Limerculer A waste of 90 minutes of my life

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.

mark.waltz Just when I thought that the "Boston Blackie" series couldn't get any better comes along this episode with a genuinely spooky performance by future film noir anti hero Steve Cochran. Known as "the man who sailed to Tahiti with an all girl crew" (and didn't return), Cochran had a brief leading man career and quite the off screen life, apparently. He's obvious damaged goods from the moment he's seen on screen, overhearing estranged uncle Harry Hayden describe him to Chester Morris's Boston Blackie. Sweet Nina Foch (in a wig straight out of a Val Lewton film) and brassy Iris Adrian add the feminine touch, although Adrian seems to be trying to swallow her own head as she talks. Sociopath Cochran sets off on a reign of terror with Boston Blackie accused of his crimes. There's no mystery, obviously, but in being presented as a thriller with horror elements (comedy inserted thanks to sidekick George E. Stone and cynical detective Richard Lane), and ending up with a film that is beautifully played out. Forgive the one sequence of Morris and Stone in horrible blackface, acting absolutely absurd. No indication of why Cochran is the way he is other than contemptuous relationships with his family is given, but in life, sometimes the eggs are just bad and no amount of psychology can explain it.

blanche-2 Someone is killing women and framing Blackie in "Boston Blackie's Rendezvous" starring Chester Morris, George E. Stone, Richard Lane, Steve Cochran, and Nina Foch.Blackie is appealed to in the middle of the night by a man whose brother has escaped from the asylum. The man, Jimmy Cook (Steve Cochran) shows up at Blackie's later and refuses to turn himself in. He starts killing, picking up a woman at a Dime a Dance joint and then moving on to someone else who works there. He writes poetic letters to these women, so when he shows up at Sally Brown's (Foch) place, she's looking forward to meeting him.Chester Morris is always very good as Blackie - relaxed and funny, and George E. Stone makes a good if scared sidekick. And they both drive Inspector Farraday (Lane) nuts. However, this script left something to be desired. First of all, Blackie and the Runt go looking in their building for Cook disguised as black maids, complete with white lips like they were doing a minstrel show. That type of thing is cringe-worthy today.Also, the Foch character is suspicious of Blackie, thinking he's the killer, lets in Cochran and buys his whole line, even accompanying him to his place. She was definitely one sandwich short of a picnic.The film moves along quickly, with handsome Steve Cochran leaving much to be desired in an early performance, relying basically on making faces. Nina Foch was lovely, but her character wasn't fleshed out very well.Okay entry into the series.

Alonzo Church Boston Blackie movies have some strengths -- mostly in that the pacing is swift and the hero is cheerfully unfazed in even the worst circumstances. But the plotting is frequently atrocious, and the unrelenting comic bits often kill the pacing (if the plot happens to be atypically good) or are just unfunny and inappropriate.This one involves Blackie chasing an escapee from the asylum (Steve Cochran in a really poor performance) who has become fixated on beautiful Nina Foch (who puts in a nice, rather subtle acting job). Inspector Farraday, of course, believes Blackie has gone homicidal maniac (he at least has some evidence in this one for that), and is incompetently trying to jail him as Blackie goes after the real killer. The plot has possibilities, but any time any real tension gets going, we a get a not funny comedy routine. It doesn't seem like anyone at Columbia understood that, in a movie about a pursuit of a really dangerous maniac, cute little comedy scenes about hiding an inconvenient body from the inspector disrupt any willing suspension of disbelief. (One just concludes our clever hero is an idiot -- deadly for a film like this.) This one is not worth the time. For a well plotted episode of this series, see Alias Boston Blackie.

Spondonman Rendezvous was a harder entry in the Blackie series (9/14), dealing with a cunning escaped lunatic who strangles women as easy as breathing. The loony was played by wide eyed and breathless tough cookie Steve Cochran, who managed to pin a murder onto Blackie and Runt, who have Farraday and Matthews after them as usual.Some neat detective moments trying to track down the woman he was really after. The worst thing about the film to me is the pointless murder of the hotel chambermaid - we knew he was a bad hat to be avoided anyway without that - and afterwards her body was the subject of a short comedy routine! Harder, like I said.But as to be expected, lots of witty repartee between the main protagonists make it another good b picture to watch in the best Boston Blackie mould.