Tripwire

1990 "Revenge takes no prisoners."
5| 1h27m| R| en| More Info
Released: 12 January 1990 Released
Producted By: Columbia Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A band of ruthless international terrorists led by Josef Szabo hijack a speeding railroad train loaded with a full arsenal of powerful military weaponry capable of threatening world peace. The only hero who can stop the terrorists' scheme for world domination is Jack DeForest. During the battle between good and evil the hero DeForest accidentally kills the son of the Szabo. Seeking revenge Szabo locates DeForest’s family, murders his wife and kidnaps their teenage son thereby turning their fight it into a personal vendetta. So, DeForest must fight not only to save the world, but for his only remaining family.

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Reviews

Wordiezett So much average
Stellead Don't listen to the Hype. It's awful
TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.
Comeuppance Reviews Jack DeForest (Knox) is a take-no-prisoners FBI agent who's out to stop an international ring of terrorists led by the fanatic Szabo (Warner). Szabo's goal is world domination by means of smuggling all kinds of dangerous arms. Helping him are his henchman Hans (Mortensen) and the beautiful Trudy (Lewis). Even street thugs like Turbo (Richardson) go up the ladder to Szabo, who has his fingers in all sorts of illegal activities. Naturally, this doesn't sit well with the tough, no-nonsense DeForest, whose rogue ways...well...cause him to go rogue in pursuit of justice. Captain Pitt (Kotto), of course, doesn't approve of his "cowboy" tactics. But in a weirdly personal twist, while in pursuit of Szabo, DeForest kills his teenage son. So in revenge, Szabo kidnaps and brainwashes DeForest's son and forces him, through constant druggings, to be a part of Szabo's criminal network. So now DeForest must rescue his own flesh and blood, while attempting to "deforest" the terrorist network. Can he do it? Tripwire is a minor undiscovered gem in the world of video-store action. It starts with a bang, an extremely impressive chase sequence. After this wheelie-popping' intro, the stunts and parade of familiar names in the cast keep things afloat. Truth be told, it does sort of run out of steam in a couple of places, but on the whole, Tripwire is a strong entry in the "I've never heard of it" action sweepstakes. Another thing that helps the movie is some of the more off-kilter directorial touches, thanks to James Lemmo, a man known for his associations with Abel Ferrara and William Lustig. For example, for the first seven minutes of the movie, there is no dialogue. There are some unusual camera moves as well later on, and the performance of Yaphet Kotto is oddly naturalistic.The movie continues to hit all the right notes, as exemplified when DeForest is kicked off the force, and becomes a down and out...wait for it...PUNCHFIGHTER! We always appreciate some unexpected Punchfighting. Knox plays an impressive hero, and gets in some good dialogue. Rounding out the impressive cast are cameos by Meg Foster and none other than Tommy Chong. Of course, DeForest has a young punk son who cranks up his 80's metal on his boombox and has Frank Zappa posters on his wall. But all of that aside, if you were in a video store in the golden year of 1989 and saw Tripwire's box art, how could you NOT rent it? It's impressive - and also similar to the Lemmo/Lustig vehicle Hit List (1989). Something about dudes being dragged from cars must really fire them up. Well, color us impressed.Tripwire is another example of why the 80's were so fertile and rich with entertaining action. It's only now that we're sorting it all out and enjoying everything from that time period. And despite a few minor missteps, it's finally time that Tripwire had its moment in the sun.
Genevieve_X Okay, this is one of those 'tick the box' films. Evil terrorist, shady mid eastern organisations, "hot shot" FBI agent playing by his own rules, son who is moody and listening to bad metal music because dad is never around, black police chief. I could go on ... and I will - loads of opportunities for set up fights, where just shooting someone would've been much more logical, oh too obvious plot introductions that set the scene for "a-ha" moments later, the loose cannon cop sacked from "the feds" and takes up bareknuckle boxing "somewhere near Arizona (or wherever"), evil dudes called "carlos" and "el tigre". Yep, it is just that bad. Who funds these things????? But really funny and worth it for the 1980s kitsch.
ccthemovieman-1 This had Class B written all over it, yet it was still very entertaining and not a bad action film. For an R-rated film, it was surprisingly free of some things you normally see and hear. Some of the scenes in the bars were crude and the beginning had Rambo-like violence with little credibility, but the majority of this was a well-done film.A big thing it had going for it: it should keep everyone's interest all the way. It certainly did with me. This is an unknown movie, a real "sleeper." You can kind of guess that since there are only two of us who have reviewed it, as of this writing.The opening scene is real attention-grabber: six minutes of almost no dialog and a wild action. That about sums up the film: pretty wild. The lead actor, Terrence Knox, is not someone I was familiar with, but he was okay. I was sorry David Warner didn't have more lines as he's usually interesting and I was surprised Yaphet Kotto's character kept his cool. I kept waiting for him to blow up.Note: the cover on the VHS box is misleading. They show the hero being dragged by a truck. In the film, that happens to the bad guy, not him.
ChoiBaby Ruthless international mercenaries trained to kill have decided to hijack a speeding railroad train loaded with a full arsenal of powerful military weaponry capable of threatening world peace... The only hero who can intercept the villains' scheme for world domination through the endangering of the human population is the irascible Jack DeForest (Terence Knox). He's an over-the-counter secret agent working for the U.S. Government who must thwart left-wing terrorists led by Josef Szabo (the ever-reliable David Warner).However, the battle between good and evil has escalated into a personal fight of reprisal when DeForest accidentally dispatches the son of the notorious terrorist Szabo. This gruesome murder of the terrorist leader's loved one has instigated plenty of evil's unprecedented wrath! Seeking an all out retribution, Szabo launches an attack pinpointing DeForest's family...resulting in the untimely murder of Jack's wife and the abduction of their only teenage son...Now, DeForest must fight not only for his country...but for the one he truly cares about...TRIPWIRE will not win any awards for creativity, novelty in the storyline or even for longevity. TRIPWIRE, unfortunately will not stand the test of time. Thanks to this film's dearth of originality, it will relinquish on the video shelves along with hundreds of mind-boggling action films.That, having been said, I was pleasantly surprised to find TRIPWIRE to be a not-so-bad thriller. TRIPWIRE is an action-packed tale with lots of standout moments from the eye-opening intro involving breathtaking motorcycle stunts to the taunting conclusion. The exhilarating skimobile pursuit between the protagonist and a fugitive is fun to watch as well.TRIPWIRE is a complex thriller which entertains just as easily. Character development is rather innovative throughout, with DeForest's son as among the best characters. The actor is great portraying a troubled teen. David Warner as well chews the scenery as a hard-bitten, very bitter terrorist who vows revenge on the one responsible for the untimely murder of his son.Considering this movie's limitations with its low budget and the anonymity of this motion picture to the general public, TRIPWIRE is a well done action film with an even pace and characters who are not so repellent. The film is on-target all the way from the explosive, high-caliber overture to the screen's fade out... This movie is worth a look for genre fans.RATING: **1/2 out of ****.

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