How to Marry a Millionaire

1953 "The Most Glamorous Entertainment Of Your Lifetime in CinemaScope. You See It Without Glasses!"
6.8| 1h35m| en| More Info
Released: 29 October 1953 Released
Producted By: 20th Century Fox
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Three women set out to find eligible millionaires to marry, but find true love in the process.

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Reviews

BoardChiri Bad Acting and worse Bad Screenplay
FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.
Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
seeingbystarlight Marrying a millionaire is not as easy as it sounds.As Marylin Monroe's character puts it:"Men are getting nervous these days, especially the loaded ones."But jaded Schautzey Paige (Lauren Bacall), and her two savvy lady friends, the kind hearted Loco Dempsey (Betty Grable), and the naive Paula Debevoise (Marylin Monroe) have a plan:Rent an expensive apartment in upscale New York, and after selling the furniture off piece by piece to pay for restaurant like Stork and 21 "trap a really fat one".On the day of their arrival at the place, Loco (who's awfully clever with a quarter) shows up with a man named Tom Brookman (Cameron Mitchell), having just conned him into paying for her groceries.Tom Brookman (though clearly interested in Schautzey) looks like a gas pump jockey, and that's exactly what Schautzey pegs him for as she hurries him out the door, promising that he can call sometime, and ignoring his protests: ("But I don't know your number!...But I don't know your last name!").After outlining her plan to her roommates, Schautzey waits for a fish to bite...it doesn't.Four months pass, and having sold all their furniture, Paula, and Schautzey are forced to sit in folding chairs in the living room, waiting for Loco to return with from the drugstore with more aspirin and shower caps, she's tricked a guy into buying.Schautzey is in despair."Four months, and we're not even engaged."Paula says she could've have gotten engaged last week if she'd wanted to.When Schautzey asks to whom, Paula says:"To that tall English fellow that borrowed five dollars from me.""That's exactly my point!" Schautzey snaps.It's just then when the door bell rings, and a moment later Loco comes through the door...The other two women crowd around, for at her heels is not some greasy gas pump jockey, but a clearly wealthy man named J.D. Hanley (William Powell) his arms full of expensive packages.And after some pleasentries during which Schautzey apologies for the furniture ("We just sent everything out to be cleaned!"), the three women get invited to a social gathering to meet some of Hanley's fellow oil men."Only oil men?" Loco asks "Well no...some bankers too, I believe."After he leaves, the women are in a daze."This is it kids." Schautzey says "A room full of rich entrepreneurs...and us." Of course, things don't go that smoothly.The only relationship that goes on wheels is Schautzey, and J.D's (the only fly in the ointment being that Tom Brookman won't stop calling to try and get her to go out with him, in spite of the fact that she "never wants to see him again!").Loco ends up in a lodge in Maine she thinks is a convention, and after petulantly bemoaning her fate, ends up contracting the measels.As for Paula, she has snagged a one eyed pirate with everything but a T-shirt that reads "Con Artist", and is naively heading to Atlantic City to marry him.But unbenounced to all three women, Freddy Denmark (the man who actually owns the apartment) has been breaking in for a mysterious reason having to do with his being on the lamb from the IRS.This turns out to be the catalyst for one of the nicest twists ever conceived in a romantic comedy (and there are several in this one).The true message of this movie is really captured in it's funniest scene:Loco's married companion thinks he's got the art of concealing an affair all figured out, and is about to learn he's wrong when he gets his picture on the front page of every New York newspaper in acknowledgement for his being the fifty thousandth car to drive across a certain bridge.To quote him as he's driving across, (right before the police sirens start blasting):"Man is master of his fate. And king of his destiny."Well, that's what you think."Gentlemen...to our wives."Originally, Review #9Posted On: May 3, 2009
Antonius Block I'll say up front this film was fascinating to me for its cast, and what seemed to be an improbable pairing of Lauren Bacall, Marilyn Monroe, and Betty Grable, as well as including William Powell in his second-to-last film. The subject, three gold diggers who are out to marry rich men, takes some time to warm up to, as between Bacall's hard conniving and Monroe's dizziness, there is not an awful lot to like early on. However, it grew on me. There is a playfulness in the dialogue and I liked expressions like "sounds creamy to me" as well as the references to Bacall's real-life relationship to that "that old fella what's his name in The African Queen", and Grable's real-life husband Harry James, whose music she can't recognize in the film. Monroe plays her part very well, blending sweetness and seduction as only she could, and aside from seeing her in a bathing suit as part of a modeling show, the shot that captures her image in