Wordiezett So much average

UnowPriceless hyped garbage

Logan By the time the dramatic fireworks start popping off, each one feels earned.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Tejas Nair I am somehow surprised with the way this movie deals with itself. It showcases the various sides of human nature, most importantly greed.Corruption is in center-stage here as Nana Patekar defies the odd and establishes his own aura in the police department. His connection with the ministers go awry when greed kicks in & that is what the movie is all about. Supporting cast is great & the characters played by them is very genuine. A parade of surprises in the second half will blow your mind, as the plot paces. Anurag Kashyap & Zakir Hussain are charming.But, Training Day (2001) is better as Shagird goes low in film-making factors. No, Tigmanshu Dhulia is a genius, but camera work & editing & BG score are what I'm disappointed with. A little more polishing could've made me rate higher than 7.1.BOTTOM LINE: Recommended for people who enjoy action-crime movies like Ab Tak Chappan! It entertains!Can be watched with a typical Indian family? NOProfanity: Mild | Violence/Gore: Very Critical | Smoking: Strong | Drugs: No | Alcohol: Mild | Sex/Nudity/Foreplay: No | Vulgarity: Very Mild

jmathur_swayamprabha Tigmanshu Dhulia had carved a niche for himself through his very first directorial venture - Haasil. And this underrated movie is another illustration of his abundant talent. It's a brilliant movie whose class can be felt and understood by seeing it only.Though several Bollywood movies have come before the audience which are based on encounter-specialists and several others have come which are based on the corrupt cops. However this movie is unique. It's neither Gangaajal nor Apharan, nor Ab Tak Chhappan nor Kagaar nor Ye Saali Zindagi. It has a class of its own. Encounter specialist cop, Nana Patekar is thoroughly corrupt and works for the corrupt politician, Zaakir Hussain, eliminating his adversaries and those who can prove dangerous for him. He gets a newly recruited junior cop, Mohit Ahlawat to work under him in the police station. The real drama starts with the kidnapping of some journalists consisting of Mohit's sweetheart, Rimi Sen too. Some hardcore terrorists are released for getting the journalists free and alongwith them is released the ex-henchman of Zaakir Hussain, Anuraag Kashyap. How the main protagonist Nana Patekar and his Shagird (pupil), Mohit Ahlawat get involved in these developments and what's the climax of this story is a treat to watch.Shagird is a rare thriller made in Bollywood which keeps the viewer spellbound right from the very first frame to the very last frame. There is no unnecessary dragging and no useless incidents to add to the length of the movie. Even the smallest incident shown in the movie has a link with the main story. It's something unusually pleasant and evidences the proficiency of the script-writer and the director. The narrative keeps the viewer hooked throughout 140 minutes long duration. The first half prepares the ground for the second half and the second half keeps on rendering electric currents to the viewer, scene after scene. There is a twist in the tale even in the ending scene. The superfast pace of the movie does not give the viewer any time to think. But it does not challenge his intelligence and after watching the movie completely, if the viewer ponders over what he has seen, he does not feel cheated because everything is logically knitted and in proper place. Even the title of the movie is just perfect according to the story told. The second half of the movie is just like a game of chess, containing checks and checkmates upon the chessboard of the Indian police system. It reminds of Abbas-Mustan's movie - Race in which it becomes difficult for the viewer to identify as to who colludes with whom and who deceives whom.Though the kidnapping episode is not very impressive and the Mohit Ahlawat-Rimi Sen romance track is half-baked, these are minor flaws in this otherwise highly admirable movie. The director has shown his better sense by keeping the movie sans any songs and the flow of the narrative is nowhere blocked. The background score and the technical aspects of the movie are topnotch. The action and chase sequences are outstanding. The cinematographer has captured Delhi and nearby areas quite realistically and impressively.I also admire the director for keeping the movie free from expletives which is also unusual now-a-days. Given the milieu of the story, he could have filled it with expletives under the pretext of showing reality. But it's very nice of him to keep the movie clean. He has not shown any vulgarity also.Nana Patekar has outshined his co-actors in the author-backed role of the smart, yet corrupt cop who is very fond of old Hindi movie songs and whose knowledge about them is extra-ordinary (like the author of this review). His role reminds me of the main protagonist of a Hindi pulp-fiction bestsellter - Vardi Waala Gunda (penned by Ved Prakash Sharma). However I feel that he is now typecast in such roles. Mohit Ahlawat has wasted a golden opportunity and he is just average. Anuraag Kashyap has proved that he is not only a class director, but also a class actor. Rimi Sen and others are OK. Murli Sharma leaves his mark in the cameo of a coward journalist. But the distinction marks go to Zaakir Hussain who has infused life into the role of the corrupt politician.Tigmanshu Dhulia has taken cinematic liberty of ignoring several aspects of the Indian police system in telling his story but he can be excused for that because keeping the narration focused at the desired place instead of covering several diversified things on a large canvas, has helped keeping the movie engrossing and entertaining. He has shown as if all the encounters and killings by Indian cops are motivated only and nothing happens in Indian police stations except killings for vested interests and warming own pockets which may not be true.My final words - I strongly recommend this movie for the thriller fans who will find the experience of watching this movie akin to a roller-coaster ride. Just sit in front of the screen and keep on watching it holding your breath tight. It's an edge-of-the-seat thriller.A great one time watch.

