The Man on the Eiffel Tower

1949 "PARIS... GAY, ALLURING... MASKING A STRANGE ADVENTURE!"
5.8| 1h37m| NR| en| More Info
Released: 12 December 1949 Released
Producted By: RKO Radio Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A down-and-out student is hired to kill a wealthy woman. When someone else is suspected of the crime, the student taunts police until they realize that they may have to wrong man.

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Reviews

Beanbioca As Good As It Gets
Intcatinfo A Masterpiece!
Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
Raymond Sierra The film may be flawed, but its message is not.
Byrdz This from the trivia page of "The Man on the Eiffel Tower". Irwin Allen (the original director) was very dissatisfied with the final results. After its initial run, he bought the film rights back from RKO and kept the prints out of circulation for a long time. Many believed that the film was lost, even Meredith. However, it has been released on VHS and DVD and can be relatively easily found at rental stores.Too bad it was found. It would have been better as a "lost masterpiece". The copy that I watched was so badly faded that it was totally shades of orange. Distracting but not the worst flaws in the film. Maigret is not my favorite detective but Laughton as Maigret ? Really ? He's supposed to be FRENCH !Meredith needs to tie his glasses on somehow. He is always losing them. He also needs to stay away from directing. Not his best skill. Then there is the plot, perhaps clearer in the book, I dunno, but here ? So mixed up that it's impossible to find, much less follow. (Spoilers on ? Yes. OK) How does one "trace" a poor man's glasses to him ? WHY chase a man up the Eiffel Tower by way of girders and elevator. Stand at the base and wait for him to come down. CRIPES !
dbdumonteil Few people know it,but it is actually a remake:Simenon's novel was already transferred to the screen in 1932 as "La tête d'un Homme" (A man's head) by Julien Duvivier.Although highly praised on the site ,I found Duvivier's movie confused and however he is my favorite French director.What partially redeemed this otherwise average movie was Inkijinoff's performance as Radek the intellectual gone mad and an unfriendly look at the bourgeoisie (in the remake the nephew can sleep the sleep of the just)When they remake a Duvivier movie,American producers have a tendency to use the Eiffel tower (see also Duvivier's "La Fete à Henriette" remade as "Paris when it sizzles" ) whereas they never go there in the French versions.The director seems more interested in Paris and its monuments than in his story which ,like Duvivier's script ,remains desultory and confused .I admire Franchot Tone (here credited as co-producer) some of his films are among my favorites ("Lives of a Bengal Lancer" "Three Comrades" "mutiny on the Bounty" also with Laughton)but his performance here is not really convincing.Taking the character to "les Deux Magots" ,the café for intellectuals which Sartre made famous is not enough to make us believe Radek has a high I.Q.Charles Laughton is also miscast as Maigret,and,most of the time ,he has nothing to do.The ending is ,admittedly,spectacular,but it 's only for the show.It does not bring anything to the film as a whole.
ma-cortes There were various production problems on this picture , including Charles Laughton's menacing to walk off the picture , as he asked leaving if the original director , Irving Allen , threatening to be replaced and Burguess Meredith then carried on the filming . The film happens in Paris , there a dandy named Bill Kirby (Robert Hutton : Invisible invader , Slime people , Vulture) wishes death his aunt , so he can get her inheritance and pay off divorce his spouse (Patricia Roc : Wicked lady , Canyon passage) and marry his lover (Jean Wallace , Cornel Wilde's wife) . A medicine ex-student named Radek (Franchot Tone , also film's producer) is hired to kill the old lady . By night , a knifes grinder , now become thief , named Heurtin (star Burgess Meredith eventually filmmaker) aware the murder but he loses his glasses and he's helped by the assassin . He's framed of killing and then escapes . Meanwhile , Radek is taunting the police and leaving fake clues and banter on Kirby's two women : the wife and lover . Inspector Maigret becomes involved into investigation and swiftly discovers the owner of the thick glasses , though there is no real evidence against him . Then , Inspector Maigret undergoes a cat and mouse game with Radek . It's a battle of wits , an obstinate detective and an intelligent villain , and winds up pitting two rivals against each other in order to destroy themselves . Meanwhile , there are developed pursuits through Paris streets , squares and on rooftops and an exciting chase on the girders of Eiffel Tower.The film is based on Georges Simenon novel about the famous detective