connection and driven by Vincent who wishes to bring his mother's urn to the sea, they and Alexander escape from the institution.Finely and engagingly directed by German filmmaker Ralf Huettner, this finely paced and unsentimental fictional tale which is narrated from multiple viewpoints, draws a humane and mindful portrayal of a grief-stricken young man's journey to fulfill his mother's last wish and his relationship with an anorectic young woman. While notable for its naturalistic and atmospheric milieu depictions and the sterling cinematography by cinematographer Andreas Berger, this character-driven and dialog-driven independent film depicts several empathic studies of character and contains a great score by German composer Ralf Hildenbeutel and German electronic musician Stevie B-Zet.This romantic, humorous, serious, very charming and universally appealing road-movie about interpersonal relations, love and identity, is impelled and reinforced by its cogent narrative structure, subtle character development, colorful characters, quick-witted dialog and the compelling and heartfelt acting performances by German actor Florian David Fitz, German actress Karoline Herfurth and German actor Johannes Allmayer, An exhilarating, life-affirming and exceptionally involving love-story which gained, among other awards, the German Film Award for Best Feature Film and Best Actor Florian David Fitz at the German Film Awards in 2011.

Adam Gai Three disabled, two men and a girl, one, a Tourette's syndrome sufferer, the second, an obsessive, the third, an anorexic, run away from a rehabilitation center, and change at least temporarily their behavior, when togetherness obliges them to make a switch in their life. Even the hero's father and the psychologist, who are going after them, pass from a relation of enmity to a friendly one. Pop music, speed of vehicles, the impact of Alps panorama, and brilliant photography, contribute in moving spectators to share the enthusiastic but momentary deliverance of the characters in their journey to the sea. The rhythm of the film is built using a wise dose of humor and sadness, candor and cruelty, beating movements of the camera, and contrast through alternative sequences of pursuers and pursued, showing the mad side of the normal and the sane side of the sick. The unusual expression of emotions in the faces and in the gait of the characters produces a sense of fresh spontaneity. The five principal actors make an exact performance. An overall idyllic atmosphere attenuates the underlying tragedy. Incredibility of certain scenes (the trio at the top of the cross; Alexander, the obsessive, conducting an imaginary orchestra) paradoxically succeed in convincing us, due to their sublimity. Catharsis is here an issue of giving up the hope of complete recovery. It's a movie that moves you to see it.