five mirrors in a washroom is fantastic. There is such a nice sense of fashion in the film, and I loved Grable in a purple dress towards the end. Powell at age 61 is smooth, sophisticated, and stoic, and a joy to watch. I'm not so sure about Bacall, who isn't as strong comedically and less endearing, but overall, it's a strong cast with obviously lots of star power.Director Jean Negulesco tells the story well, sometimes simply informing of us events on one of the three story lines instead of showing them, which keep things moving and is effective. (On the other hand, it was a little tedious at the beginning, as things only get going after an interminably long orchestra piece). He also gives us some nice shots of New York and the snow in "Maine" (apparently actually Sun Valley, Idaho). I doubt the film will blow you away or anything, as it's predictable and light, but it's also entertaining.
elvircorhodzic HOW TO MARRY A MILLIONAIRE is an easy, fun, and unfortunately the average comedy. Three Cinderella want to find my happiness in life by marrying a rich man. Three poor models for rent a luxury New York apartment to be presented as part of the high society and also tried to "catch" potential rich husbands. This well-known cliché is a very fun way caricatured, the main female characters it seriously and with one hundred percent commitment approach, and their male candidates, each in their own way accept their game.The director has tried to divert attention from the average of the story so that it is further enriched scenery. I think that to some extent he succeeded. Betty Grable as Loco Dempsey was the most fun of the three ladies, and probably had the most success. She found a young and fair forest workers. Lauren Bacall as Schatze Page is brain surgery, the smartest part of the team. Cold and a bit cheeky. Determined in its intention and eventually was awarded. Marilyn Monroe as Pola Debevoise is the complete opposite of everything in this film. The young lady who knows what she wants, but she can not find her way. There is of course humorous blindness. It is logical to find a soul mate. Paola is not stupid, she's just ... charming and so hot.I have not enjoyed it, but I'm a big fan of the two ladies in this movie. William Powell is still a charmer.
richieandsam HOW TO MARRY A MILLIONAIREOK guys... I watched this with my 12 year old daughter... and once the film finished, she asked me if she could write the review for a change. I think she has done a great job with it too... This is her opinion. Sammy... take it away!"It wasn't a bad movie, I did enjoy it.The story is about three models, Loco (Betty Grable), Pola (Marilyn Monroe) and Schatze (Lauren Bacall), who want to marry a millionaire. They rent an apartment in New York and sell all the furniture to get money. They spend a lot of time with rich men, but none of them are really their type. They persuade themselves that they are and end up falling in love with them anyway. But when Loco finds a man to bring her shopping home, he falls in love with Schatze. Knowing she is a model, he asks to see them in a private show. If Schatze knew he was a millionaire, he would look like a completely different person to her.I have never seen a storyline like this before, so I think is was original and creative. I can't say I didn't laugh when Marilyn walked into the wall, as she was playing a girl blind as a bat. She had glasses, but never wore them as she thought they made her look unattractive. Her mind was changed by one special man's opinion.One thing I didn't understand, is the guy with the eye-patch. He always had this patch over his left eye, but when he was examining a plane schedule, he lifted his eye-patch to get a better look. Surely, if you wear an eye-patch, it's cover up a missing eye, or something like that. But if he needs to take it of to read a schedule, why wear it at all? I don't get it...I do love my retro movies, which most people wouldn't expect from a twelve year-old girl, but it's true. This is a very old movie (to me, anyway) and this always means terrible effects, but why would you add the backgrounds as an effect, when they were just walking around a real set with the same background. They looked so fake it was unbelievable. Why not just film them in the set instead of recreating it with graphics? They confuse me.Overall, I think this movie is slightly amusing and generally enjoyable. I'm going to give this movie a 6 out of 10. I don't know why, it's just my gut instinct."Why marry a poor when you can find a rich man just as easy?"Good work honey. I agree with Sammy mostly... I expected the effects to be terrible... the film was made in 1953. I also had never seen a Marilyn Monroe film, and she did a great job in this. She was very funny as a blind lady. She did make me laugh quite a lot throughout. The acting was good apart from Betty Grable. I thought she let the film down. She could have done better. The story was OK, but I thought it could have had a bit more happen, although I found it amusing how she rented out an apartment and sold the landlord furniture. You couldn't get away with that these days.I agree with Sammy and will give it 6 out of 10.For more reviews, please check out my Facebook page:https://www.facebook.com/pages/Ordinary-Person-Movie- Reviews/456572047728204?ref=hl