VividSimon Simply Perfect

Lucybespro It is a performances centric movie

Steineded How sad is this?

Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.

lugonian Charlie Chaplin is at it again in another comedy short for which he wrote, directed as well as starred in THE PAWNSHOP (Mutual/Lone Star Studios, 1916). Following the pattern of working man comedies for the studio starting with THE FLOORWALKER (1916) and THE FIREMAN (1916) followed by occasional drifter characters as in THE VAGABOND (1916), for his sixth Mutual comedy, he's back in the working force again, this time in a pawn shop creating havoc under the watch of nameless characters as his employer (Henry Bergman), the employer's daughter (Edna Purviance) and fellow co-worker (John Ran, resembling silent comic Chester Conklin) with whom he shares a kicking contest from time to time in the seats of their pants.The plot is a slight one consisting of runabout gags in the usual Chaplin tradition. After arriving late for work, Charlie begins his new day of antics as using a duster on a fan that's still in motion, shifting the latter back and forth, unintentionally hitting those around him, particularly his co-worker (John Rand) and his employer (Henry Bergman), to dust off the ornamental fixtures outside the pawn shop as observed by a policeman (Frank J. Coleman). Nearly getting fired, Charlie is given a second chance, making an impression with the boss's daughter (Edna Purviance), later coping with oddball customers at the front counter, including an out of work actor (James T. Kelly) with a hard-luck story; another (Albert Austin) wanting two dollars as a trade in for his alarm clock; an elderly woman (Charlotte Mineau) wanting something for her gold fish bowl; and a jeweler (Eric Campbell) wanting to see some diamonds for purchase, unaware to all (except for the viewer reading the title card identifying him as "A Crook") that he's there to rob the place.An extremely funny comedy, with one of the highlights being that from Albert Austin, the man with the alarm clock. He really doesn't do anything but just stands there, watching Charlie playing doctor as he checks over the clock with a stethoscope, resulting to a hilarious scene close. Somehow, these few minutes between Chaplin and Austin is as good as it gets. Another moment of funny business has Charlie helping Edna in the kitchen by passing plates and cups to dry through a clothes wringer. Surprisingly, Eric Campbell, the giant-size adversary usually part of Charlie's antics, gets little screen time, making his first appearance very late into the story. In spite of his limitations, Campbell makes every moment of his count where laughs are concerned. Henry Bergman, (no relation to Ingrid or Ingmar), resembling some cast member from "The Jazz Singer" in his Hebrew garb, doing what he does best as part of Chaplin's stock company of players.A laugh fest at best that, along with Chaplin's other Mutuals, THE PAWN SHOP has circulated on public television in the sixties and seventies with musical soundtrack with sound effects lifted from early 1930s reissue prints, prints that have been available to home video in the 1980s and 90s by Blackhawk and/or Republic Home Video, or original scoring for commercial television for "Charlie Chaplin Comedy Theater" that originated in the 1960s. In later years, THE PAWN SHOP has become available on DVD, namely KINO Home Video with new orchestration and at longer length (28 minutes) through silent speed projection, the print occasionally shown on cable television's Turner Classic Movies (TCM premiere: December 13, 1999). So if anyone has anything to pawn, particularly a clock once belonging to Albert Austin, take it to Charlie's pawn shop, and then go seek professional help. Next Chaplin Mutual comedy: BEHIND THE SCREEN (1916). (***)

Horst in Translation (filmreviews@web.de) This is a 20-minute short film, which is already almost 100 years old. Chaplin made this in 1916 when he was still in his 20s. Just like Buster Keaton, he probably peaked before his 30th birthday. However, I must say that I was not too impressed by this film here. There are a couple funny scenes and the inclusion of Eric Campbell and Edna Purviance is always nice, but all in all I hoped for more. Chaplin's character works in a pawnshop, of course not as the boss, but as an assistant who has to do the dirty work: cleaning etc. So it was kinda nice to see him be the big hero in the end when he manages to knock a robber unconscious, even if it was only kinda coincidental that he was in the right place at the right time. But the ending is not really worth watching everything before that. In the pawnshop there are many fragile items, so you can imagine what happens. And they destroy some music instruments as well. All in all, not among Chaplin's finest. Not recommended.

CitizenCaine Chaplin's The Pawnshop was the sixth film he edited, wrote, directed, and produced for the Mutual Film Corporation in 1916. It's another one of his occupational comedies. This time Chaplin plays a shopkeeper's assistant who tries to stay busy in front of the boss while battling with a co-worker. Like many of his Mutual films, this one contains a lot of energy and some highly inventive sight gags. Chaplin begins by destroying a feather-duster in an electric fan. He follows that up with trying to bring a long step ladder outside while fending off his antagonistic co-worker. The athleticism and physicality of the stunts with the ladder recall some of Buster Keaton's finest moments. Chaplin continues feuding with his co-worker while waiting on customers in between. The gag with the "poor" guy selling his wife's wedding ring is a classic bit repeated many times since. Chaplin then tries to assess an alarm clock as if he was a surgeon before rejecting it. This is one of the funniest bits. In between he has a dough fight, romances the pawnbroker's daughter (Edna Purviance), and saves the shop from a would-be crook played by Eric Campbell. This is another comic gem from Chaplin. *** of 4 stars.

Snow Leopard "The Pawnshop" is a pretty good Charlie Chaplin comedy, with some routine stretches but also some very good slapstick. It features Charlie as an assistant in a pawnshop, engaged in a heated rivalry with another employee, trying to stay on the good side of the boss and the boss's pretty daughter, and occasionally waiting on a customer. The beginning has some very funny moments, with some slapstick that makes good use of the props, which include a feather duster and a ladder. There is a funny finale with Eric Campbell - one of Chaplin's best regular supporting players - playing a thief. The parts in between have some good moments, too, but they overdo it a bit with Charlie's fights with the other shop assistant. Overall, this is an average short feature for Chaplin, which means it is pretty good by most other standards.