Noutions Good movie, but best of all time? Hardly . . .

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Michael_Elliott Petey Wheatstraw (1977) ** (out of 4) Rudy Ray Moore is back, this time playing the title character, a comedian who is doubled crossed by a couple jerks. Petey is shot dead in the streets and his spirit is visited by Lucifer who offers him a deal. If Petey agrees to marry his daughter and have a son, Petey can continue life and be given a magical pimp stick. Petey takes the deal and enjoys the powers that the stick gives him but when it comes time to pay he wants no part of Lucifer's daughter.After DOLEMITE and its sequel THE HUMAN TORPEDO, Moore found himself playing a new character and while it's not nearly as entertaining as the earlier movies, if you're a fan of the comic then there's plenty to enjoy here. If you're coming to this film expecting to see anything like THE HUMAN TORPEDO then you had better check yourself because this film is something completely different. As wild as the story sounds, the film is actually pretty straight-forward without too many campy or over-the-top moments.The direction they took this film is somewhat shocking because it barely registers a R-rating until the final fifteen-minutes when we finally get some exploitation moments including a weird orgy sequence and some nudity. Everything before that is pretty much a straight but bizarre drama dealing with Petey being murdered but then given a chance to seek revenge on the men behind it. All of this is played rather straight and it is entertaining but I'm just not sure the blaxploitation crowd are going to enjoy something straight when it comes to Moore.The film finally reaches some high marks at the end when Lucifer and his servants come for revenge. The make up on the devils is quite generic but it makes for some fun. As usual Moore doesn't give a great performance but he's certainly quite the character and he manages to make the role fun and keep the viewer interested in what's going on. The supporting cast is nice and for the most part fans of Moore should enjoy this one.

Joseph P. Ulibas Petey Wheatstraw (1978) marks the end of Rudy Ray Moore's great run at independent film making. The 70's were about to end along with the great era of self produced films. The big movie companies were about to crush the small market studios once and for all.Enough soapboxing on with my behalf, let's get on with the brief review. Rudy Ray Moore plays a signifying performer who some how manages to get mixed up with the Devil's personal affairs. He makes a deal with old Lucipher (watch the film to get that joke) and tries to welsh on his end of the deal. This film is flat out funny. Loosely based upon one of his stand up skits (Dolemite and the Human Tornado were also based on stand up routines)and technically sound (for a low budget production) Petey Wheatstraw is a must watch.I highly recommend this film.

batzu some of the most racially offensive acts on film, beautiful! see this movie, and everything else rudy ray did in the 70s, you won't be disappointed. (spoiler) the opening scene has petey being born (as a 7 or 8 year old boy) following a watermelon. then he gets p***ed at his daddy for being hit in the head when ever his parents got busy. unflinchingly ridiculously over the top hilarity. the theme song is great also!

Roddy95 A true film classic. Rudy Ray Moore stars as Petey Wheatstraw, a man who makes a deal with the devil and agrees to marry his daughter (the ugliest woman alive) in exchange for his life. The only film that rivals Petey Wheatstraw as best blaxploitation film is Black Belt Jones. Moore, as well as all of the other regular Dolemite regulars, are superb... their best work yet. A certain must see for anyone interested in fine black cinema.