The Opposite Sex

1956 "There's one thing on their minds- MEN!"
6.1| 1h57m| NR| en| More Info
Released: 15 November 1956 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Synopsis

Former radio singer Kay learns from her gossipy friends that her husband, Steve, has had an affair with chorus girl Crystal. Devastated, Kay tries to ignore the information, but when Crystal performs one of her musical numbers at a charity benefit, she breaks down and goes to Reno to file for divorce. However, when she hears that gold-digging Crystal is making Steve unhappy, Kay resolves to get her husband back. The Opposite Sex is a remake of the 1939 comedy The Women.

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Reviews

Exoticalot People are voting emotionally.
Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.
Portia Hilton Blistering performances.
jarrodmcdonald-1 This is a very good remake of The Women by MGM. There is as much to like in it, if not more, than the original. For a few good reasons:First, this version works because of the musical numbers. June Allyson has inherited the Norma Shearer role. She proves, with the exception of Janet Leigh, that she is the studio's perfect type for this sort of part. She gives it an added flair, due to her abilities as a dancer.Second, the film works because it has Joan Collins, on loan from 20th Century Fox, in the old Joan Crawford role. Miss Collins definitely resembles Miss Crawford, and she is a logical successor here. But third, and most of all, this version works because it includes the men. Besides the music and the talented female leads, it gives us Leslie Nielsen as Stephen, the guy who finds himself caught between Allyson and Collins. What an enviable position that is to be in.
Hot 888 Mama . . . and pass him around, and we'll all be happy again. THE OPPOSITE SEX is sort of like a husband-swapping club, circa 1956, complete with a Reno Dudette ranch where rich soon-to-be ex-wives have 42 days to try out the latest in Boy Toys if they are caught between Sugar Daddies. High Society is so exclusive that social climbing is virtually impossible, as the "Crystal" character finds out here. Even though Crystal spends most of THE OPPOSITE SEX in various bath tubs, she cannot clean the dirt of her humble origins from her soul. At least that seems to be the main message of this so-called "women's film," in which the Rich Bi*Ches run an exclusive guild which quickly isolates and destroys any would-be gate-crashers, such as Crystal. The Ladies Powder Room is run more like a Texas slaughterhouse. Take it from me (and I toured one in Abilene): THE OPPOSITE SEX is NOT for weak stomachs; you may not like seeing how they make sausage. But for the braver gals, it's loads of fun!
dougdoepke No need to compare this stand-alone with the original. MGM's wardrobe department must have worked overtime. The ladies-- and there are many-- get to model all the high fashion of 1956, and some outfits are real doozies. But then this is a tell-all musical remake about sophisticated Manhattan show people from influential author Luce who certainly should know. You may need a scorecard, however, to keep up with the rotating relationships among the high class types. I expect the film sets feminist teeth on edge now with its depiction of women as either maliciously catty (Gray & Collins) or catty as a defensive measure (Allyson, Blondell, & Sheridan). And that's when they're not chasing after men on whom it appears they're emotionally dependent. I imagine that if the movie were made today, key changes would be made.That's not to say this Technicolor candy box isn't entertaining. It is at least campy fun, although the musical numbers are mostly forgettable. Instead, it's the characters that are irresistible, particularly Gray as the queen of acid gossip; Collins as the ruthless husband stealer; and Richards as the dude ranch stud. It's also a well-honed supporting cast, down to a blondined henchwoman Carolyn Jones. Unfortunately, it's also a rather dour June Allyson, a long way from her usual verve and sparkle. But the high-point may well be the biggest no-holds-barred brawl between two women (Miller and Gray) that I've seen. Stand aside John Wayne and the rest of the macho brawlers because this one is worthy of the best smoke-filled bar room. I don't know if stunt doubles filled in, but somebody deserved a fat paycheck. Anyway, if you don't mind seeing women behaving badly 1950's style, this well-upholstered confection deserves a look-see.
lavashop I have to say I am baffled by the trashing of this film. Are we watching the same movie? I have watched both The Women and The Opposite Sex, all within the span of a week on Turner Classic and though the Women was cleverer, The Opposite Sex was not really in the "Chopped Liver" category either.Yes, it's true. Given a choice, I would rather watch The Women too.But the Opposite Sex has adequate acting, women in gorgeous gowns and sticks quite faithfully to the original story-line whereby the 1st Wife gets her revenge against the 2nd wife. Who doesn't love the lucked-out-housewife-wins-the-day-story-line? I know I do.And I do enjoy looking at Jeff Richards as the hunky singing cowboy, Buck.If you have the time, why not check it out yourself.