Lovesusti The Worst Film Ever

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Abbigail Bush what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

mark.waltz An innocent young bride (Ann Rutherford) gets even with the catty wives of Glenn Miller's band members when they use her naiveté to cause trouble in her marriage to handsome George Montgomery. "It it's one thing I hate, it's a leaky dame", one of the other wives says about her blubbering bride. "Hello, Room Service? Come on up, I've got a lot of dirty dishes", Rutherford retorts after pulling a Norma Shearer (in "The Women") and causing a cat fight among two of the women who have just destroyed a service cart. All this and the best music Glenn Miller didn't play in "Sun Valley Serenade".That recent Beyonce hit ("At Last", also recorded by Etta James) was introduced here, which makes this a historical must for modern music lovers. "I've Got a Gal in Kalamazoo" was the other big song. Fresh from the Andy Hardy series and her most famous role (as Scarlett O'Hara's younger sister in "Gone With the Wind"), Rutherford is excellent, going from that leaky dame to fellow cat, joining Lynn Bari, Carole Landis and Virginia Gilmore in the art of classic movie bitchery. Grant Mitchell (as Rutherford's father), Cesar Romero, Jackie Gleason and Harry Morgan are among the familiar faces who round out the supporting cast. Morgan (playing a soda jerk) has a memorable sequence where he escorts Rutherford to a concert but is aghast when he finds her with Montgomery and threatens to beat up the much larger man.There is an amusing moment between Mitchell and George Montgomery where Montgomery, not realizing that Mitchell is his father-in-law, calls him "older than Metheselah". (I always wondered where that quote originated!) Usually, the plots in musicals are rather flaccid, but this one is much better than normal. The music simply enhances it, and when the Nicholas Brothers come on to dance, it explodes into red-hot rhythm with the war a quiet backdrop for the moving of the band on the road. Life must go on, it is observed, even in wartime. This makes for perhaps one of the best big band musicals filled with sizzling music, wonderful wisecracks, plenty of female bickering and tons of fun!

secondtake Orchestra Wives (1942)Archie Mayo is a functional director remembered a couple of first rate movies, "Petrified Forest" and "A Night in Casablanca." Now Hollywood has slews of great movies by directors like this, getting just the right mixture of elements to succeed, but their other movies still usually have elements, moments, or qualities that rise above and make them worthwhile.This is a war time big band lightweight romance. But it has such great music and some polished great acting (some), the contrived plot is easy to swallow. It's a fun, excellent ride, not at all shabby. Ann Rutherford is really first rate, sweet and smart when she needs to be, and touching at others.The music? Completely Glenn Miller. The real Glenn Miller, even though he takes on the name of Gene Morrison for the role. And it's great to see them playing (or pretending to play--it's a pretty good match, but not live recording and filming). It's the great film introduction for "I've Got a Gal in Kalamazoo," which is enough to enshrine the movie (including a second version with a pair of African-American singers and dancers leading the way). This is Miller's second film, and is part of the home front cheerleading (in the best sense) a worried public as the U.S. entered the war. Miller of course formed a whole new band for the war effort, and died when his plane disappeared in Europe. It's part of his lore, and it adds some pathos to how we see the movie now, in retrospect.The male lead, across from Rutherford, is the band's trumpet player, meant to be the incomparable Harry James, but played not by the real James (which would have been fun) but by George Montgomery. Cesar Romaro plays a clichéd role, and makes the most of it, endlessly cheerful. And look for a young Jackie Gleason a couple of times (he's a bass player). The fairy tale ending is perfectly unbelievable, and a great feel-good cherry on a feel-good movie. Like many Astaire-Rogers movies, this musical drama is far far better than it should have been!

n_r_koch This is a pretty entertaining movie and a nice surprise for those of us for whom Glenn Miller was "before their time" (though some of the songs are certainly familiar). Ann Rutherford is a beauty. The script, about the ins and outs of life on the road, has a few flat spots but is mostly snappy enough to carry the film between musical numbers. It's not a rah-rah script either; it's closer in spirit to a '30s gold-digger musical than a '40s family musical. We get to see how Glenn Miller and the band performed. Miller is a wooden actor (to put it mildly) but he only has a few lines so it doesn't bog things down. The musical numbers are great, and the actors assigned to band roles all do a nice job of playing "air" along with the band. Of note is the excellent camera work in the musical numbers. There's a long music-free bit in the last third of the film but the finale picks it up again at the end.Some points of interest: Marion Hutton (Betty's older, prettier, less frantic sister) sings on the opening and closing numbers. There's an amazing athletic tap number from the Nicholas Brothers, who also sing in a jazz style. And Carole Landis (one of those young stars with a tragic end) is good in her light comic role.

writers_reign Hindsight is okay but we should keep an eye on it. For example hindsight allows us to speculate that Fox, having signed Glenn Miller and his orchestra to a two-picture deal and despite the fact that the band was arguably the best-known and most popular in the country, decided that for their first At Bat the band needed the support of a 'speciality' act, cue Sonja Henie, ex-Olympic swimmer and already a veteran of such Fox musicals as Second Fiddle. Hindsight then tells us that this first movie, Sun Valley Serenade, let the Fox moguls know that the Miller outfit was a top draw in itself thus this second movie relies only on a Redbook magazine storyline, the Miller ork and some great numbers by Harry Warren and Mack Gordon. So it is that Ann Rutherford, late of the Andy Hardy movies and Gone With The Wind, marries trumpeter George Montgomery on the strength of two brief meetings and thus becomes the newest 'orchestra wife' learning about life - and love - on the road. It's more predictable than Old Moore's Almanac but the nostalgia quotient - Jackie Gleason, Marion Hutton, Ray Eberle plus THAT band - is almost off the chart, add such dazzling numbers as At Last, Serenade In Blue, People Like You And Me and I Got A Gal In Kalamazoo and we're looking at an unbeatable parlay. One to savour.