Seven Brides for Seven Brothers

1954 "SINGIN'! DANCIN'! ROMANCIN'!"
7.3| 1h43m| G| en| More Info
Released: 22 July 1954 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

In 1850 Oregon, when a backwoodsman brings a wife home to his farm, his six brothers decide that they want to get married too.

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Reviews

Scanialara You won't be disappointed!
WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.
Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
lisgmendes One of the greatest musicals of all time! Seven brides for seven brothers is a landmark of the Hollywood's golden age of musicals abs deserve to be seen again and again.
Vonia Seven Brides for Seven Brothers (1954) Director: Stanley Donen Watched: May 2018 Rating: 5/10 Gorgeous set design, Fun, laughs, and catchy numbers. That was how things were, But kidnapping girls for maids? Could not get past brash sexism. Tanka, literally "short poem", is a form of poetry consisting of five lines, unrhymed, with the 5-7-5-7-7 syllable format. #Tanka #PoemReview #Musical
ironhorse_iv The fact that this movie & play is based on the short story "The Sobbin' Women", by Stephen Vincent Benét, which in turn based on the legendary story of rape, during ancient Rome is telling you something. Yes, I know, the word 'rape', meant something different back then, but it's still abduction, no matter, what it was called, back then. Plus, if you believe that the abduction of the Sabine women by the first generation of Roman men was pretty harmless, then you really don't know, history. Clearly, some form of sexual violation, was indeed made. I know the conservatives 1950s, were misogyny, but honestly, whom bright idea was it to make a movie based on this 'Rape of the Sabine Women' legend, anyways!? Clearly, it wasn't the producers of Metro-Goldwyn-Mayer, as they were more interested in financially, 1954's 'Brigadoon', over this musical western movie. Because of the studio, slashing the budget on this film, it kinda forced director Stanley Donen and his crew to use painted backdrops instead of filming on location, get clothes from the Salvation Army and use of Ansco color film because it was cheaper than Technicolor. I don't blame the studio at all for doing that. After all, the plot about seven brothers, leaded by a selfish backwoodsman named Adam Pontipee (Howard Keel) who thinks that kidnapping seven women, and trying to force them to marry them, even if the ladies don't want to, sounds awful. I get that, the boys had to learn their lesson and treat them with courtesy and respect for the rest of the film, but honestly, did they really learn from their mistake. After all, the fact, that all of the kidnapped women decide to marry their captors, after they put that heist, shows that they had, learn nothing, as the plan kinda work. Yes, I get that the girls were somewhat angry at first, and they were written to be, very attracted to the brothers, for some odd reason, but honestly, what reasons, do they really have, continue to hang out with the boys after doing that stunt. They only knew, them for a few hours, on one day. You would think, that some of them, would leave, once spring comes. It would make more sense, but I guess, all of the women are alright being housekeepers and cooks, and being marry to men that kidnap them. It's as odd, as Milly (Jane Powell) staying with Adam, after knowing him for only a few hours in the beginning. It's a bit unrealistic. Anyways, the whole idea of them, going through this, screams Stockholm-Syndrome! Even the climax of the film is horrible, when you think, deep about it, with the shotgun baby style wedding. As much as it seem like, I hate the film, I will defend it, from other critics, that argue that the movie is all, but promoting rape, which is kinda unfair. While, there is a very strong subtext of lust, throughout the film, none of the brothers have any intention of raping anyone. Still, the whole idea of backwoodsmen learning the proper way of courtship, still makes a horrible plot, for a family friendly musical! Before, I go way overboard on how this movie is being misogyny, and seem like some crazy social justice warrior, there is some other things about this film, that really bug me. One is the music by composter, Saul Chaplin and Gene de Paul, with lyrics by Johnny Mercer. The music of the film, to me, seemed, like a mixed bag. As much, as I like the songs, 'Bless Your Beautiful Hide' & 'Wonderful, Wonderful Day', the other songs, weren't so memorable. The songs got worst as the movie went on. Lots of repetitive beat and lyrics. Another mixed bag with the movie is the dancing. It's weird, how not all of the brothers were dancers & singers in a movie that supposed to be a musical. It was pretty weird to see, Adam and Benjamin (Jeff Richards) barely moving to Michael Kidd's unusual dance choreography. Yes, I get that, their characters are supposed to be, hillbillies who can't move to a beat, but it's a bit jarring, to see how good, some of the brothers were in dancing, while others struggle. Honestly, wouldn't it, make more sense, if all of the brothers, awkwardly dance, seeing how Milly only had a few hours to teach them, before the barn raising event. Despite that, I like how unique, the dance numbers were. The chopping wood and raising a barn scene are, by far, the best from the film. It just sucks, that the wide screen film, doesn't work, much for the small screen, as it cuts, the large scope of the scene. Another thing, that bug me, about this film is how underdeveloped, some of the characters were. For the most part, besides the Old Testament names, the brothers are really hard to tell. Even, the women that they fell in love, with, are not really known, besides a few characteristic. All, I know is that supporting actress, Julie Newmar was really angry, on her lack of screen time. Even with that, the overall acting of all the cast is mediocre, at best. Overall: While in the end, the filmmakers, were able to pull the musical off, as this film was a box office hit at the time and won awards, despite having a scene where a bird hit the background painting. For me, and few others, no matter, how much praise this movie got at the time and now, this musical is a bit overrated. So, I kinda can't recommended it. Watch it, if you want, but for me, I'm staying far away from these brothers.
beverlym-76105 Every song in this is a winner! Even my little granddaughters could be heard singing them as they play: "Bless Your Beautiful Hide," "Lonesome Polecat," "Goin' Courtin'," and "Sobbin' Women." They're all great songs...and the choreography is amazing--from the battle of the dancers at the barn raising to the lonely, melancholy wood-cutting.The story is wonderful, too. Milly experiences love-at-first-sight, and we suspect that Adam does too. He may not have, though--or he may just be stubborn. Either way, until the end, there always some tension between the two. The other six brothers (all handsome red-heads) also want brides; but they're country boys and may not be slick enough to catch any. Milly tries to help them, but Adam messes things up.The story is based upon the short story by Stephen Vincent Benet. In the short story, however, it's Milly who wants the boys to catch wives because it's working her to death, caring for all of these men by herself. The Millie in the book isn't as civilized as the Millie from Hollywood! The short story is more comedic, but both stories are fun.