The Castilian

1963 "TRUE...Actually Shot in the Medieval Locations Where the Actual Story Took Place!"
4.9| 2h8m| en| More Info
Released: 06 September 1963 Released
Producted By: Cinemagic Inc.
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Budget: 0
Revenue: 0
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Synopsis

Also released as Valley of the Swords, this lugubrious US/Spanish co-production features the usual mid-1960s "tax shelter" international cast. Broderick Crawford plays a despotic 10th century Spanish king who, in cahoots with the invading Moors, has banished handsome Castilian nobleman Spartaco Santoni. With the surreptitious aid of Crawford's daughter Teresa Velasquez, Santoni assembles an army to march against the Moors. In keeping with the 13th century epic poem from which this film was derived ("El Poema de Fernan Gonzales") Santoni's path is smoothed by the celestial intervention of patron saints Milan and Santiago. Among the big names picking up a few tax-free dollars in The Castilian are Cesar Romero, Linda Darnell, Alida Valli and Fernando Rey.

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Reviews

Micitype Pretty Good
Noutions Good movie, but best of all time? Hardly . . .
Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
zardoz-13 Wooden acting undermines the spontaneity of Spanish director Javier Setó's "The Castilian," an epic account of a nobleman, Fernán González (Spartaco Santoni), who emerges from exile to unify a deeply divided Spain against its treacherous Moorish invaders. Tenth century Spain constitutes the setting for this sprawling historic peplum which was lensed on location in Spain on the actual battlefields where the bloodshed took place. After the death of his older brother, González enters the city of Lara with his long-time mentor and companion, Jerónimo, (Caesar Romero of "Donovan's Reef"), and lays claim as the rightful heir to the throne. Earlier, the future Count of Castile encountered Don Sancho's lovely daughter, Sancha (Tere Velázquez of "Stray Bullet"), as she and her contingent are riding through the countryside. Sancha admires the handsome González but prefers to have nothing to do with him until he halts the ignominious tribute of a hundred maidens to the barbarous Moors. This is the most interesting part of this two-hour plus saga. Initially, the Moors remove the hoods from a couple of prize maidens, but they realize too late that the rest of the gals are guys bristling with weapons. If the invading Moors didn't pose enough of a problem for our valiant hero, González must clash swords with one of his own countrymen, principally, the merciless King of Navarre, Don Sancho (Broderick Crawford of "All The King's Men"), who has nothing but hatred for Castilians. González kills Sancho at a pitched battle at a river. In an effort to mitigate their differences with Navarre, González has the dead on both sides interred together after their battle, and he brings Sancho's embalmed body home to his grieving family. No sooner has González delivered Sancho's body than he finds himself imprisoned by Navarre at a remote dudgeon. The love that González shares with beautiful Sancha prompts our daring heroine to engineer his escape. González desperately wants peace with both the King of León (Fernando Rey of "The French Connection") and Sancho's vengeful heir Don Garcia (Ángel del Pozo of "Catlow") so they can join forces and run Abderramán (Germán Cobos of "Reverent Colt") and his Moorish army out of Spain. "The Castilian" takes on a supernatural flavor in the last quarter hour when the two patron saints of Spain, Millán (George Rigaud) and Santiago, with flaming swords show up at our hero's side and convince Don Garcia to ride with González rather than against him. During the slightly gory battle, González's friend Jerónimo is mortally wounded. Eventually, a saddened González' watches with happiness as Jerónimo rides away alongside Millán and Santiago to be taken up into Heaven.The supporting cast is first-rate. Indeed, Caesar Romero, Broderick Crawford, and Frankie Avalon are all put to good use. Surprisingly enough, they don't appear to have been dubbed. Avalon is cast as a non-combatant minstrel named Jerifan who strums the yarn on his lute. Unfortunately, leading man Spartaco Santoni generates not so much as a modicum of charisma, while actress Tere Velázquez, appears as just listless as his queen. Luis de los Arcos and Paulino Rodrigo penned the screenplay with director Javier Setó based on the anonymous poem "Poema de Fernán González." Inferior dubbing of the principals and some lackluster battle scenes with extras milling around amateurishly don't help matters.
kimberlyking78 The horses are beautiful, but the movie is horrible. The story itself would be grand, but the terrible storytelling makes it trivial. Dubbing is always bad, but couldn't someone have hired some fourth grader to be the narrator? What in the world is Broderick Crawford doing in this film? I thought I was hallucinating when he popped up on the screen. What an odd casting decision. He seems so naked without a fedora. Frankie Avalon is just silly. Remember Mystery Science Theater 3000? I don't think they would have watched this film; it is not even interestingly bad. Perhaps I should have muted the television. Damn. Why didn't I think of that sooner? Anyway, the horses are beautiful.
Bob Builder It is not often that I come across a old historical???? film, that I haven't seen before. Until yesterday "The Castillian" was one such film. The reason for its obscurity is obvious from the start. Everything about the film is ridiculously bad. The combat and romance scenes are so terrible that they do make you laugh occasionally, when they are not making you cringe and groan. Such amusement is more than nullified however by the inappropriate theme of islamophobia, that turns history on its head.In this film the Muslims are presented as aggressive, murderers, rapists and barbarians, at a time when any historian (outside of Spain) will point out that the reverse was true. Muslim Andulsia had in fact been the most civilised culture on the planet before the time of the story. Christian Europe only slowly emerged from its Dark Ages, by acquiring the knowledge that the Andalusian Muslims had previously safeguarded from the destructive forces of Rome. The bad dubbing also grated. I couldn't find anything at all in the plot, characters or dialogue, that I liked. This film is sure to be compared with the acclaimed "El Cid". Despite sharing some of this film's major historical falsehoods and strong Christian bias, El Cid does at least not demonise all Muslims. El Cid is in fact a much better film in every way and one I enjoy watching. Frankie Avalon's next film role was entitled "Operation Bikini", which pretty much sums up what producers felt about his ability to convince in a straight acting part.
inkybrown The Castilian, about a nobleman leading his people against invaders, takes a look at the medieval Spanish wars between the Moors and the Christians. It tells the tale of a hero, Fernán González, who comes out of exile to become Count of Castile and overthrow the grip of Moorish tyranny with his mighty sword. Gonzáles was one of Spain's greatest heroes and a pioneer of guerilla warfare. Cult star Soledad Miranda has a small part as Maria, a Castilian woman who is to be given to the Moors to appease them. Interestingly enough, this drama was filmed at the actual sites in Spain where the events unfolded. The film might not be entirely accurate historically, but the actors are good and the movie overall is enjoyable to watch.