The Marriage-Go-Round

1961 "THIS MAN HAS A PROBLEM!"
5.9| 1h38m| NR| en| More Info
Released: 06 January 1961 Released
Producted By: Daystar Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

An anthropology professor and his professor wife have the perfect marriage--until a Swedish colleague's daughter comes to visit. Not only is the little girl all grown up, but she's ready to start a family--with him!

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Reviews

Listonixio Fresh and Exciting
Console best movie i've ever seen.
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.
edwagreen Let's face it- Mason and Hayward were not born to do comedy. The film should have been made years before with Irene Dunne and Cary Grant in the leads. Then, you would have seen something.Hayward seems to handle her social drinking since she had plenty of experience with that in "I'll Cry Tomorrow," and "Smash-Up."The two play college officials who are supposedly experts on marriage. In their lectures, they recount what happened when a Swedish girl, played with relish by Julie Newmar comes to visit. With her high intelligence, she tells it like it is. She comes on to Mason by telling him that she wants her him to be the father of the child.Even in comedy, Hayward's response was somewhat dramatic, and that is what was not needed here.The premise was not good here.
preppy-3 A happy middle-aged couple (Susan Hayward and James Mason) allow a Swedish girl (Julie Newmar)--a daughter of a friend--to stay in their house for a few days. While there she promptly tells Mason she wants to have a child with him because he's so intelligent! Predictable complications ensue.Silly sex comedy. This was based on a VERY successful Broadway play. However what worked on stage does NOT translate to the screen at all (this was not a hit). The plot is pretty dumb and probably an insult to Swedish people. It has incredibly dated sexual politics (even for 1961) and a discussion on infidelity is more funny than shocking. What saves this from being totally unwatchable are the actors. Mason and Newmar are very good in their roles and Hayward is excellent in hers. Also their house is stunning to look at. But, all in all, this is a forgettable movie. I give it a 4.
gordon-287 I was working in a first-run movie theater when we showed this. I thought the plot line was extremely weak then, and I still do. Julie Newmar plays a Swedish beauty in search of a father for her planned child. She wants to find someone with a lot of intelligence so her child will grow up to have both beauty and brains. She finds James Mason's character who is a professor, and not a bad looking one at that. Having settled on him as a potential father, she finds there is only one hitch: he is already married, and his wife, not being into the liberated Swedish lifestyle, will have nothing of her husband's being unfaithful. How they managed to squeeze 98 minutes out of this plot line still mystifies me. Another thing that is puzzling is why two top-rate actors, Mason and Hayward, would have touched this script with a 10-foot pole. Like good coffee grounds won't make good coffee out of bad water, good acting just can't salvage a bad plot. They must have had to pay some bills. If you are desperate for a movie to watch, I recommend "Rocky XXIII" instead.
twelthofnever The outside scenes of this movie were partially filmed in Lakeland, Florida (my hometown) on the Florida Southern College campus. The buildings were designed by Frank Lloyd Wright and are situated adjacent to Lake Hollingsworth. It made a beautiful setting for this romantic comedy. Co-star Susan Hayward was one of my favorite actresses and of course, Julie Newmar was almost as smashing as Bo Derek in "10". I thought the plot was a bit sophisticated for the time (1961). More to my liking were the Doris Day - Rock Hudson comedies of the same period. A little less sophistication and more "slapstick" type fun films. Tony Randall's masterful comedic genius added greatly to most of them.