Pin Up Girl

1944 "Your No. 1 BOXOFFICE STAR in Her No. 1 BOXOFFICE HIT!"
6| 1h24m| NR| en| More Info
Released: 25 April 1944 Released
Producted By: 20th Century Fox
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Glamorous Lorry Jones, the toast of a Missouri military canteen, has become "engaged" to almost every serviceman she's signed her pin-up photo for. Now she's leaving home to go into government service (not, as she fantasizes, to join the USO). On a side trip to New York, her vivid imagination leads her to True Love with naval hero Tommy Dooley; but increasingly involved Musical Comedy Complications follow.

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Reviews

KnotMissPriceless Why so much hype?
CommentsXp Best movie ever!
Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
JohnHowardReid This movie has everything going for it – great cast, competent director and a screenplay originally prepared by Hollywood's top writing team of Robert Ellis and Helen Logan. Alas, the studio brought in Earl Baldwin to revise the script, when studio head, Darryl Zanuck, decided to use the movie as a boost wartime vehicle for Betty Grable. Now I know a lot of people love Betty Grable. She has lots of pep, I'll give her that, but for me, peppy is not a quality that appeals unless it's firmly based on common sense. And although Betty was strong on brain power in real life, on the screen she was almost always cast as an idiot. "Pin Up Girl" is no exception. This time, she promises to marry almost every serviceman who accosts her, even though she has no intentions whatever of doing so. This is her way of boosting the morale of the servicemen, but, as you and I know, it's an idea laced with peril, particularly if we take her stratagem a step further and realize that it's based on a latent idea that the servicemen will be killed in action. For me, this puts a shadow over the whole movie. And there were other things I didn't like. I mean, just about all the characters are idiots. How could anyone be so stupid that they couldn't recognize Grable, even though she might be wearing glasses and slightly change her hair style. This sort of stratagem will work on the stage, but it's unsuitable for movies – unless, of course, you make the character a twin. And alas, I thought the marching girls outstayed their welcome too. They repeat their moves at least ten times. Even five would been more than sufficient, especially as their uniforms are so unattractive. Joe E. Brown is disappointingly cast in an inconsequential role (he doesn't even get a chance to use his famous yell) and hero John Harvey as he himself admitted, lacks screen charisma (though evidently he came over extremely well on the stage). So, all told, this is a very disappointing movie riddled with problems. Available on an excellent Fox DVD.
writers_reign This is arguably the worst movie Betty Grable ever made once she became a star. It is, of course, quite possible that in 1944 it would have filled a gap in a world hungry for escapist entertainment but today almost nothing earns any praise from Grable herself, who does what she can with a lacklustre script and score to the usually reliable Martha Raye, Joe E. Brown and Eugene Palette in support. B. S. Pulley, later to feature prominently in Guys and Dolls as Big Julie is also on hand albeit uncredited as is June Hutton who is featured with the Charlie Spivak orchestra. James V. Monaco and Mack Gordon have done much better work than this although they did turn in a complete score. This one is best forgotten.
ryancm Not bad, not good for a Betty Grable flick. Story, like all the Fox musicals on the 40's is silly, but sometimes silly can be charming. PIN-UP GIRL focuses on Betty of course and those "million" dollar legs. The story of a want-to-be showgirl who is doing steno work could have somehow worked better with more fluid writing. A couple of good dance numbers, but nothing spectacular. Nice to see old timers Martha Raye and Joe E. Brown, but Martha plays a real witch in this one and takes the shine off her comedic talent. Too bad. Story itself does not focus and what happened to her girl friend, Dorthea Kent, who is in the first part of the movie, then is dropped like a hot potato. Her presence was missed as she was a good side kick to Betty. If you're a Betty Grable fan, and you must be to be reading about this movie, there are others a lot better. Too bad they're not available on DVD. By the way, the DVD transfer is quite nice.
Neil Doyle Perhaps back then this was seen as a bright and bubbly tribute to the Armed Forces everywhere, but surely BETTY GRABLE deserved better material for a musical with a title like PIN UP GIRL. She's pretty and pert as a secretary whose romance with a soldier goes from Boy Meets Girl, Boy Loses Girl, Boy Wins Girl in timeworn Hollywood fashion.No help is the fact that MARTHA RAYE and JOE E. BROWN can usually be counted on to add gags and merriment to any film they're in. Here, they open their big mouths and nothing funny comes out.The songs are weak, lacking interest even for Grable fans--with one exception. A nifty little number called "Once Too Often" has Betty doing a slit-skirt, torrid dance number with Hermes Pan, the famous choreographer who worked with Astaire and Rogers on many of their most famous routines. It's the only musical number worth staying awake for.The climactic military number is a hoot, with Betty doing a parade of arms military drill that reminded me of my boot camp days.Summing up: This is one you can afford to miss.