Lewis & Clark & George

1997 "Two guys. A sexy girl. A stash of gold. Sounds like trouble."
5.3| 1h22m| R| en| More Info
Released: 21 January 1997 Released
Producted By: Davis Entertainment Classics
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Budget: 0
Revenue: 0
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Synopsis

A sultry woman joins an illiterate killer and a brainy hacker, both escaped convicts, to search for gold.

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Reviews

Claysaba Excellent, Without a doubt!!
ThrillMessage There are better movies of two hours length. I loved the actress'performance.
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Abbigail Bush what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
lost-in-limbo Rose McGowen is one of those actresses who always have got me spellbound whenever on screen. For me it's the selling point of the dark, tongue-in-cheek neo-noir crossed southern cross-country road movie 'Lewis & Clark & George'. She radiantly plays George a mute, but her body language, kooky habits and that way she smokes that cigar is voluptuously presentable. It hard not to be infatuated, and there's one great sequence with her lip-syncing an old song number in the back of a pink Cadillac. Surrounding her are Salvator Xuereb and Dan Gunther as the two escaped cons. Xuereb brings random energy to his loose-wired, gun happy Lewis and Gunther's nerdy and squirmy take of Clark brings out the varying sides of the human nature between the three as they track down the hidden gold. Other than the three leading performances everything else falls down to being conventional even with its off-kilter and kinky strokes. The story (purely fantasy) is minimal with plenty of witty and trivial exchanges for comical effect (maybe they took a shine to Tarantino, but it reminded of the even better road movie that came out the same year 'Kiss or Kill') with numerous offbeat characters (look out for James Brolin, Paul Bartel, Aki Aleong and Art LaFleur) and fashionable objects. Even though it's thin on substance by virtually being tied up of bits and pieces, but it breezes by in no time nor does it outstay its welcome. It can get predictable (the usual mischievous and devious acts), but its relaxed vibe and stimulating character edge and chemistry are sure-footed. Writer / director Rod McCall uses some flashy, sped up (you know those hip) techniques (Michael Mayers smoothly rapid and inventive almost interpersonal photography style) and smartly inserts the rural locations into the action. Nothing about is fresh or stylish, but it's productively done for a slight production. The music soundtrack has a rock steady country swing that fits right in. A curious and involving low-key low-budget enterprise, but not without it lapses.
gulshan-1 This film has way too long been lying around until I decided to watch it and it was then I realized what have I been missing all along..this movie rocks!! and its completely twisted in every sense especially seeing all the 3 goof-ball characters, including the sexy Rose McGowan having fun whilst heading for the highway to kill..All you need to do is just sit back, enjoy the wild ride and have fun like they all did..it starts a bit obscure when you don't know where the film was going but then it promises to keep you on as you eagerly want to see what the players are are up to next..Cheesy as it intentionally made to be sauced with some classy old-fashioned tunes to suit its premises..overall, an Entertaining midnight movie that comes above its rank from from the other moderately budgeted road movie flicks like Delusion, Trouble Bound, American strays which are also meant not to be taken seriously...
great_sphinx_42 'Lewis & Clark & George' definately fits into a nitch- that of the black comedy road movie- but it does a good job of fulfilling the requirements of said nitch without becoming too generic. Rose McGowan is George, a gorgeous, deadly and mute young woman with a lot of tricks up her leopard-print sleeves. She has stolen a rare snake from a zoo, leaving her boyfriend to the devices of a mad bowler who proceeds to pursue her for the rest of the film. Not every character in this movie is a moron, as has been asserted. You can be pretty sure that George, at least, has a triple-digit I.Q. Lewis and Clark are a pair of escaped convicts, as different from each other as can be. Lewis is blond, illiterate, (it's a running joke that he keeps encountering and faking out other illiterate people,) and a cheerful murderer. Clark is dark-haired, a computer nerd, and would seem to have the sense of self-preservation Lewis lacks if not for the way he falls for George like a ton of bricks. They all share the desire to find a Mexican gold mine. There aren't any big mysteries here, except maybe how Rose managed to stay so pale shooting almost the whole movie in near-desert conditions. Fairly predictable things happen. It's a fairly predictable movie. Nonetheless, at least this predictable movie is fun while it lasts.
FredM Movies of this ilk are built on the false conceit that just below the surface of the social fabric of life in the US there is a pervasive swamp of bizarre and outright murderous personalities erupting haphazardly but daily through the surface and giving evidence of the "true" dementia ready to cascade quite randomly into "everyday" existence. There may be eight million stories in the naked city but most are damned boring and far more subject to quiet desperation than to blatant murder and mutilation. This is a young film maker's early effort but, hey, how about a little originality. The reality is that there is nothing new to the filmatic depiction of escaped gun-toting idiots, whores, and the David Lynch-like presumption that surrealism is more real than reality. I guess its just difficult to make good, interesting movies out of the humdrum disasters, desires, tragedies, and triumphs of un-extreme, mainstream life. But that is why intelligence, perception, and creativity are the necessary concomitants of achievement. Everbody in this movie is a moron. This is not hyperbole. Everybody in this movie (apart for a dog and one Mexican) is an outright moron. Every waitress, mailman, passerby, and, especially, cop is a pinhead. Check out Treasure of Sierra Madre, Bogie's Desperate Hours, any of Cagney's criminals, or It's a Mad, Mad, Mad, Mad World for the roots of this lightweight kill-a-thon. My God, its so predictable.