SnoReptilePlenty Memorable, crazy movie

Sharkflei Your blood may run cold, but you now find yourself pinioned to the story.

Helllins It is both painfully honest and laugh-out-loud funny at the same time.

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

bkoganbing Although the MGM Tarzan films with Johnny Weissmuller were usually of high quality I had some problems with Tarzan Escapes. This film which does have a bit of continuity in it to connect with the two previous Weissmuller outings, I had some trouble wrapping my mind around the plot.The story has Maureen O'Sullivan's cousins from Great Britain, William Henry and Benita Hume searching for Jane to resolve an inheritance issue back in the old country. They want her to go, but their guide John Buckler also would like to get the famous white ape man Tarzan back into civilization for exhibition.Try as I might I could not believe that Buckler was able to trick Tarzan as easily as he did. The Tarzan we know has a lot more jungle smarts than what is shown here. Of course he doesn't stay captive long, it helps to be on a first name basis with all the elephants in the jungle.Herbert Mundin is always good to have around as he plays Buckler's assistant and one with a conscience. Mundin played a variation on his role as the timid seaman in Mutiny On The Bounty in Tarzan Escapes. Mundin was always a favorite of mine and his death in a car crash in 1940 robbed the screen of a very funny character actor.But what was really freaky was reading about John Buckler who was killed right after making this film also in a car crash with his father, actor Hugh Buckler. Buckler drowns in a swamp in this one and in real life drove into a river and also drowned.Though the film has the usual MGM production values that a place like RKO couldn't bring to its later Tarzans, the story here was a bit much for me to swallow.

dbdumonteil In this episode,Jane meets again two of her cousins,eager to latch onto a rich inheritance ;they need her signature and she 's got to go back to England with them .Jane isn't interested in money at all,but she 's got to help her relatives so his cousin can study medicine .A long sequence shows Tarzan and Jane is their garden of Eden .They do not need anything more,they could not ask for more.Civilization (here represented by a nasty man ,who wants to take Tarzan back to exhibit him in a circus) is evil,this will be even more obvious in "Tarzan's secret treasure" in which Boy would like to know the "other" world and all the things gold can bring.Johnny Weissmuller and Maureen O'Sullivan were irreplaceable and these delightful black and white Tarzan movies owe much of their charm to them.

HelloTexas11 A strange entry in the MGM series, 'Tarzan Escapes' eschews a predictable plot and at times wants to be a serious melodrama about Tarzan and Jane's relationship. Well, as serious as any such plot could be, anyway. The film reportedly was re-shot extensively because of excessive gore, and there are hints of such in the released version, both in the way certain natives are killed and in a cave where large, deadly lizards dwell. Perhaps all of this and more contribute to the weird way the film progresses, alternating between the aforementioned Tarzan/Jane soap opera and much jungle violence. There is also excessive comic relief provided by Herbert Mundin. Over the course of the series, particularly the episodes with Johnny Weismuller and Maureen O'Sullivan, it's made clear time and again that Tarzan and Jane are madly in love. One can certainly see why the Apeman is ape over Jane, but why on earth Jane feels the same for him is never adequately explained. No matter how many times she tries to explain it, it just doesn't make sense that a beautiful, sophisticated English woman should prefer living in a tree, barefoot and wearing a skimpy animal skin, with a monkey and a guy who has a vocabulary of about twenty words. It is hinted at, sometimes pretty heavy-handedly, that the jungle love they share beats a one-night stand in London any day, so maybe that's it. In any event, their unbreakable if inexplicable bond is tested in 'Tarzan Escapes,' when Jane agrees to return to England briefly with her two cousins to deal with some legal matters regarding a will. Tarzan doesn't take it well at all; he's convinced she's dumping him for good and will never return. He mopes around the jungle while Cheetah tries to cheer him up. Meanwhile, Captain Fry (John Buckler), leader of the safari, has plans to kidnap Tarzan and take him back to England as a circus attraction. Yeah, right. Give up that crazy dream. Fry eventually runs afoul of a dangerous tribe; Tarzan comes to the rescue and saves them all but realizing Fry's treachery, forces him back into a cave where those killer lizards reside, and that's the end of Fry. Though things were not nearly as standardized as they would be in later MGM films, we see the beginnings of recurring ideas and situations, such as the elaborate treehouse and its Flintstones-style amenities, like the elephant-operated elevator. (Why Tarzan needs an elevator when he can just run up the tree ten times as fast is another good question. It must be for Jane.) The production still bears the creakiness of early 30's film-making, despite an impressive use of varied sets and locales; there was a very noticeable change starting with the next film in the series. From then on, the MGM polish became unmistakable and would remain for the rest of the run. 'Tarzan Escapes', perhaps because of its extensive reworking, stands apart from other entries in the series and taken on its own terms, is very much worth seeing.

Space_Mafune That's not to say this is not quite good. No Johnny Weissmuller and Maureen O'Sullivan certainly shine as the romantic leads Tarzan and Jane. In fact, this may be the most romantic of all the Weissmuller films so if that's what attracts you, you'll likely love this. However if jungle adventure and fun is more up your alley, you may be slightly disappointed. Oh there are some surprisingly graphic attacks from enemy native tribes and Tarzan has an intense battle with a crocodile yet it doesn't seem quite enough somehow and doesn't make up for the story feeling slightly disconnected at times. There's a gaping plot hole here involving Captain Fry, after Tarzan is in his cage, later losing him. Also the lizards at the end are more likely to produce laughter than terror.