Cubussoli Very very predictable, including the post credit scene !!!

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Mandeep Tyson The acting in this movie is really good.

Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

ReganRebecca The Bride Wore Red is a ridiculous but fun film. A drunken count, slumming it for the night, runs into a cynical and hungry young woman, Anni Pavlovitch (Joan Crawford). He decides to send her on a luxury vacation to prove his drunken point that the poor and the rich aren't so different after all and buys her new clothes and arranges for her to stay in a luxury resort. Anni, who obviously thinks the whole thing is crazy, decides to go threw with it anyway. Arriving in the alps she meets Giulio (Crawford's real life husband, Franchot Tone) a very pert mail employee who immediately takes a shine to her. The two have sparks aplenty, but when she arrives at the hotel Anni quickly realizes that she would rather always have food on her table than the love of a good man, and quickly sets about seducing Rudi, a flighty engaged man who is very taken with her. As with most romcoms the real test is if the chemistry works and here it does perfectly. Crawford and Tone have excellent chemistry here and he is very sweet and naive, persistently wearing down the jaded and bitter singer. It's a lovely sweet film.

JohnHowardReid Ferenc Molnar's stage play, "The Girl from Trieste", was never published in a print edition, and this film version tells us why. Would you believe, it is yet another reworking of the Pygmalion theme? Alas. its weary plot is so studded with dull dialogue, it's no wonder that Franchot Tone and Robert Young hand in such indifferent performances. On the other hand, however, although Dorothy Arzner's direction rarely comes to life, this movie is a definite must-see for Joan Crawford fans. Joan is exquisitely gowned by Adrian, beautifully photographed by George Folsey, and set against some stunning Cedric Gibbons backgrounds (although there are a couple of very obviously backdrops).Definitely one for Crawford fans, but others beware!

tjonasgreen Despite the provocative title and the first few scenes, which suggest this might be an interesting variation on Shaw's "Pygmalion," we're actually back in Joan Crawford's MGM universe, where one suitor isn't enough if you can have two, and where Adrian can be counted on to provide a drop dead gown at regular intervals.This airless, relentlessly phony picture did Crawford no favors. For a major star she is remarkably inexpressive. Her face, so strong, angular and meticulously made up, is striking enough to get all our attention, but this curiosity is never repaid. We search Joan's face looking for fleeting expressions, varying moods, complex emotions but we get only a single mask of anxiety. Crawford in this period seems incapable of shaping a performance or giving a character flesh, blood and heart -- she just sleepwalks from scene to scene looking as perfect and lifeless as a mannequin (coincidentally the title of her next film).If glamor without rhyme, reason or variation is your idea of entertainment, you are welcome to it, but I thought THE BRIDE WORE RED was both strange and boring. By the way, the eponymous dress is kind of tacky but undeniably spectacular, and it sure looks red, even in black and white.

TOML-4 Considered a flop in the past(it is the film that got Joan labeled box office poison, despite the fact that the film before it, Mrs. Cheyney, was a big hit), viewed today, it is incredible how much Joan gave to an obviously butchered script. Her scenes alone in her "ivory tower" of a room, especially when she notices that the birds have gone from their nest, are acting in it's highest form. Strangely, this is one of a number of films where she plays the working girl that we DO NOT feel much sympathy for her.