The Long, Long Trailer

1954 "M-G-M's Miles Of Smiles! And In Color Too!"
6.9| 1h36m| NR| en| More Info
Released: 19 February 1954 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Synopsis

A newly wed couple, Tacy and Nicky, travel in a trailer for their honeymoon. The journey is a humorous one that could end up destroying their marriage.

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Reviews

Raetsonwe Redundant and unnecessary.
SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
ActuallyGlimmer The best films of this genre always show a path and provide a takeaway for being a better person.
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
professorcombover Released in 1954, The Long, Long Trailer was made during the I Love Lucy era, and in it Lucy and Desi play slightly domesticated versions of their characters in I Love Lucy. Instead of a bandleader, Desi is apparently some kind of civil engineer. To cope with his being away on projects, Lucy comes up with the romantic idea of buying a trailer to live in so they can travel together without living in rented rooms or hotels. The difficulty of towing the big trailer behind their Mercury Monterey convertible is the plot of the movie. Such a concept is achieved mostly through set pieces, some of which go on painfully long. Some also seem taken from the much better Mickey Mouse short, "Mickey's Trailer." One of the set pieces near the end, a trip up a narrow mountain road with the overweight trailer, was actually filled with tension for me, and might be the best part of the movie.I watched this movie on TCM and the Ansco color was terrible. I don't know if this is because Ansco was a poor process or just because this was a bad print. It's unfortunate, because there was some otherwise spectacular scenery. Another visual defect for me was that scenes in a trailer park, and some other outdoor scenes too, were obviously shot on an indoor sound stage. You can tell even by the kind of dead sound. Since I mention the trailer parks, one oddity was that the society within, while folksy, bears no resemblance to the social dystopia we'd expect in a contemporary trailer park. There are really no invidious class hints.With Lucy's being a superstar, one would think that she should in some way be the hero of the movie. However, she's deeply annoying with her insistence on doing things her way with the trailer. There's one scene where she wants to drive and does so recklessly. It was also her fault that the trailer was too heavy for the mountain road. I was a fan of I Love Lucy, and I realize that the crucial part of making the madcap Lucy tolerable in the show was the resistance that Ricky, Fred, and Ethel exerted against her. Also, I don't know whether it's because I encountered her at a very young age, but Lucy has always seemed utterly sexless to me, very "aunt-like." Unlike some actors, who can plausibly play younger than their real age, Lucy, for me, is unable to do so. Therefore, it's disturbing to see her in romantic scenes, even if they're quite chaste. This movie is only mildly entertaining.
utgard14 Newlyweds (Lucille Ball, Desi Arnaz) buy large travel trailer to drive around the country on their honeymoon. As you might expect -- any and every thing that can go wrong, does. Hilarious slapstick comedy from Vincente Minnelli with Lucy and Desi, at the height of their TV show fame, in rich Anscocolor. It's a movie I've long loved. If you're an I Love Lucy fan you'll get a kick out of this. It's a lot like the brand of humor you see on that show. The thing I like the most about the movie, besides being very funny, is that it looks so good. It was shot both on the great MGM backlot and on location in several beautiful places in California. The color is lovely, too. Also, I'm no trailer buff but I loved all the stuff with the trailers and the cars. I'm a sucker for minutiae in older films and this one is full of odds & ends people like me can savor. It's a very simple but funny comedy with lots of extras for nostalgists and fans of classic Hollywood.
sddavis63 In the midst of their wildly successful run through "I Love Lucy," Lucille Ball and Desi Arnaz made a movie. In "The Long, Long Trailer" they play newlyweds Nicky and Tacy. Nicky's job apparently requires him to travel a lot, and Tacy comes up with the idea of buying a trailer as their new home so that she can accompany him wherever he goes - and what a trailer. It's a beast. It's huge. And Tacy doesn't seem to understand the challenge involved in pulling the thing around the country.The basic story revolves around the fact that the purchase of this trailer almost destroys Nicky and Tacy's new marriage. Much of the humour in this revolves around the trials of driving with the trailer hooked to the car. The movie for the most part lacks the slapstick kind of humour that "I Love Lucy" was famous for - with perhaps the exception of a scene in which Tacy tries to cook in the trailer while Nicky is driving. Watching Nicky try to back the trailer into the driveway of Tacy's uncle and aunt's house and almost destroying the house is also quite funny. Otherwise, the humour is lower key than you'd expect, and the movie is sometimes even tense. The scenes in which Nicky has to pull the trailer up a long and windy mountain road is actually rather unsettling.This certainly isn't as good as "I Love Lucy" but in its own way it's fun, and lets us see Lucy and Desi doing something a little different. (6/10)
dougdoepke Because fans stayed away from this film in droves, Lucy and Desi made only one more movie together. Too bad, because this film is far superior to the series. Credit should go to veteran director Vincente Minelli and his sure hand in balancing the material. Against all odds: Ball's slapstick is drained of usual shrillness, Desi's star is allowed to shine, situation is raised above personality, and peripheral crowd scenes are heightened to hilarious commentary on busybody middle America. In fact, this is one of few 50's movies to capture spirit of a rising middle class: the buoyant optimism, the credit card dependency, the aping of upper class tastes. All is accomplished, nevertheless, with an underlying sweetness that might not be expected from two overaged stars then in the process of subduing the tigers of TV land. Moreover, the choice of a trailer gimmick for the comedy setting was an inspired one. A true little gem and document of its time.