Inspector Maigret who is adapted on various cinematic renditions . The movie displays suspense , thriller , action , mystery and results to be quite amusing . Casting is frankly magnificent , Laughton is excellent , as always , as Maigret who is early assigned to the case and quickly tracks down the suspicious ; Tone as a maniac-depressive man is top-notch and magnificent Burguess Meredith as a knife grinder becomes involved with problems , he directed partially the film when Laughton threatened to quit if Burgess Meredith did not take over . Besides , appearing Wilfrid Hyde White as a sympathetic professor and Howard Vernon (Jesus Franco's usual actor) as an Inspector . Numerous problems during shooting , as producer Irving Allen was the original director, but after only three days of shooting , Laughton directed the scenes in which Meredith appeared . Adapted from Georges Simenon's 1931 novel "La Tête d'un homme", his fifth to feature Inspector Maigret . It had already been filmed in France, under its original title, in 1933 . In spite of being splendidly shown streets , squares , monuments from Paris : River Sena , Eliseos Fields , Pigalle , Concorde Square and photographed by expert cameraman Stanley Cortez (Night of hunter , Magnificent Amberson , Secret beyond the door), the cinematography is lousy and faded but the film copy is worn-out , it's necessary an urgent remastering . The motion picture was rightly directed by Burguess Meredith , who replaced director Irving Allen (who was also one of the film's producer) . Allen himself was very dissatisfied with the final results . After its initial run , he bought the film rights back from RKO and kept the prints out of circulation for a long time. Many believed that the film was lost, even Meredith . However, it has been released on VHS and DVD and can be relatively easily found at rental stores . Burguess , subsequently , directed other film titled the ¨Yin and Yang of Mr. Go¨ , as well . The flick will appeal to Charles Laughton fans and intrigue lovers but contains a highly suspense story .
bkoganbing As I started watching The Man On the Eiffel Tower it looked like it was going to go in the direction of Alfred Hitchcock's Strangers on a Train. Robert Hutton is having a sit down with his wife Patricia Roc and his mistress Jean Wallace in a Paris cafe. He gets an offer from Franchot Tone who was all ears that he'd kill Hutton's aunt who controls the family pursestrings so that Hutton could be independent. Tone doesn't lack for chops. He not only does the deed with a maid thrown in for good measure, he manages to pin the crime on milquetoast Burgess Meredith who just happened on the scene. Fortunately police inspector Maigret as played by Charles Laughton doesn't buy the pat scenario. He turns up Tone as a suspect, but he can't quite pin it on him. Tone's character reeks of Nietzchean superiority and France had just gotten liberated from a country that bought into that philosophy. Probably for today's audience, especially an American one, that particular dynamic can't be appreciated.Even an escape allowed by the Paris police by Meredith blows up in Laughton's face and threatens to ruin the career of Inspector Maigret. Fortunately Laughton has a few tricks up his sleeve.What we have in The Man On the Eiffel Tower is three very distinguished players from stage and screen who got together and made the film almost as a lark. Tone spent his entire film career trying to get out from under typecasting as a debonair gentleman in tails who usually loses the girl in the end to a bigger name. Right after this was done Franchot Tone did exactly that role in Frank Capra's Here Comes the Groom. His role here as Radek is certainly miles away from his usual parts. Tone produced this as he also produced another independent film the year before, Jigsaw, which was shot in New York.He got friend Burgess Meredith to direct and play the stooge. The story unfortunately does sag at times until the climax chase scene on the Eiffel Tower. That whole sequence is almost like The Third Man except where Harry Lime seeks escape in the sewers of Vienna, superman Tone leads his pursuers up the Eiffel Tower. In the end though he's not quite the superman he thinks he is.Charles Laughton made a nice Inspector Maigret. This is the second French police inspector of literature he's done. But there sure is a world of difference between Maigret and Javert of Les Miserables. In fact Laughton is far more like Sir Wilfred Robards in Witness for the Prosecution than Javert. It's too bad that director Meredith didn't have the kind of computer generated special effects and had to rely on brave stunt men and actors to do the job. If Man on the Eiffel Tower were filmed today, I'm sure it would have been far better. This criticism is almost a cliché, but Alfred Hitchcock could have really done something with The Man on the Eiffel Tower.