Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

majiemao-98137 This is simply the best movie ever, the updated version of Journey to the West, mixing the modern world with that of the literary past of the Journey to the West leads to a wonderful telling of a brand new tale.Bai Ling truly makes you feel that she is the goddess Kwan Yin. Thomas Gibson plays a wonderful westerner who's love for Asian culture gets thrown to a whole new level! The humorous illustration of Confucius corrupted from what he believe thousands of years ago by living in the land of the gods was super enjoyable.The only thing that is the special effects which I am sure have not aged well since the early 2000s but I would recommend this film to everyone!

Bob Greenwade (bobgreenwade) Yes, the weaknesses of this movie are numerous. The acting is, for the most part, horribly wooden, particularly with the lesser supporting characters. The real-world history is way off (among other flaws already pointed out in other reviews, "Journey to the West" is, according to what I've read at least, closer to 400 years old than 500, and the official objection to the manuscript was its nontraditional form rather than its content). Some of the characters, particularly four of the Five Traditional Masters, are way underdeveloped. Portraying Confucius as a self-serving sycophant is just *wrong.*If you're already familiar with the original story of "Journey to the West" and can't bear to see it butchered -- which is exactly what happens here -- then follow the one-star ratings given here and avoid this movie like the plague.For anyone else, this is a fun piece of work. It was hardly Emmy-worthy in any category (with the possible exception of Bai Ling's impassioned performance as the Goddess of Mercy) and has numerous plot holes not worthy of David Huang, but the story travels on well with only a couple of relatively minor diversions (well, I guess NBC wanted to make sure they had a good two-part miniseries), one can really care about those characters that do receive proper development, and can wonder and worry about the story's outcome.

Robin Turner The Lost Empire, or The Monkey King, as it was called when I saw it on the Hallmark Network, is a silly film, but a very enjoyable one. It attempts to put a new spin on the Chinese classic, Journey to the West, which tells the story of how a monk went on an epic journey to recover some sacred scriptures, aided by the mischievous Monkey King, the gluttonous Pigsy and the sombre Sandy.In this modern version the companions are the same, but the monk is replaced by a modern American sinologist, and the "scripture" is the original manuscript of Journey to the West itself, which is about to be destroyed by the "five traditional masters", who represent the forces of conservatism. Confused? It gets worse; if the book is destroyed, all the human progress that has taken place since the book was written will be reversed and the world will revert to feudalism. To cap it all, the Jade Emperor, Confucius and Kuan Yin, the goddess of compassion, are all weighing in.With a scenario like this, the film cannot help but being absurd in places, but the absurdity, intentional or otherwise, is part of the fun, as it was in the original Journey to the West, which is a comedy as well as an analogy of the spiritual journey. Viewers who have read Journey to the West will enjoy the references to it; others can sit back and enjoy the visual richness, which as well as some spectacular scenes and SFX, includes Bai Ling as Kuan Yin, looking far more sexy than a goddess of compassion ought to (but then that's one of the twists in this tale as well).

Mark-129 Well, this mini-series was the straw that broke the back for producer Robert Halmi with NBC. The faults of his previous rating disaster, "The 10th Kingdom" have not been heeded in this production. The screenplay is overloaded with over the top characters and situations that never let up. But, to me, the failure of "The Lost Empire" falls in three categories. The total miscasting of Thomas Gibson, who gives a tired and stiff performance. Gibson seems to barely be able to walk, much less perform martial arts, and his delivery is unbelievably stilted. The music score is among the worst I've heard in a production like this. There is little thematic melody and even less of the score reflects the rich culture depicted in the story. Third, the director chose to shoot most of the frequent martial arts action from the waist up, so much of the visual impact of those scenes is lost. Indeed, only Bai Ling retains her dignity in the production. The only other redeeming feature is, that the film did cause me to look into the classic book, "Journey to the West."