bobbysing Tigmanshu Dhulia is one of my favourite directors, but I have always wondered why his films manage to get a very low profile release even after his established status of a talented director? Anyway looking at the promos of SHAGIRD, I was not convinced much as the film just looked like a sequel to AB TAK CHHAPPAN with Nana Patekar doing a similar kind of role of an encounter specialist. And after watching it I was proved right as the film exactly walks on the similar lines with only the underworld mafia being replaced by the political dons and some more corrupt officials within the police force.Usually Tigmanshu always comes up with a novel concept as in HAASIL, CHARAS and the forthcoming PAAN SINGH TOMAR. But for some unknown reasons he adapts an already very well exploited theme of Police- Underworld–Politicians nexus in SHAGIRD which was quite strange looking at his track record. May be he was too confident of the unexpected twists and turns in the script to get him some favorable results. But unfortunately, all those shocks about the hidden characterizations come too late in the narration and therefore fail to work in a big way.The first half of the film is fine but very similar to the one seen in ATC. In the same manner Nana is a famous rude cop who shoots before anybody speaks and his team has a fresh entrant as Mohit who has just joined the police force. As seen in ATC, Mohit too is afraid of killing a criminal for no reason at all in a fake encounter, which he later learns along with the changing circumstances. The movie takes a fresh turn when three journalists are kidnapped by some terrorists groups to get their demands fulfilled. But this kidnapping sequence only becomes the weakest part of the film as the real brain behind the plan and its hidden purpose all remain pretty confused in the script.Post intermission there are more shocking turns in the script which keep the viewers engrossed. But as I felt the twists come up rather too late in the script, which make the movie a bit longer than actually required. Moreover, the sudden weird kind of climax also leaves the viewer in a questioning state which is not at all a good sign for the commercial prospect of the movie. The abrupt change of characters in the script sometimes looks like overdone when we see no feeling of respect or regards in any character for his colleagues or friends.So if you are already a fan of the brilliant work by Shimit Amin and Nana Patekar together in AB TAK CHHAPPAN (which is also there in my 'Movies To See Before You Die' list), then SHAGIRD will not be that exciting for you since it's a mere extension of the same plot. But in case you haven't seen ATC then SHAGIRD may impress you a lot with its smart execution and fast pace. Basically SHAGIRD leaves a mark mainly because of the fabulous witty one liners spoken in his own unique style by Nana Patekar and a brilliant sensible cast brought together by the director and his team.No doubt Nana leads the film perfectly as usual, but it's actually all the supporting actors who all together give you an enjoyable time in the theater, provided you love the genre of hard-hitting political crime thrillers. Zakir Hussain as the Party leader is outstanding along with Mohit Ahlawat who is surprisingly good. Rimi Sen is just OK in her awkward wardrobe for a reporter's character. But the subplot of Mohit and Rimi's romance simply falls flat and irritates. As a bonus feature you get to see Anurag Kashyap, the director in the role of Bunty bhaiya, who is fine but nothing exceptional. The Cinematography in this song less film, needs a special mention here particularly for its opening shoot out sequence in the narrow lanes of Delhi-6.In all, SHAGIRD is a good one time watch, especially if you are a fan of Nana Patekar. But I was expecting a lot more from the combo of Nana and Tigmanshu. In fact, I found this as the director's least worked upon project till date. The film leaves you with a mixed kind of impact in the end and would appeal to only a limited section of the viewers. It's like a sequel of AB TAK CHHAPPAN but lacks the finesse and polish of Shimin's worth watching gem.

fantastic_guyus This movie desperately tries to be "Ab Tak Chhappan" but fails miserably. Nana is brilliant as can be expected. But Mohit still remains a non-actor. The movie fails because of a convoluted script which tries to be smart & because of a totally inept & incompetent director trying to helm things which certainly seem to be out of his forte (whatever that might be). I had hoped this one would be at least enjoyable than the usual Bollywood trash (with Ranbir's Shahids Imrans Akshays, Salmans SRKs et al) but I was severely disappointed. I can now gleefully strike off the director from my "looking-forward-to" list.If you want to watch Nana at his 'cop best', watch Ab Tak Chhappan - good lil movie with a decent script. Avoid Shagird.