Hottoceame The Age of Commercialism

Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.

Raymond Sierra The film may be flawed, but its message is not.

renatajohnsonqueenbae This movie is damn hot. Ok yes, the main dude is not all that likeable, but the passionate love scenes are creative and steamy as hell. Even the prison ones are legit hot. Or maybe I'm just kinda sick. But this really is a well acted and poetically shot movie - based on a little known but super tight book. I loved this film, which sends all kinds of messages and makes you think about loyalty in a way that will leave your jaw hanging open.

rajkapoorrx lisa ray is seen with a man in bed room later she goes to the toilet and sits in closet . the man enters the room and kneels before her and kisses , lisa the man lifts up the woman's skirt and it is implied that he performs cunnilingus. They get up, she lifts up her skirt and he drops his pants, and they have sex standing up, his butt visible.before the first thrust she orders to GET INSIDE HER , man now filled with sexual feeling bursts his emotion his erected thing goes inside lisa a sound of satisfaction is given and she starts moaning violently as the man cont to thrust her severely and collapses on her back , lisa is deeply satisfied his performance and compliments him by saying i felt you swell you have touched ma heart

I_am_Alex ...was so that I could, in good conscience, tell everyone how horrible this movie is. I barely made it through twenty minutes before I started thinking to myself,"Wow, this is pretty bad.". And, to be honest, I would've given this movie 1 star if it wasn't for Esai Morales (though he had very little screen time). He's the movie's only well-acted role, which is a shame because I really like Gil Bellows...or at least I thought I did.While watching this I started thinking back to his part in "Shawshank Redemption" and realized it wasn't as good as I thought it was. Problem: his jail-house/tough guy act seems like it's just that, an act; his dialogue sounded like he was doing a very poor impression. Has he ever met someone who speaks like his character was SUPPOSED to? I doubt it, but maybe he should have.And, to make matters worse, they've managed to inject a little jail-house philosophy and make it seem nothing short of contrived, especially when you consider that the rhetoric was being spouted by a "rasta" who's accent was so strong that it seemed unnatural.I wouldn't normally slam a movie like this, but when I saw the movie it had a fairly favorable review. I felt like I was cheated and lied to, and I thought I should try to save someone the misery of having to watch this movie.I say BOOOOOOOO.

Jonathan Ross I was lucky enough to be invited to a pre-release screening of KKFF and where so many of these occasions have been disappointing, this was ninety-odd minutes well spent to say the least. Based on the novel by Joel Rose of the same name, it's the story is of Joe One-Way, a recovering heroin addict and convicted killer who is granted early parole due the arm-twisting, string-pulling antics of New York movie producer Markie Mann. Markie read the play Joe wrote whilst inside and wants to make it into a film. Things seem on the up for Joe until he meets Markie's wife, Fleur whose past is not unlike his own and their immediate connection seems to burn up the furniture from the off. Through a series of flash-backs, we see Joe go from being the young-and-in love occasional smack-dabbler, through to full-blown addict whose young wife can no longer bear to live with him and subsequently, the prison inmate who becomes inspired to write through his relationship with Clinique, his Jamaican cell-mate (played with a combination of cutting dry humour and eerie menace by Shaun Parkes). Upon his release Joe has to make good and combat his demons while at the same time putting them to paper as the pressure mounts for him to complete his script.While the film is exceptionally dark in places - Director Gareth Maxwell Roberts pulls very few punches in highlighting the obviously negative aspects of drug-abuse and prison life - it's an ultimately brilliant and touching tale of a man seeking redemption for the many terrible things he's done. Gil Bellows (who we've seldom seen on the big screen as of late) really comes into his own with the portrayal of such a conflicted character, seemingly leaving behind forever the fluffy, handsome persona he'd carved out during his years on Ally McBeal. Other notable performances are from Esai Morales whose presence as Markie is electric from the minute he arrives spouting producer talk with borderline-Wiseguy attitude, and Lisa Ray as Fleur whose sole purpose for being seems to be making every man in the audience fall in love with her.I'm told the film is being geared up for release in late 2008 and my advice to any self-respecting film lover is to see it at your earliest opportunity.