Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.

Jimmy L. I taped THE UNHOLY GARDEN (1931) off TCM a while back and I don't remember why. I probably wanted to see Ronald Colman and Fay Wray together in what seemed like a rare pre-Code film. The tape sat on my shelf for a while before I finally decided to give it a look, and I was pleasantly surprised. This is a great little movie from the wild world of early talkies.Colman, ever charming and sophisticated, plays an notorious international criminal who holes up in a desert inn. There he meets a cast of unsavory characters of dubious repute. When it's discovered that the cranky blind man upstairs has stashed away a fortune, Colman agrees to win over the old man and his daughter (Fay Wray) in order to locate the loot.The motley group of thieves and murderers is played by Kit Guard, Henry Armetta, Ullrich Haupt, Mischa Auer, Lawrence Grant, and Warren Hymer. Grant in particular leaves an impression as a Vincent Price-y doctor character, the cool-headed intellectual of the group. (The brief conversation Grant has with Colman about his three dead wives is a delightful bit of black humor.) There's something about these characters in this secluded setting that reminds me of SAFE IN HELL (1931).RAFFLES (1930) meets SAFE IN HELL (1931), perhaps?This film has an interesting pedigree, written by the prolific Ben Hecht (UNDERWORLD, SCARFACE, THE FRONT PAGE, NOTHING SACRED, WUTHERING HEIGHTS, NOTORIOUS, KISS OF DEATH, etc.) and his frequent writing partner Charles MacArthur.This is a quick little film (75 minutes long), and it's enjoyable all the way through. The cast (also including a sultry Estelle Taylor and Tully Marshall as the dotty old man) is full of interesting characters, all staying together at the inn.A kind of romance blooms between Colman and Wray, who is young and lovely, but cut off from the world by her reclusive father. Colman is her window into Paris and the glamorous outside world. The film mixes romance and caper thrills while cultivating an atmosphere of danger. Certain scenes give the film a dark pre-Code edge. (In one scene Wray tells Colman what kind of life awaits her at the inn among the cutthroats. She wants to "start" with him, so she could have something nice to remember later on.)When things start to heat up, will Colman go through with his plans to swipe the cash? Will he double-cross the gang of crooks? Will he rescue the damsel and ride off into the sunset? Will he be tracked down by the French police?At 75 minutes, THE UNHOLY GARDEN is exciting, creepy, oddly charming, sexy, spooky, and even a little sweet. Ronald Colman is a dashing hero, even when he's playing an outlaw. Fay Wray is very lovely and sympathetic. This little-known pre-Code flick should interest any fans of early talkies. Check it out if it comes your way.

blanche-2 Ronald Colman and Fay Wray star in "The Unholy Garden," a 1931 film that is darn strange.A fugitive from justice (Colman) winds up at a hotel in the Algerian desert where all the other thieves and killers hang out. Among them is lovely Fay Wray and her blind father. Word is the old man is hiding a great deal of money, and the thieves want it. Colman manages to become their leader, but his agenda is somewhat different from theirs.Ronald Colman is delightful as Barrington Hunt, escaped con - fast talking, debonair, and charming. Wray is beautiful as the vulnerable, despairing Camille de Jonghe, who feels that her life will never change.The atmosphere is marvelous - one really feels like they're in an Algerian hotel where danger lurks. Worth seeing for Colman and Wray.

vincentlynch-moonoi Main Title: Ronald Colman, The Stud Sub-Title: The Usual SuspectsThe attraction here is seeing the (relatively) young Ronald Colman in action. Colman had made 29 silent films, more than half of which have not survived...at least 1 in 1925 was one of the earliest Technicolor films. "Unholy Garden" was only Colman's 5th talkie, and what a wonderful and distinctive voice he had.Here, a too suave English thief (Colman) escapes to a sleazy settlement in the Sahara Desert, where he accidentally meets up with an accomplice -- an all too dumb Warren Hymer, whom you'll probably recognize. He and other crooks at the decrepit desert hotel soon find a new target -- an old and blind baron who may have his own stash of stolen money. Colman sets out to grab the money, but to do so begins romancing the daughter -- Fay Wray (sans King Kong, and at the peak of her career). But word of his plan escapes, and Colman begins to seriously fall in love. No surprise there! Colman gets the money, but gives it to the daughter, and then separates from her.As young and studly as Colman seems to be here, he was already 40! But he is smooth and sophisticated, as always. The main drawback to this film is the supporting cast of thieves. All so very clichéd. And to think that this group would end up at a hotel in an Arabian desert...preposterous. It's a decent film, but decidedly old-fashioned and very dated film (hence the rating of "6"). If we were living in the 30's I would rate it as a "7". The real reason to watch this film is, as usual, Colman.

jcravens42 The acting style is dated, the production is low-budget, the characters are cartoonish, and the story is quite silly... but there is something about this movie I adore. There's no comparing Colman in RAFFLES to this role in THE HOLY GARDEN, as other reviewers have done - in the former, he's distinguished, elegant and urbane, an adorable, tame scoundrel any woman would be quite safe to be around (except for her heart, of course), but in THE UNHOLY GARDEN, the undercurrent of sexuality in his character will be a shock to anyone who is used to Colman in much less sensual, much more gentle roles. I'm used to seeing Clark Gable get this physical and sexual with his leading ladies, but Ronald Colman? Awesome! The dress-hooking scene with Estelle Taylor is delicious... If you are a Colman fan, you will adore this movie. If you're not, you may be one by the end - but don't expect to see him in other films in a role quite like this. In addition - lots of laugh-out-loud lines. What a shame the rest of the movie isn't as good.