Fairaher
The film makes a home in your brain and the only cure is to see it again.
Derry Herrera
Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
Kinley
This movie feels like it was made purely to piss off people who want good shows
shakspryn
This is an outstanding Charlie Chan adventure, which succeeds on every level. Sidney Toler gives a first-class performance--his Chan is wise, humorous and compassionate. All the supporting players are good. The plot background is one of a magic show and a creepy psychic in 1939 at the Treasure Island locale around San Francisco.The sets are excellent! The weird-looking psychic lives in a mysterious mansion, of the type which the studios could show so well. The plot is tight and well done. This is absolutely one of the very best of the Toler-Fox Chan films. Toler is totally assured and in control here--you believe he IS Charlie Chan. He owns the part here in a way that really carries the viewer along, for a very enjoyable and adventurous ride!As often with the Chan films, we see some familiar faces among the cast, and they all do well.
Hitchcoc
Charlie and Jimmy end up at Treasure Island, at the 1939 San Francisco Exposition. While on a plane, a well known writer dies and his death is suspicious. He is connected to someone or something called Scorpio. Charlie must inform his wife of his death. This leads to the detective dealing with a couple guys who have a connection to a mystic whose name is indeed Scorpio. There seem to be a lot of cover ups as they wade through the case. Charlie is accompanied by a couple guys. One is really annoyed that his serious girlfriend is under the spell of this mystic. This is quite a good presentation because of the seances and the intrigues of the netherworld. There is one great scene where the young woman, who does a mind reading act senses murder in the room.
binapiraeus
When a young friend of Charlie Chan's, mystery writer Paul Essex, receives a strange message on the flight to San Francisco connected with 'Zodiac', and before the landing strangely commits suicide, Charlie feels it his duty, of course, to find out who drove him to kill himself - because, as he remarks in a conversation about the occult: black magic very often goes with blackmail...He's invited to 'Treasure Island', part of the San Francisco World Fair, by magician Rhadini, who soon reveals that his great antagonist is - 'Mr. Zodiac'! So Charlie knows he's on the right track, especially since strange things keep happening: Essex' last script, 'The Mystery of the Pigmy Arrow', which he'd just finished on the plane, vanishes, and Charlie and son Jimmy suspect ominous 'Mr. Gregory', allegedly an insurance agent. At 'Treasure Island', they meet again; and we also get to know quite some other illustrious characters: Eve Cairo, who possesses REAL psychic powers as a mind reader and for some reason seems to believe very much in Dr. Zodiac's abilities - a fact of which her boyfriend, police reporter Pete Lewis, disapproves greatly; then there's Bessie Sibley, a reckless man-hunter, who seems quite fond of Rhadini, which in turn makes his wife Myra (a former knife thrower from vaudeville) pretty jealous...Charlie finally manages to be granted entrance to Dr. Zodiac's house, who gives a 'performance' of his psychic abilities, communicating in a really eerie dark room séance through an ancient Egyptian priestess with Paul Essex, who declares that he hadn't been blackmailed - but Charlie is convinced otherwise. So, he returns to the house when he knows that Zodiac is out; and actually finds, hidden in a secret room behind a huge safe, a whole filing cabinet with files full of ideal blackmail information on people from all over the country! He sets the whole room on fire to destroy once and for all Zodiac's 'income source' - and then thinks of a clever way to expose the ruthless blackmailer publicly: he suggests to Rhadini to challenge Zodiac to a 'spiritual duel'...This is certainly one of the VERY best entries in the 'Charlie Chan' series, most magnificently and literally hauntingly photographed, and marvelously acted (guest starring as 'Rhadini' is none less than one of the great matinée idols of the 30s, Cesar Romero!) - the atmosphere in this movie is so fascinating that you can't take your eyes off the screen even for a moment. And yet, amid all those creepy, murderous ongoings there is always room for some humor: Jimmy Chan, as always eager to help his Pop, rushes onto the stage for an announcement - and grabs Rhadini's 'magic' coat, which starts producing flowers, ribbons and rabbits while he's trying to make his speech! There's really NOTHING missing in this magnificent thriller...
MARIO GAUCI
Although he had been brought to the cinema and TV screens before (in 1926 and 1927) and since (until the 1981 movie misfire virtually buried him), the classic "Charlie Chan" film series officially ran between 1929 and 1949 and saw four actors portray the character of the famed Oriental sleuth. Thanks to the same American friend through whom I obtained one of the entries in the "Mr. Moto" series, I also own the entire "Charlie Chan" franchise and have already, watched, enjoyed and reviewed a handful of them in the past. Together with the more popular CHARLIE CHAN AT THE OPERA (1936; not least because of Boris Karloff's presence), the film under review is generally the best-regarded of the lot - both, in fact, are the only entries to rate a respectable ** in the esteemed "Leslie Halliwell Film Guide".Instead of Warner Oland and Karloff, here we have Sidney Toler (a Scotsman who inherited the role after Oland's untimely death and the one actor to slip into his investigating shoes the most – 22 times!) and Cesar Romero, plus a fine supporting cast that only adds to the fun: the ubiquitous Victor Sen Yung (as Chan's favourite, "No. 2" son), red-herring Douglass Dumbrille, reporter Douglas Fowley, police chief Donald MacBride, perennially-hungry waiter Wally Vernon, a little-seen Charles Halton, and ill-fated novelist Louis Jean Heydt. The film was directed by Norman Foster (his second of three Chans) who was more involved in the aforementioned concurrent "Mr. Moto" series, including the two entries I have watched from it so far.Toler's third stab at the role sees him land in San Francisco after waking up to the apparent suicide of his friend Heydt on the incoming flight (incidentally, I hazily recall these moments from a solitary Italian-TV broadcast of the film, along with others from the series, one Sunday morning during my childhood!). Suspecting unpleasant fellow traveler Dumbrille, Sen Yung clumsily follows him around while Toler is 'kidnapped' by MacBride's police. He is soon on the trail of the enigmatic occultist Dr. Zodiac who seems to have a stranglehold on much of the tourist resort's populace. Aiding him in unmasking the latter are rival Romero and pal Fowley…but, typically for these pulp thrillers, people and things are not to be taken at face value. Also involved in the broth are Dr. Zodiac's sinister Turkish attendant and an array of women who, however, often do more than just add local colour or provide eye candy. The plot wraps up with a lively finale depicting an eventful public challenge between prestidigitator Romero and the esoteric Dr. Zodiac.
