FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

lugonian LORD OF THE JUNGLE (Allied Artists, 1955), Written, produced and directed by Ford Beebe, might have been a more fitting title for any one of the "Tarzan" adventures starring Johnny Weissmuller a decade or so ago. Instead, the title is used for what's not only become the twelfth and final installment to the "Bomba, the Jungle Boy" movie series, but the final screen appearance to its originator, Johnny Sheffield (1931-2010). After many years in jungle adventures starting with his debut role of Boy in TARZAN FINDS A SON (MGM, 1939) starring "lord of the jungle" Johnny Weissmuller at his fourth go-round in his signature role, it was rather fitting that after growing out of playing Boy 1947, that the teen-age Sheffield was offered another jungle character portrayal. As often credited, "based on the character created by Roy Rockwell in the "Bomba" books," who else but Sheffield could play the part of a teenage Tarzan named Bomba? Debuting in the part in BOMBA THE JUNGLE BOY (Monogram, 1949), unlike the long-running Tarzan franchise, nobody but Sheffield was Bomba. It would be a matter of time before Sheffield outgrew his teen character considering by this time he was already approaching his mid-twenties. Whether it was the intent to end the series here or not, at least it didn't conclude with an unwatchable or unbearable item as with some series finales.Following its fade in as the camera tracking through the jungle, Bomba is immediately viewed swinging on a vine. Next scene introduces new assortment of characters, that of Mona Andrews (Nancy Hale) and her fiancé, Paul Gavin (Paul Picerni) in a private airplane. It is later revealed that Gavin intends on moving to Africa to work as a missionary doctor, something Mona would rather he not do. Mona in turn happens to be the niece of Bomba's closest friend, Deputy Commissioner Andy Barnes (Leonard Mudie). Enter Jeff Wood (Wayne Morris), a hunter hired by the government to shoot a herd of rogue elephants destroying villages and killing natives. Bomba prevents Wood from doing so, and intends on proving his theory of only one bad elephant being the responsible one and the one to be shot and killed, not the entire herd. Because Bomba actually owns the property formerly owned by his now deceased parents, the Hastings, does the jungle boy resume his protection of his animal friends from extinction. During the course of the story, Bomba helps with Mona's dilemma and ends up in troubles of his own when later tied and bound by one of the hunters he had earlier rescued, thus, leaving the helpless Bomba to face an oncoming elephant stampede heading his way.Somewhat reminiscent to the earlier Weissmuller/Tarzan adventures where jungle lord pits himself against hunters invading his territory and out to eliminate his wildlife friends. There's also some footage capturing some underwater swimming between Bomba and Mona, the sort of scenes commonly depicted by Tarzan and his mate, Jane. Other story extensions as sending messages through drum pounding and lifted stock animal footage of giraffes and elephants roaming about add to its jungle feel, even with obvious rear projection footage noticeable here and there.For the only time in the series, Sheffield shares equal billing above the title with co-star Wayne Morris. Though the Morris share might have meant something for movie audiences during his brief prime in motion pictures for Warner Brothers (1937-1940), by 1955, ranging from older to a younger generation of theater attendees, Morris was just another name on the motion picture screen. Oddly enough, in spite of their equal status billing, Sheffield and Morris are not constantly together from start to finish as what one may assume. In fact, Sheffield has more screen time with Nancy Hale (quite obvious by the writer's point of view by using her as a female influence on the jungle boy now jungle man). Although Hale gets by with her fine looks, the only setback happens to be on her somewhat amateurish acting in certain scenes. Others featured in the cast are William Phipps (Kenny Balou); series regular Smoki Whitfield (Eli); James Adamson (Elisha); Harry Lauter (The Pilot); Joel Fluellen (Mulu); and Juanita Moore (Mulu's Wife).Presented on commercial television since the 1960s, better known as my own introduction to the Bomba series when it played part of its weekly Saturday morning line-up of "Jungle Adventure" on WOR-TV, Channel 9, in New York City (1977-1979), LORD OF THE JUNGLE, along with the previous "Bomba" adventures, have turned up on cable television, notably Turner Classic Movies (TCM premiere: March 24, 2012), where the series has been rediscovered by a new generation, or revisited by older ones who grew up watching this series. Mainly geared for the youthful generation when produced, LORD OF THE JUNGLE bids farewell from both Bomba the character and Johnny Sheffield, the jungle boy of many Saturday Matinée second feature presentations. (**1/2).

