My Family

1995 "Three generations of dreams."
7.3| 2h8m| R| en| More Info
Released: 03 May 1995 Released
Producted By: New Line Cinema
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Traces over three generations an immigrant family's trials, tribulations, tragedies, and triumphs. Maria and Jose, the first generation, come to Los Angeles, meet, marry, face deportation all in the 1930s. They establish their family in East L.A., and their children Chucho, Paco, Memo, Irene, Toni, and Jimmy deal with youth culture and the L.A. police in the '50s. As the second generation become adults in the '60s, the focus shifts to Jimmy, his marriage to Isabel (a Salvadorian refugee), their son, and Jimmy's journey to becoming a responsible parent.

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Reviews

BootDigest Such a frustrating disappointment
Beanbioca As Good As It Gets
CrawlerChunky In truth, there is barely enough story here to make a film.
TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
SnoopyStyle Paco (Edward James Olmos) recounts three generations of his Mexican-American family. His father José Sanchez walked to L.A. where he marries his mother Maria. During the Great Depression in 1933, Maria is forcibly deported despite being a citizen. She is pregnant and Chucho is born in Mexico. It took her two years to return. In the late 50s, the large family is starting to clash. José kicks out his rebellious son Chucho (Esai Morales) out of the home. Chucho gets into trouble and killed by the police. Paco served in the Navy. Twenty more years later, youngest son Jimmy (Jimmy Smits) gets out of prison for armed robbery. Daughter Toni has left the nunnery and married priest David Ronconi (Scott Bakula). They're concerned about Salvadoran refugee Isabel.The movie can feel a little rambling stretching out over such a long time period centering on the various characters. Each section has a compelling story. The first section is the epic journey for Jennifer Lopez. The second part is Esai Morales and the third is Jimmy Smits. Together, it paints a grand portrait of an American family.
janfilmfan "My mother believed everyone who got out of the house left something on the empty chairs," or something like this the narrator gives us. It seems that director Nava has watched a few hundred movies, and picked out one or two things from each of them. Be ready for a bunch of cliché's, as in words, situations and play. Maybe when you've not seen that much it will be a joy to watch. If you've seen the same films as Nava, it's getting harder. Me and my wife couldn't help sighing out loud with another birth or death. The Oscar was for make-up. As in an old Dutch pop record: "You mind about your make up, but you better make up your mind."
Vitor-18 This is one of the best Latino movies I ever see. Story is great and the problems are real. The characters are well played. If you like "the goodfather" here's the hispanic version!
Oscar-48 The following tender scene (in an otherwise male-oriented movie) is totally unexpected: Jimmy Smits is a macho and is busy with his car, his wife (Elpidia Carrillo) whom he only married so she wouldn't be deported, comes up to him and changes the music in the cassette-player. She tries to get him to dance with her, right there on the street. At first he doesn't want to, but the way by how she finally succeeds is really a must to see. He even asks her at the end of the dance "Will you teach me how to salsa?". For only this scene one should rent the video, the rest of the movie isn't bad either!