Freaktana A Major Disappointment

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

zardoz-13 French writer & director Manuel Boursinhac's "The Code" qualifies as an old-fashioned, slam-bang, fast-paced, wages of crime morality thriller about gang rivalry among Gallic gangsters. Scenarist Bibi Naceri, who helped pen "District B-13" with legendary French maestro Luc Besson, co-wrote this gritty underworld yarn with Boursinhac. "The Code" compares favorably with Martin Scorsese's "Goodfellas." Although this urban actioneer has its share of daylight scenes, the overall effect that writer & director Boursinhac achieves is one of film noir. The vulnerable but sympathetic ex-con hero finds his life spiraling out of control and his lust for the wrong woman dragging him back to a life of larceny. The chief criticism of "The Code" is that is represents the umpteenth time that a filmmaker has made a crime saga about a criminal struggling to resist the urge to perform one last job. Predictable, despite its upbeat romantic wrap-up, this grim gang war opus contains several strong scenes, several brilliant performances, and a depth not usually trod by its competitors. The Columbia DVD region 1 release that I saw of this above-average French thriller preserved its widescreen format and rookie cinematographer Kevin Johnson's spartan compositions add volumes to the atmosphere. Everything has a slightly skewed effect with a grainy appearance to the film itself suggesting its abrasive locales and morality.Dris (Samuel L. Bihan of "Brotherhood of the Wolf") has been out of jail briefly as the story unfolds and he is trying to traipse the straight and narrow with a renewed commitment to his wife Lise (Marie Guillard of "The Fifth Element) and a low-paying job at a food market. Dris has two younger brothers. Yanis (Sammy Naceri of "The Professional") is the older of the two, hot-headed, greedy, and fiercely devoted to his brothers if his monetary interests can be served. On the other hand, Mel (David Saracino) is the youngest, a good car thief, but even more hot-headed and uncontrollable than his opportunist brother Yanis. Yanis has engineered armored car heist planned with inside help, but he insists that Dris join them the action. Dris is understandably reluctant. He loves his wife and he wants to stay straight, but Yanis is determined to have Dris on the team no matter what it takes. Yanis visits Lise and defiantly warns her that he will ruin their relationship if she doesn't loosen her hold on Dris. No sooner has he said and done this than he trots out Dris's former girlfriend, a Gypsy sex kitten named Nina (Clotilde Courau), to lure him back to a life of crime. Dris comes crawling back to Lise with apologies in hand and begs her to forgive him. Nevertheless, Dris winds up involved with Yanis more on account of his youngest brother Mel who finds himself in trouble with another mob. The scene where Yanis and Dris nearly kick a drug dealer to death is the high point of this melodrama. Essentially, this gripping scene represents the turning point of the action. Unwittingly, Dris finds himself infected by his contagiously evil sibling and emotionally drawn back to crime when he defends his youngest brother. Eventually, Mel winds up in deeper trouble than either Dris or Yanis can get him out of this side of the grave.Indeed, "The Code" covers familiar enough ground but Boursinhac doesn't squander a second in this realistic portrayal of contemporary French criminals and their boundary disputes that have tragic consequences. Boursinhac only pulls his punches in the hopelessly romantic finale after a brutal gunfight between the two gangs. Boursinhac's crisp direction and the superlative performances by Sammy Naceri as the combustible Yanis and David Saracino as the car thief whose ego is too big for his britches fuel this feverish thriller. "The Code" is as an old-fashion crime melodrama because the good guys are rewarded with survival for their virtue and the villains are punished with death for their criminal deeds.

dan gind The story of a part of life between two friends in Paris. Boot come from outside the central of Paris, they come from the poor part, the difficult part, a city nearest Paris. They growth together and they start to steel motorbikes together. After four years in jail, the first man wants to stop definitely to live has a bandit and he wants to find the right way of live. A story where the gangs try to get more and more money and respect. The men want to get money quickly as possible and tray to follow they dreams and they illusions. A nice movie, may be nearest the reality of gangs. The presence of women stay outside the main history, near doesn't exist. Good presence of very good french actors and also the second job actors. A nice picture anyways and a very good screen-player. A movie to watch absolutely.Good Bibi.

Claudio Carvalho Dris (Samuel Le Bihan) is an ex-con, living in the borderline between a decent and a criminal life. He has a regular and simple work and lives a simple life with his wife Lise (Marie Guillard) and loves his family. However, his childhood friends from his Arab community, including his best friend Yanis (Samy Naceri), are mobsters and his brother is a small time delinquent. Yanis tries to bring Dris back to his gang, and uses his former lover Nina (Clotilde Courau) to seduce him, taking him to expensive places to feel the importance of big money. Dris fights against the temptation, but an event will route him back to Yanis' gang and in a fight between gangs with tragic consequences for the whole community. "La Mentale" is another great French crime movie. The story is excellent, the performance of the whole cast is great and the music score is wonderful. The excellent French cinema is showing excellent thrillers, crime and horror movies. I do not understand the purpose or reason of some unfair reviews I glanced in IMDb. Probably these viewers intended to watch a Walt Disney cartoon, or maybe a French romance (they usually are excellent) and saw "La Mentale" by accident, because it is indeed an excellent mob movie. My vote is eight.Title (Brazil): "O Último Favor" ("The Last Favor")

keenast because shot a 'beautiful' gangster movie. There is nothing beautiful in this movie: lighting is flat and the composition of the frames are uninteresting at best. It's a mess because the story is totally inconclusive. After watching it on the big screen all that's memorable is a monster shoot out at the end. Sound design is unbearable with all its bigger than life gunshots and door slams. The production tried to make a Hollywood style epic but failed miserably.