SnoReptilePlenty Memorable, crazy movie

Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

Freeman This film is so real. It treats its characters with so much care and sensitivity.

Caryl It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

Cowc16 I recently viewed this film on Turner and found it to be an extremely enjoyable silent comedy. I was originally only interested in seeing Joan Crawford at this early point in her career. I thought the story line, while rather absurd, allowed the various situational "jokes" to be accomplished neatly. Interestingly, I found nothing in the role of the young black actor which was racist, an oddity considering the age of this movie. Perhaps denying him any credit for his work was deemed sufficient punishment. It was apparent that some portion of the script was edited out, since nothing was ever developed regarding the other ladies' objections to the elderly woman's "relationship" with the George K. Arthur character. Ultimately, the main attraction of this film is its absolutely stunning photography, courtesy of the great William H. Daniels. With the exception of some interior scenes, this was filmed like a collection of beautifully composed 19th century still photographs. Incidentally, I agree with the earlier commenter who thought the hero should have dumped Amy.

wes-connors Country boy George K. Arthur (as Peter Good) is in love with Gertrude Olmstead (as Amy), but she has taken up smooching with city-slicker Tony D'Algy (as Harry Benson). Mr. Arthur dons western Tom Mix-type clothing to appear more manly, but Ms. Olmstead is unimpressed. Arthur suspicions that Mr. D'Algy is really a criminal bootlegger are proved to be correct. Then, Arthur must rescue Olmstead from D'Algy's clutches... Though he is a likable character, this is a dated-to-the-point-of-unfunny comedy feature for Arthur. Most unfunny is Charles Murray (as Cactus Jim)'s running gag about hiding his endless supply of booze - helped, no doubt, by bootleggers. Joan Crawford (as Jane) lifts spirits considerably, with her turn as a crack revenue agent. D'Algy is a good kisser. "The Boob" is more of a curiosity than a comedy, but it's a chance to see some silent performers in well-preserved celluloid. **** The Boob (5/17/26) William A. Wellman ~ George K. Arthur, Gertrude Olmstead, Joan Crawford, Tony D'Algy

John Seal The Boob is one of those ancient films rescued from perpetual obscurity by Turner Classic Movies, and while it may not be on a par with Keaton or Lloyd, it's still an entertaining and quite funny film. George K. Arthur is the Keatonesque milquetoast on the trail of bootleggers, and while he lacks Buster's acrobatic skills and doesn't really connect emotionally, he's alright. Charles Murray has some of the film's funniest moments as the perpetually soused cowboy Cactus Jim, but the film really stands out during some terrific fantasy sequences, including a flying bed scene and a Frederick Remington painting come to life. A genuine discovery for fans of silent comedy.

nickandrew This movie just aired the other night for the first time on Turner Classic Movies. Although I missed the first few minutes, it is a lousy slapstick comedy with George K. Arthur in the lead as a dumb farm boy trying to help the law capture some bootleggers. Joan Crawford is the high point here, in one of her first films. She has a small supporting role as Jane, and Crawford herself also hated this movie. She thought she was being punished by MGM for getting this part. Earns *1/2 stars out of four.