The Naked Prey

1965 "Stripped, weaponless, alone and only ten desperate seconds ahead of the killers!"
7.3| 1h36m| en| More Info
Released: 17 February 1966 Released
Producted By: Paramount
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A group of men are on safari. One of the party refuses to give a gift to a tribe they encounter. The tribe is offended, seizes the party, and one-by-one, kills all but one of the safari members in various creative and horrifying ways. The last surviving member is given "The Lion's Chance" by the tribal leader to be hunted down by a party of tribal warriors.

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Reviews

Cubussoli Very very predictable, including the post credit scene !!!
GamerTab That was an excellent one.
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
inspectors71 This is Cornel Wilde's best film. It is a feast for those who look for Aristotle's Six Parts of Drama in a movie: 1. The plot is simple and understandable--a chase movie wherein everything seems lethal. Wilde plays a safari guide whose boss, a nasty, little, fraction of an Englishman, runs into a group of tribesman, and the fractional man manages to so insult the tribesmen that they return as a war party. They capture, then butcher the safari, and Wilde gets to be wild game.2. The characters are static (we never learn much), but there's real sympathy for both Wilde's character and the men trying to kill him (just look at the grief and anger exhibited when the hunters are picked off by Wilde or nature or each other or just plain bad luck). 3. The Naked Prey is a very intellectual movie, wrapped in a bloody loincloth. Because we don't know Wilde's history, nor do we understand the Africans' languages, we have to write our own scripts in our heads; it's a deeply thoughtful method of engaging the audience on a intellectual level.4. We hear pain and terror and glee in the voices and the words of the many characters. Wilde says a few words here and there; we identify him as American. The tribesmen hunting him, in an undecipherable language to Western ears, speak to each other in a completely understandable language, all because we have been frustrated and horrified and grief-stricken, too. The "diction" of the movie is up to the audience to create.5. Director Wilde uses three methods to evoke emotions from the audience with "music," whatever hits the ears of the audience, outside of diction. The first is by never being quiet--there always seems to be about a hundred different screams, hoots, clicks, and hollers from nature. Throw in the torment of scene changes going absolutely black and still--catch your breath because I'm going to swap you upside the head again when the light comes up--and you begin to feel some of the Wilde character's panic when he wakes up, aching from lack of food and water, exhausted from the hunt, and getting sick from all the little things that he's ingesting that will wear him out. The second is the juxtaposition of sight and emotion. We see Wilde get lucky killing one of his tormentors. We hate the monstrous sub-humanity of their gleeful desire to kill him, and we are set up to hate them when they take great relish in coming up with exciting ways to torture the hunting party at the start. Then we see one of the hunters find another young man, run through with a spear, and he screams in pain, sobbing while his brain tries to accept how quickly his friend has left this world. We instantly feel for this young man. It's startling how fast we change sides. Wilde does this again and again. Take sides. Show the emotions of both the killers and the killed, and it leaves the audience reeling and confused. Finally, Wilde gives us a thoroughly claustrophobic experience because he mixes the music of the tribesmen and the sounds of nature. They're almost interchangeable. It's smothering in its scariness.6. From the first moments of the hunt, with elephants being slaughtered, to Cornel Wilde's character scanning the horizon, close up and wide-angle, to the gleeful murder of the hunting party, to the mind-boggling vistas and close up beauty of the African scenery (and more than a few visual gross-outs and gag-inducers), the audience's eyes are locked on to the "spectacle" of the movie. It is visual super-glue. You can't stop looking at this train wreck of a chase. You want to look away, but you simply cannot.Which brings me back to my saying that of the three Wilde-directed movies, this is the most pleasing. There's trickery in Sword of Lancelot and Beach Red--he tries to come up with new tricks to wow the audience, and he has some success. In Naked Prey, the tricks blend together to give the audience a innovative and evocative experience. The Naked Prey really is in my top 25.It's that good.
jimbo-53-186511 The setup for this film is probably one of the most basic that you are likely to come across; A group of men are on safari and are hunting elephants for their ivory. Along the way, they encounter a tribe and one of the group offends the natives by refusing to give a gift or 'trinket' to them and arrogantly presses on. The tribe of natives don't take this matter lying down and surround the safari hunters and start to kill them off one by one; they do, however, allow one man known simply as 'The Man' (portrayed by Cornel Wilde) to survive and give him a head start and begin hunting him.This is minimalist film making and it's all the more enjoyable for it. The plot is simple and the film moves at a brisk pace and never really loses momentum. After the first 15 minutes or so, there is very little dialogue, but it doesn't really matter that much as the tension and suspense in The Naked Prey more than compensates for the lack of dialogue. There also isn't much in the way of character development, but again this doesn't harm the film as the audience will automatically empathise with and connect to 'The Man' due to the plight that he finds himself in.Cornel Wilde (the protagonist) also directed this feature and I felt that his direction was pretty good; there were some lovely shots of the beautiful scenery. There were also some lovely shots of the various wildlife which inhabited the area (Wilde showed most of these scenes as 'cut scenes', the point of which still eludes me, but the photography was beautiful so it's not really a complaint).In summary, this is minimalist entertainment which makes the most of its relatively low budget by providing the viewer with a consistently engaging and tense thriller. The film really comes into its own when it's just 'The Man' against the group of tribal nativities and it turns into a classic 'cat and mouse' thriller which becomes a case of 'hunt or be hunted' for our protagonist. Whilst, I wouldn't go as far as saying that it was an 'edge of your seat thriller' it was still a decent film. If you are a fan of 'cat and mouse thrillers' then you won't be disappointed.
AppleBlossom Cornel Wilde impressed me with this story of survival, not only did he star in it, he also directed and produced it. The action begins whereby a hunting expedition lead by Wilde comes across a group of tribal huntsmen. Through no fault of his own Wilde is forced to ignore the huntsmen's request for passage through their domain. While the expedition have set up camp the tribesmen lead a surprise attack and kill most of the party, bar a few 'white men'. The awful fate of those captured was an ingenious concept, similar to how the American Indians dealt with invading European 'white man'.Eventually Wilde has his turn of punishment and is given (really) a fighting chance than his other party members. He's stripped naked and sent running out into the wilderness…given a few minutes interval between tribesmen chasing after him. If caught he's dead!!! In such a country as Africa and in a time where civil wars and unrest between cultures were prominent, you can imagine the untold dangers. Not to mention the wild life and the terrain….makes one think on how vulnerable we all are without modern living. An extremely well orchestrated production and filmed on location, this film delivers an underlying message for all of us to take note. Well worth seeing.
dbdumonteil A brilliant variation on Schoedsack /Cooper's thirties horror movie and Samuel Fuller's western,"the naked prey" is a dazzling movie,which should be on everyone's must see list.Directed by Cornel Wilde who was often the romantic male lead ("Forever Amber" "Leave her to Heaven" )of glorious melodrama,is here the naked prey,pursued by a tribe of natives in the wild landscapes of Africa where the nature itself is particularly cruel;it is really a fight for survival everywhere.And after all,the hero gets what he deserves:who can forget the slaughter of the elephants at the beginning of the story?Splendid cinematography,one of the best I have ever seen.Great use of the wide screen."Apocalypto" the overrated Gibson's work stole severalscenes from this film:-the arrow,the death of one of the pursuers ,the chase....-the storming of the village where the inhabitants are enslaved.Far from clichés,you and me,little boy,we made a great work!