malcolm-68 This is the only Bomba film in which Johnny Sheffield shares top billing with another actor namely chain smoking, overweight, disillusioned Wayne Morris. It is the only one of the series which does not have a human villain. Instead there is a rogue elephant who is leading the rest of the herd to commit mayhem. The crux of the drama is conflict between Bomba who is full of bombast and only wants to shoot the rogue elephant and Wayne Morris who is head of a government licensed group of hunters ordered to shoot the entire herd. The last few of the series injected a sliver of sex by inventing an excuse for the comely heroine,in this case Nancy Hale, to go for a dip with Bomba. They also share a couple of chaste kisses. The budget of this film must have been trimmed more than usual because much of the action is talked about or described rather than seen, but the climax packs a little excitement. Stock footage of wild animals abounds. The rest of the film is padded out with aimless trekking through the jungle in pursuit of the rogue elephant. The script contains gaps in logic and continuity and most of the characters display a lack of common sense. Sheffield fits the role and his loin cloth comfortably. On the strength of Wayne Morris's appearance in this film, the title could have been changed to "Lard of the Jungle". After viewing this effort, it is doubtful if anyone exclaimed, "We could be talking Oscars here!"

moonspinner55 Good clean fun. Johnny Sheffield retired his loincloth and vine rope with this twelfth and final entry in the "Bomba" series, started in 1949 by writer-producer-director Ford Beebe and Monogram Pictures (by now transformed into Allied Artists). It was appropriately timed, of course, as Sheffield no longer looks like a Jungle Boy, apt to running away from the girls after a chaste kiss. Here, Bomba attempts to stop elephant hunters sent by the government to kill a wild herd, convinced that one rogue pachyderm is responsible for leading the others astray. Beebe's method of inter-cutting stock wildlife footage with the African-set adventures usually results in a visual hodgepodge; with "Lord", however, the editing is pretty sharp, particularly during the exciting climax. Bomba and a stubborn young woman from London became fast friends (complete with a romantic moonlight smooch), though he ends up aiding her in a reconciliation with her bleeding-heart fiancé and walks away with his standard friendly wave. Amusingly, no female was ever able to topple this lord of the jungle! **1/2 from ****

sol1218 ***SPOILERS*** In this the last of the "Bomba the Jungle Boy" films Bomba, Johnny Sheffield,takes it upon himself to bring a murderous rouge elephant named Raju to justice. Raju who's become wild and crazy from eating contaminated, from DDT, weeds and ended up leading or forcing his heard of elephant to go nuts attacking and killing a number of the local native population.Bomba who comes on the scene to help catch and kill Raju is shocked to find out that it's been decided by the county's High Commissioner to kill the entire heard of elephants along with Raju! Knowing that the land where the elephants are grazing at or around belonged to Bomba's British parents the Hastings he uses that technicality,in that it now belongs to him, to have the animals driven or kept on to his land and thus prevent them from being exterminated by the white hunters lead by Jeff Wood, Wayne Morris, assigned by "The Commish" to gun them them all down to the last elephant!Raju for his part goes on,with his band of elephants followers, rampaging through the jungle killing among others Bomba's native friend Molu,Joel Fluellen, and his infant child leaving his wife, Juanita Moore, a widow before her 21th birthday. Bomba still has a hard time convincing the local authorities that it's Raju not those elephants with him who's responsible for all this carnage but time is running out with bands of white and native hunters descending into Bomba country to wipe out the entire elephant herd. As a side story there's also the spunky and pretty Mona Hammond, Nancy Hale, who traveled to Bomba Country to find her husband known by the natives as the "Great White Witch Doctor" Lewis Hammond. Lewis gave up a lucrative medical practice back in London to save those, in the African bush, who could never afford much less get his help or services! ***SPOILERS*** The film reaches a wild and bloody crescendo with the rampaging Raju tearing the jungle apart with Bomba's good friend Deputhy Commissioner Andy Barnes(Leonard Mudie), after Bomba gave him back the gun he stole from him, gunning down the rouge elephant and finally putting an end to all this madness! Still Bomba has to prove that it was only the now dead Raju who was the reason for all this death and destruction. It's then that Bomba organizes an elephant parade in front of Deputy Commissioner's Barnes headquarters to prove just how harmless and friendly the maligned by almost everyone in the movie, with the exception of Bomba and Mona, elephants were.