Cathardincu Surprisingly incoherent and boring

Cleveronix A different way of telling a story

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Deusvolt Unfortunately, many will miss knowing about this if they just check on the actor's filmography on this site. It is not explicitly listed. You will have to look for it under Hallmark Hall of Fame.It is one of Fonda's finest performances reminiscing and rivaling his portrayal of an innocent accused in The Wrong Man. Here, at age 75 he portrays Clarence Gideon who was actually only 53 at the time of the trial in 1963. Obviously, not in health when this was filmed, Henry Fonda's age and frailty adds authenticity and pathos to the character's situation.It is a landmark movie (for TV) that celebrates a landmark Supreme Court decision that added protection to the rights of the accused by ensuring that they are provided proper legal counsel.

bkoganbing The story of Clarence Earl Gideon illustrates the fact that even the humblest and least noble of people in the right circumstances can influence things far beyond their grasp. Gideon was certainly in humble circumstances and was not a noble character by any means.But what he was entitled to is to be represented by counsel when he was arrested for a robbery of a pool hall in a small town in Florida. Gideon was no stranger to the criminal justice system, he'd served time for numerous minor offenses before. But his efforts to defend himself without an attorney resulted in his conviction.What Gideon did was appeal directly to the US Supreme Court and they took his case and Gideon won the right to be retried with a court appointed lawyer. It was also a 9-0 decision, not something arrived at every day in important cases.Henry Fonda plays Gideon and the Seventies were not a good decade for him on screen. He sold the value of his box office name for the money and appeared in a lot of junk quite frankly. Until his final Oscar on the big screen for On Golden Pond, this Hallmark Hall of Fame television drama was probably Fonda's best work in the Seventies and might have been his epitaph, but for that. You can see this man clearly as someone who forty years earlier might well have been Tom Joad.Abe Fortas who represented Fonda at the Supreme Court is played by Jose Ferrer and Ferrer even looks like Fortas who was the consummate Washington insider. His later downfall doesn't change the fact that his was one of the most brilliant legal minds of the last century. On the local level Fonda as Gideon is represented finally in court by Lane Smith who plays his attorney in the folksy Ben Matlock style popularized by Andy Griffith.The Supreme Court who is nameless has such folks as Sam Jaffe and Dean Jagger on the bench and the Chief Justice is John Houseman. Of course the Chief Justice was Earl Warren and Houseman plays it more like his law professor Kingsley in The Paper Chase. Earl Warren was a far more down to earth individual than Houseman ever was on screen and in real life. Making her farewell appearance as Fonda's landlady is Fay Wray, she of the big ape. She gives testimony at his new trial she wasn't allowed to give at the first travesty. The right to counsel is a sacred one and the Supreme Court has made it so by the humble pleadings of one of the Creator/Deity's lesser creations in Clarence Earl Gideon. Greatness can and does exist in some strange places.

Robert J. Maxwell Watching this flick I kept mulling over how many actors had played lawyers in other movies. Let's see. Lane Smith, of course, in "My Cousin Vinnie" (and "Nixon," I guess), John Houseman in "The Paper Trail," Dean Jagger in "Twelve O'Clock High," Jose Ferrer in "The Caine Mutiny" and "Blood and Orchids," and probably others that I've missed. I kept waiting for E. G. Marshall and John Williams to pop up. Henry Fonda, certainly, brought resonance to his role as well. He was the unjustly convicted Manny Balistrero in "The Wrong Man." And he, too, was a lawyer in "Young Mr. Lincoln." This is pretty well done, both technically and thematically. It's an important story and is refreshingly free of stereotypes. The Florida court that convicts Fonda of burglary is a just one and operates under the law, as it then existed. And Fonda is no rabble rousing spokesman for the little man either. He's been in prison 5 times before, for crimes such as burglary and "possession of government property." (I'd like to hear more about that.) He's not doing this so that "all men will be free" or any of that bunkum. He's doing it because he's angry at having been denied a lawyer simply because he couldn't afford one.As he labors over the law books in the prison library, he shows concern only over the fate of one other inmate, a black guy. This is one of those instances in which the story looks a little corny. Here, and where the writers give Clarence Earl Gideon the charisma of Cool Hand Luke with the other prisoners, an increasing number of them, following him back and forth to the mailbox and the warden's office and cheering loudly when the Supreme Court agrees to his request. (I don't believe they cheered for another man's success; I don't believe the writers ever met an inmate or saw the inside of a penitentiary.) The production had a bit of a problem with the focus puller too. But, that aside, this is really pretty instructive. The Supreme Court evidently agreed to review his case not because they felt sorry for him but because they felt ready for a change in the existing rules about due process. Gideon was the right man in the right place. Luck had a lot to do with his success. Equally interesting is Fonda's performance. He was never a ham and was always minimally expressive. It works here because Gideon is played as a grouchy, angry, taciturn loner who minds his own business. A lesser script would have made him bombastic and articulate but this Gideon stumbles over words while reading aloud. The scene in which Fonda chokes up when he receives the news from Abe Fortas about the Court agreeing to review his case is as moving as it is because Fonda underplays it. Dare I suggest that in this film, playing a skinny, tattooed, unfriendly convict, he does a better job than he did in his convict's role in Hitchcock's movie? Or even that this is one of his best performances, period? The photography and locations are pretty good too. The stale, almost empty courtroom during Fonda's trial, the silence and boredom of all involved, rather match the almost sensible heat of the Florida summer and the interiors baking under the sun. Lane Smith, as Fonda's counselor in his retrial, is simply great -- sneaky and dark, almost villainous in the glee with which he attacks the prosecution's witnesses and frees Fonda. What a contrast to his performance as the affable prosecutor in "My Cousin Vinnie." Hallmark Productions are often soporific or -- let me say -- family oriented, but this one makes a few demands on a viewer, all for the good. Watch it if you have the chance. It doesn't seem to be on very often.

andy-227 I wouldn't define this movie as being great. It was good, but not great. It was interesting though. I had to watch this for my criminal justice class, and I was riveted to it. I learned a lot about how our courts worked and how reforms in them were made so people who couldn't afford an attorney still had the right to have one. Based on a true story, Clarence Gideon was convicted of a crime he did not commit. But the movie centers around how he was deprived of his right to an attorney, and how he fought in prison to make clear that he did not have a fair trial. I thought it was well done, and Henry Fonda was very good in the role of Clarence Gideon. Only drawback, this should have been released in theaters. The camerawork of the courtroom and the long shots of Clarence Gideon confessing his history are great. The opening shot is the best scene of the film, which is seen in it's entireity later. Henry Fonda looks right into the camera, right at you, and as Clarence Gideon, he gives you his background. Ingenious. I wish there could be more movies with scenes as subtle and as profound as this. The other scene I liked was when Gideon is retried with an experienced lawyer, and when the first witness falsely claims Clarence Gideon is the culprit, the lawyer cuts him down with words and facts. This movie is good, but it's not a monumental achievement. I would highly recommend it to you though. It's got the qualities a good film should have: a good story and good acting. And lawyers or people involved in law alike will find it very interesting.