Colonia

2016 "There is no turning back"
7| 1h46m| R| en| More Info
Released: 15 April 2016 Released
Producted By: Majestic Filmproduktion
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website: http://screenmediafilms.net/productions/details/1635/Colonia
Synopsis

A young woman's desperate search for her abducted boyfriend draws her into the infamous Colonia Dignidad, a sect nobody ever escaped from.

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Reviews

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
BallWubba Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.
Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
jason-carr1-719-551711 Having researched colonia dignidad for some years I was looking forward to seeing how brave the filmmakers would be at addressing some of the underlying 'rumours' surrounding this place and its real structure, sadly they have not don't the story justice.... the movie is however a good thriller and part way to showing what a inhumane creature paul shafer was. I would have liked to have seen the makers explore the bigger questions such as: 1/ are we really expected to believe that an ex Nazi paedophile was backed by not just the Chilean government but also the German embassy, would these people really put their heads on the line just to protect one rather unimportant man from doing something despicable? they would however do it to protect something far larger and far more powerful........ 2/ who was really behind the weapons manufacture at the colony, as I assume it takes more than a low level Nazi paedophile to create a weapons manufacturing plant, let alone chemical weapons 3/ to build such a complex as colonia dignidad along with its enormous military grade subsystem would take some serious financial backing and purpose other than a paedophiles playground 4/ we saw a shot of the advanced (for its time) radio room but no questions as to why it was there, also no mention of the enormous radio antenna on the estate... does a insular cult camp need mass communication? 5/ no mention of post war Nazi escapee's who according to witnesses visited and had a role there 6/ many more things that could have been addressed but maybe that's something you can research yourself
nzswanny Of course, this wasn't the first film to prove that shock value can be done well, but it is not common for one to use it. Shock value is usually looked down upon for reasons I'm too dumb to understand, and I approve of shock value for reasons people are too smart to understand. Colonia is based on a shocking true story about a real-life cult and it's horrific beliefs, and although we don't usually see anything, implication's enough to shock viewers, especially considering the fact that you know it's a true story. It's not shocking content-wise like A Serbian Film, it's shocking atmosphere-wise like Requiem For A Dream. Of course, it's nowhere near as good as Requiem For A Dream, yet on it's own it stands on it's two feet and confidently speaks it's opinion, using truth to convince you. I wouldn't say the film's anything special, but you'll probably remember it for a while. I think the editing could of been a bit better, but otherwise it was good. Go watch it, I think you'll like it.
i SkyWalKing This is yet another propaganda piece from a mainstream movie that has an interesting enough premise to get a pass. I can be aware of the BS and still find redeeming qualities or enjoy a movie, the two are not mutually exclusive.The dialogue is rather contrived and pretentious, the 'politics' are very on the nose and predictable in that they are over the top, cliché and essentially just propaganda scratching at the surface of issues (first 25 minutes are dreadful), with exaggerated accents, cringey dialogue and ridiculous background acting. At about the half-hour mark, the film is saved due to the delightful emergence of Michael Nyqvist who gives a great performance as usual.The directing is sloppy at best, the editing is sloppy and every situation feels forced, contrived and/or unnecessary. I'll give one example in regards to a sloppy scenario to clarify my point, but know that these details are riddled and ignored through-out the entirety of the film...Lena decides to be clever and sneak her way out and peep in on one of the late night sessions. She has taken initiative and carefully worked her way into this situation. Yet, when peeking into the window, instead of continuing to be clever and remaining hidden (consistency), she starts practically leaning into the clearly lit up and visible window, and of course is spotted. It is now AFTER the fact she has been spotted, that she now tries to be clever again and run and hide. That whole scenario could have been avoided by simply being a little cautious. It's blatant inconsistent behavior to move the plot along and is an insult to the viewer. It really is. These very common details are in my opinion what can make or break a decent idea/film.All in all it is an unoriginal premise that IS interesting enough to keep you watching once you've started, has SOME redeeming qualities in that it gives some exposure into the cult-like religious world consisting of pedophilia and dominance and psychological torture etc. It is also shot well enough regardless of the poor editing and pacing. And Michael Nyqvist always manages to steal the show imo... But it is a typical propaganda piece in that there are a lot of fabrications in the movie (which is fiction), yet begins and ends on a "serious" political note with a clear angle leaving the viewer with a slanted impression of said nation. Hollywood loves to blur the lines because they underestimate the viewer...One final note, just some food for thought. Isn't it odd or a 'coincidence' that no subject is taboo in film making, and no nationality or religion or topic is off limits when it comes to film making in Hollywood except for 'that one'. You and I know the one. The one tribe/cult that has limitless amounts of films depicting them as 'victims', yet not ONE SINGLE FILM exposing their corruption politically, religiously, socially etc. (Don't believe me? Google it. Find me ONE major film that exposes their tribe in any shape or form. You won't find one.) Christianity, Islam, Buddhism, and every other religion, nation or culture or subject is fair game to be criticized, but don't you dare make a film exposing said tribe on ANY matter otherwise you immediately fall into a 'negative'. An "anti...." so to speak. Funny thing that is huh? But I digress ... this film is a pass. Wasted potential if anything.
Undercoversta I was really impressed by this movie and I think, it's underrated at the moment. Emma Watson and Daniel Brühl did a great job there. You feel some kind of magic between them. Also the other characters are realistic and credible.After watching it I felt, like I was in the colonia myself