AniInterview Sorry, this movie sucks

VividSimon Simply Perfect

Onlinewsma Absolutely Brilliant!

Inmechon The movie's only flaw is also a virtue: It's jammed with characters, stories, warmth and laughs.

calvinnme This entry in the Boston Blackie series has Blackie trying to help a young woman who is being blackmailed by a spiritualist, Dr. Nejino, played by familiar Columbia heavy Marvin Miller. When Blackie confronts Nejino, the doctor does something unusual for a spiritualist in these old movies - he admits the whole séance business is an act, but that it is an act that helps his patients deal with the losses of loved ones in their own way and in their own time. In the case of the young woman in question - wealthy Anne Duncan - her father's death has left her terribly lonely in spite of her recent marriage. So Nejino invites Blackie to watch one of his séances. The problem is, during the séance a member of the audience is knifed in the back. Of course, Blackie is suspect number one in the case.This one has plenty of good old fashioned haunted house and ghostly fun, and if it seems that magic is a recurring theme in the Boston Blackie series, it is so for a reason. Chester Morris was a very good amateur magician, even entertaining the troops during World War II with his act. Recommended for anyone who specifically likes the Boston Blackie series or the old B detective movies of the 40's in general.

Michael_Elliott Phantom Thief, The (1945) ** 1/2 (out of 4) Boston Blackie (Chester Morris) once again finds himself involved in a murder case where ghosts and a weird fortune teller are suspects. This isn't the best in the series but it's not the worst either and in the end it makes for an entertaining 65-minutes. The mystery this time out is pretty predictable and easy to follow but there are some nice added touches including all the stuff involving the ghosts. The supporting cast is up to their usual nice quality with Richard Lane and George E. Stone back to their old tricks as Farraday and The Runt.

MartinHafer I have now seen every Boston Blackie film with Chester Morris but one and I can say that the series is a very mixed bag. Though the films started off extremely well (blending a nice mixture of action and comedy), they also suffered terribly from repetitive plots. It was as if Columbia Pictures could have cared less that in EVERY episode you have the ignorant Inspector Farraday and his idiotic Sergeant accusing Blackie of whatever crimes are committed--even though in every movie it turns out that not only is Blackie innocent but he solves the crime himself. This schtick gets pretty old after a while and no cop can be half as stupid as Farraday or his sub-human assistant. Plus, plot elements are often recycled (such as two movies where Blackie performs a magic show at a prison and a prisoner uses this to escape, stolen jewels again and again as well as Blackie and Runt dressing up as Black cleaning ladies, etc., etc., etc.). Forutately, aside from the moronic inspector and sidekick, this film IS different and doesn't have that recycled feel to it--with a nifty plot involving a phony psychic and, of course, a murder! The usual good acting and fast pace are of course present and make for an enjoyable romp.

Spondonman Post-War Blackie film, a little harder edged than before, but still with an over-abundance of verbal witticisms and slapstick. The Runt tries to help a pal accused of stealing a diamond necklace, Blackie gets involved but can't prevent the pal on the lam getting stabbed in the back while watching all of the suspects perform at a rather feeble séance. Huh? It makes sense while you're watching it anyhow, except maybe who the murderer turned out to be - it must have been Real Dark!Chester Morris as Blackie seemed a bit more relaxed in here than previously, maybe the absence of a black-face routine helped?! Jeff Donnell as Anne was decorative, even if she did stretch credulity with her credulousness! Marvin Miller as Dr. Nejino was Deeply sinister - thanks mainly to his fruity and succinct baritone voice, Dusty Anderson's only problem as his cohort(?) was to be too tall for everybody else in the film. George E. Stone as Runt was starting to bug me in this one - his whining almost-effeminacy made me wish Blackie would bitch-slap him and stand him in a corner as a naughty little boy and spare us his company for the last 30 minutes or so. Inspector Farraday and Sgt. Matthews played the usual good double act, and even old Jumbo got an airing in a good scene.All told, nice entry in the series.