KnotMissPriceless
Why so much hype?
SunnyHello
Nice effects though.
Candida
It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
salvidienusorfitus
It is a little hard to believe that the original play on which this film is based had over 100 performance. The story is silly and not very believable nor plausible. Johnny Arthur does well in spite of the lame script and is the lead actor in this comedy. Gertrude Olmstead didn't impress me very much as the love interest. She has a rather homely appearance. Lon Chaney seems also like a secondary character actor in this film. The special effects are poor and in a few cases laughably poor and unconvincing. Not one of Lon Chaney's best. Poor comedy and unbelievable story line.
Michael Morrison
Lon Chaney is known as "The Man of a Thousand Faces," and known for make-up magic and for playing monster parts, but too little is he recognized as a actor -- at least too little in my opinion.In "The Monster," he is frequently understated and even almost charming, considering the part.Johnny Arthur, this time, is a star!This must be his best part and he too showed he is by gosh an actor.His character changes, with a little chemical help, but he comes across as believable in every characterization. His face, his gestures, his bodily movement are all just perfect.Turner Classic Movies showed "The Monster" as part of its Halloween line-up in 2016 and as its Sunday night silent on 30 October, although in the Eastern time zone I guess it was actually Monday, 31 October.It is a treat, at least once, with some funny situations and funny characters, and some generally excellent acting.There are some directing or at least editing problems, and you can't take the story too seriously, but mostly it is a lot of fun.
wes-connors
The small town of Danburg is plagued by strange disappearances. In the opening minutes, we see a strange man trapping people while they drive on isolated streets. After reading the book "How to Become a Detective" and obtaining his "diploma" from a mail-order school for detectives, mild-mannered store clerk Johnny Arthur (as Johnny Goodlittle) decides to solve the missing person problem. His book advises Mr. Arthur use "ingenuity" to solve the crime. After losing his girlfriend at a dance, Arthur goes off to pout and haplessly finds himself abducted like the other missing people. He is brought to a sanatorium run by mad scientist Lon Chaney (as Gustave Ziska)...Arthur's girlfriend Gertrude Olmstead (as Betty Watson) and brawny rival Hallam Cooley (as Amos Rugg) also arrive at the old dark house, where Mr. Chaney is conducting bizarre experiments. It's odd to see Ms. Olmstead, a fairly popular co-star, introduced in close-ups that show her eyes misshapen and teeth in unflattering light. Fortunately, photographer Hal Mohr improves Olmstead's camera angles in subsequent scenes. Snarling lines like, "Tighten his straps until he squeals!" hammy Mr. Chaney wants to transfer a man's soul into a female body. Yes, "The Monster" could have helped inspire "The Rocky Horror Picture Show" (1975)..."The Monster" is often promoted and introduced as a horror film starring Lon Chaney. It's not. Think of it as a comedy film starring Johnny Arthur and you're less likely to be disappointed. Arthur is effective under Roland West's direction as they adapt Crane Wilbur's Broadway stage play. The main sets are sometimes stagy, but they're designed well and Mr. West varies blocking and camera positions. Supplementary sets and locations are commendable, especially an exciting sequence of "high-wire" stunts for Johnny. The ending is exciting, but it doesn't get wild enough. It would have been fun to see more of Chaney's experiments reach fruition.****** The Monster (3/16/25) Roland West ~ Johnny Arthur, Lon Chaney, Gertrude Olmstead, Hallam Cooley
Neil Doyle
Timid JOHNNY ARTHUR carries the first half-hour of THE MONSTER as a detective wanna-be, a sort of silent screen version of the characters Woody Allen often played decades later. Based on a play by Crane Wilbur, the slow moving story takes time to even get to the sanitarium nearby where the mystery angle of the plot will be unraveled.Playing detective, Arthur accidentally stumbles into a house of horrors. Meantime, after a road accident, his girlfriend and his boss stumble into the same mansion seeking help. It is then that Dr. Ziska (LON CHANEY) makes his sinister appearance, informing them that they must stay in the house overnight since he has no telephone. He tells his hulking servant to make them comfortable.Chaney plays his role similar to Bela Lugosi's caped Dracula, so the chill effect is everything it ought to be in a dark house thriller played with mock fright. The comedy aspect of the story would have made a great vehicle for Bob Hope and Paulette Goddard (a la their CAT AND THE CANARY) dark house comedy.It seems the lunatics have taken over the asylum. The mad doctor Ziska has locked Dr. Edwards and his assistants in a dungeon below the mansion and has the patients carrying out his orders. Amateur detective Arthur saves the day by shooting off Roman candles that alert the townspeople to his help signal.It's all done in spirited good fun and confusion, played for laughs more than horror although there is a definite combination of mirth and fright.Summing up: Good dark house comedy with all the usual drawbacks of early silent films but more watchable than most. Not a typical Chaney film by any means. Much lighter than Roland West's THE BAT WHISPERS.
