Cubussoli Very very predictable, including the post credit scene !!!

Ensofter Overrated and overhyped

Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

utgard14 Remake of Two in the Dark from RKO starring the unlikely duo of Tom Conway and Ann Rutherford. Conway plays a guy with a head wound and amnesia who searches for the truth about who he is and whether or not he committed murder. Rutherford is the spunky female cabbie who helps him. This is an entertaining enough picture. Nothing exceptional but a good time-passer. Conway, debonair as ever, is the kind of actor they just don't make anymore. Adorable Ann Rutherford is a little miscast as a street-smart cabbie. This is a part more suited for a Farrell, Blondell, or Sothern. Rutherford's just too sweet. Still she's always a treat to watch, even if it does feel a bit like she's trying on her big sister's clothes. Conway/Rutherford chemistry isn't exactly sizzling, either. Also featuring noir great Jane Greer in a small part and RKO favorite Jean Brooks, who was in quite a few Tom Conway films during the 40s. Directed by Anthony Mann but you would never know it as it's a pretty routine B movie with no discernible style or craft to brag about.

MartinHafer "Two O'Clock Courage" is a nice looking B-movie. It has the nice RKO look--pretty sets, good direction and nice acting. However, the plot itself if pure B--not exactly believable and a bit over-familiar.The film begins with Conway wandering about in a daze. Someone apparently hit him with something very hard, as he walks right in front of a cab and nearly is run over by the female cabbie (female cabbies were common during WWII, as many male cabbies were in the service). Apparently the blow was so bad that Conway has amnesia--100% amnesia. Heck, he didn't even remember who he was or what he looked like! This is a relatively common Hollywood cliché--and another is a stranger (the cabbie) suddenly abandoning her job and spending the rest of the film assisting him figure out the truth. Also, if you nearly run someone down and they have a head injury with amnesia, wouldn't you either take them to the hospital or call the police?!?! None of this makes any sense at all. What follows isn't bad, but it's a pretty typical B-mystery movie that turns into a murder investigation.One big plus the film does have despite its silly script is Conway. I loved this man's elegant acting and it's a darn shame that drinking shortened his career. Oh, and if you didn't know it, he was the brother of the equally smooth George Sanders. You can tell by their incredibly suave and melodious voices!

David (Handlinghandel) This came before Anthony Mann's famous, unique and quirky noir. By the time it was made, there had already been many authentic films noir. However, this updates what had been a formula throughout the thirties: the romantic/comic/mystery. There is romance. There is some comedy. But instead of mystery: We have here a true film noir. (The difference between this and other entries in the genre makes the importance of a good director very clear.) It begins with Tom Conway, in an excellent performance, looking at a sign noting an intersection of two streets. He doesn't know where there are, where he is. Or, even, who he is. Amnesia, yes indeed.Now the comedy: Ann Rutherford, a female cab driver, happens by and helps him out. She calls her taxi Harry and, later, people get confused and think Harry might be the name of a suspect.Though this has its light moments, it is a dark little movie. (And little it is, at just a bit longer than an hour.) We have a comic newspaperman and a semi-comic police officer. But we have some genuine bad guys too, and some women who are right out of the noir canon as well.Among these is Jane Greer in a very early appearance. Though her role is small, she grabs out attention. The camera loves her, almost in the way it was to love a very different sort of performer: Marilyn Monroe. Though Greer doesn't have a lot to do or a whole lot of screen time, when she's around, we can't take our eyes off her. Now, there was real (and sadly underused) star!

sol1218 **SPOILERS** Walking around the almost empty streets in the dead of night "The Man", Tom Conway, is almost hit by a taxi cab driven by pretty taxi driver Patty Mitchell, Ann Rutherford. It turns out that "The Man's" mind is as blank as a fresh sheet of typewriter paper with him in a complete fog to who he is and what he did and what caused that gash that he had on his head when Patty first picked him up. Seeing the evening papers "The Man" and Patty see the headline banner news of theater producer Robert Dilling being murdered in Oceanview where "The Man" was just hobbling around. The description of Dilling's killers matches the description of "The Man" right down to his pin-striped suit that he's wearing. "The Man" together with Patty slowly uncover his identity by backtracking to where he was that evening before he fell, or was hit, on his head. Putting everything together "The Man" at first finds that he's called "Step" by his friends. Later with the unexpected help of "Step's" forgotten friend and associate Mark Evens, Lester Matthews, finds out that his real name is Ted "Step" Allison and that he checked into the Recency Hotel where Ted and Patty just came from to check out who he was in the first place.Ted finds in his hotel room a letter from a friend of his, the late Larry Tenny, about a play that he wrote called "Two O'Clock Courage" and that the play seems to be the reason that Dillings was murdered.Ted himself is almost killed later in the film, as he gets too close to who the killer is, with a bullet to his head but it was that attempt on Ted's life that brought back his memory and with that the identity of the person who murdered Dilling.Ted really had some night for himself in the movie "Two O'Clock Courage"; he loses and finds himself he ends up being arrested by the police for the murder of Robert Dillings talks his way out of being put behind bars and later solves the Dilling murder and the reason that he was killed. There's also the secondary emotional plot-line that erupts at the end of the film between the killer and his jilted girlfriend. To top it all of Ted meets falls in love with and marries lovely taxi driver Patty Mitchell; all this happens to Ted before the night was even over.Besides Richard Lane playing the bumbling reporter Haley who in the end drove his boss news editor Brant, Charles C. Wilson, almost into the loony bin the police inspector Bill Brenner, Emory Parnell,on the Dilling murder case was even funnier in a dangerous sort of way. Insp. Brenner had a very bad habit of holding his revolver pointed at almost everyone that he came in contact with in the movie. It was sheer luck that everyone in the film made it to the end without unconsciously getting themselves shot or killed by this absent-minded policemen.